Fraulein Doktor

During the First World War, female German spy Fraulein Doktor (Suzy Kendall) and her squadron of saboteurs are assigned by German Intelligence Col. Mathesius (Nigel Green) to risked plan : to kill Lord Kitchener , obtain the Allied defense plans , and to rob the new French mustard-gas formula from its inventor . Fräulein Doktor herself comes off as interesting and particularly sexy, and her exploits , impacting the fortunes of nations in the high stakes game of WWI espionage . Fraulein Doctor with smouldering allure has relationships with high-ranking military officers, aristocrats , people with influential positions in many countries and even a lesbian romance with a key role , Dr. Saforet (Capucine) . Now she must go behind the enemy lines and get the enemy plans , posing as a nurse but Col. Foreman (Kenneth More) goes afer her . As the German army plans to use the new French mustard-gas on the battlefield during the upcoming German offensive commanded by Ludendorff against the Allied armies and the British secret service attempt to avoid it . Espionage that began with a kiss !The deadliest game of espionage ... where betrayal began with a kiss. Espionage... that begins with a kiss fires the fuse of the poison gas war ! .

Notable warfare movie set in WWI, in which the German intelligence sends a team of saboteurs to Allied headquarters in Belgium to steal the secret Allied defense plans and a female spy to Scotland to kill Lord Kitchener and other dangerous assignments , it contains intrigue , suspense , thrills , emotion and excellent battle scenes . This is a thought-provoking and intelligent war drama perfectly acted by strong cast and masterfully written by great writers as Vittoriano Petrilli (story) , H. A. L. Craig (screenplay) , Stanley Mann (uncredited) , Duilio Coletti (uncredited) and director Albert Lattuada himself . Although the story is inspired on real events , in a Mata Hari-style character , it's mostly a historical fiction , though Fräulein Doktor is loosely based on the life of Elsbeth Schragmüller who died of miliary tuberculosis in 1940 . It depicts a brooding study about spy word and futility as well as insanity of war , making a shattering accusation against the criminal military means by using the lethal mustard gas against the defenceless soldiers in the terrible trenches . Main and support cast deliver stunning performances . As Suzi Kendall gives a nice acting as a German female spy , known as Fraulein Doktor, who is tasked with stealing the new mustard-gas formula from its French female inventor and other misssions . While the support cast is frankly good with plenty of British and Italian actors such as : Nigel Green , Alexander Knox , Capucine , James Booth , Silvia Monti , Mario Novelli and Giancarlo Giannini .

Here stands out the emotive and stirring soundtrack by the great Ennio Morricone , though the initial music on the credit titles is really bizarre , but subsequently goes on his usual style . As well as colorful and evocative cinematography by Luigi Kuveiller, shot on location in Yugoslavia, Hungary and Dino de Laurentiis studios , Rome , Italy . This Italian/Yugoslavian co-production was very well produced by Dino de Laurentiis and competently directed by Alberto Lattuada. This was an Italian neo-realist film director and fully qualified architect. Co-founded the first film library in Italy, prior to working as an assistant to Mario Soldati. As director in his own right became noted for visual style . His subjects were intense dramas , and some often satirical, and others comedies directed against socio-political hipocrisy . He was a prestigious writer and director, known for La Chicharra (1980) , Padre putativo (1974) , Guendalina (1957), Il delitto di Giovanni Episcopo (1947) , Luces de Variete , Ana , La steppa , Il delitto di Giovanni Episcopo , among others . Rating : 7/10. Better than average , Well worth watching .

After seeing again Fräulein Doktor on NetFlix streaming video (before I cut that service, thanks to its notifying me two days ago of its massive pricing increase in September), I realize that this movie was nowhere near as good as I thought for years. So I am making a massive rewrite of my previous very positive review of this WWI spy movie. As others here at IMDb have commented, that brief scene of soldiers on horseback marching onto a gassed battlefield is very impressive, the group of seven or so horses wearing horse gas masks and protective body covers. The problem is the closing scenes in the final third of Fräulein Doktor on or near the battlefield wreck this movie.

In the end, the character of Fräulein Doktor is pushed of the stage by scenes of trench warfare, scenes of soldiers with the flesh on their hands being eaten away by poison gas and a subplot tossed in about German soldiers posing as French soldiers to break into military HQ to copy battle plans. While these goings on are happening, Suzy Kendall's Fräulein Doktor is busy running around in a nurse's uniform as part of a Spanish contingent of nurses on their way to the Western Front to treat wounded allied soldiers. Somehow the Doktor speaks Spanish perfectly, with no German accent.

Netflix's streaming video version of this movie seems to have included the full lesbian scene between Suzy Kendall and Capucine, a scene censored on TV airings of the movie. Capucine plays Dr. Saforet, who is developing a new poison gas. In the scene, Capucine kisses Kendall on the lips, hot stuff back then. The scene does serve a real purpose, to show how Fräulein Doktor gets her hands on the poison gas.

Another scene, not censored, shows Kenneth More, playing a British intelligence officer, telling a caught spy to either talk or the spy will play the Wall Game. The wall being opposite a firing squad, with little chance of the spy winning the game. That sort of cynical attitude played well across national borders in the Vietnam War era.

Fräulein Doktor is a demonstration of how, 40 years ago, the once great film industry in Western Europe could turn out movies that had broad appeal all over the world. In the late 60s, while the big Hollywood studios were on the ropes, Italy, France and England were turning out movies to fill the void left by Hollywood's decline. There were the James Bond pictures (Doctor No was a surprise hit in the USA, it was first released at the Century theater chain in NYC with a 99 cent afternoon admission price), the Clint Eastwood spaghetti westerns (with A Fistful of Dollars released by a distributor that never paid the Italian producers a dime) and French crime movies that usually went to art houses, with exceptions like The Sicilian Clan. And there were European co-productions like Doctor Zhivago and, of course, Fräulein Doktor. Fräulein Doktor was good enough that some viewers still remember the movie decades later, long after it was out of circulation.

Trouble is, my memories of Fräulein Doktor do not include the badly photographed battle scenes, the poorly done model work showing a warship in a storm, the terrible ending of this movie and the unnecessarily graphic scenes of soldiers' rotting flesh. Suzy Kendall, though, is just as beautiful as I remember her.

The gas attack scene is impressive without a doubt... and there is certainly here a chillingly accurate rendition of the horrors of war... The comparisons with later films such as Jacob's Ladder are fine as long as this one gets the nod as the superior one (no cheap letdown surprise in the end!).

But what makes this film stand out for me is that it breaks a barrier - an important one even for the ''sexy year'' of 1969...

For the first time ever to my knowledge we had two major female stars embrace in such a suggestive way it left nothing to the imagination and it was thus the first ''big'' sapphic display with two stars!

We would have to wait until the 80's for another such exhibition - Catherine Deneuve (the new Capucine?) and another Suzy (Susan Sarandon) in The Hunger.

Capucine was a major star - bigger than Suzy Kendall at the time. She had co-starred with William Holden, Peter Sellers and David Niven... To see her cast as this very sapphic Dr.Saforet was indeed... surprising.

Both actresses perhaps paid with their careers for their daring avant-gardedness here, in this most unique war film, or so it seems...

It seems more than passing strange that such utter dreck as "Dukes of Hazzard" and "The Hills Have Eyes" (the new version) can find DVD distributors while older - and far superior works such as this film - are nowhere to be found. With all the on-going debate about the morality (or lack thereof) of warfare, and interest in espionage (consider the multiple Jack Ryan, Bourne, XXX, and "Mission: Impossible" productions, this would seem to be an obvious choice for release on DVD. True, it LOOKS like a 1968 motion picture because it IS a 1968 motion picture. But style consideration aside, this is still a production that actually has something valuable to say, and has plenty of plots twists to keep an audience entertained. If nothing else, will SOMEBODY please consider getting the soundtrack onto some kind of CD, whether it be a compilation with other Morricone music or as a stand-alone. I don't know if industry people bother to read what we fans have to say about their products, but if you are reading this and other comments, please take us seriously. We are paying for your lavish homes with our hard-earned dollars spent on tickets, DVDs and CDs - give us what we want! All that said, if you are reading this and have not seen this film, lobby for it's release so you may see what those of us who have seen it are talking about. You will not be disappointed.

I am not ordinarily a fan of spy thrillers because the spies always seem to live in their own world oblivious to the realities of the rest of the world around them. But this film shows for the first time a spy who sees first hand the results of her work. There is blood on her hands literally as well as symbolically. It is interesting that the one time we see a spy coming face to face with the realities of their handiwork, it is a woman who is the spy.

Like others have mentioned, the battlefield scenes contain some of the most horrific scenes of war carnage ever shot. Not since Akira Kurosawa's "Kagemusha" has the futility and horror of battle been so profoundly depicted. No war was more futile and insane than the first world war, and the grisly images of melting skin and soldier's bodies spasming and writhing in agony are a perfect illustration of one of the biggest turning points in world history. War was no longer played according to rules or any standard of humanity. This is also poignantly shown in a scene when a German general reluctantly pins a medal on "Fraulein Doktor" because she'd killed Lord Kitchener and Kitchener had been a personal friend of his.

One has to put aside some of the 60s-style make-up and hairstyles, but most of the acting is very good and the whole movie will keep your attention all the way through to to the riveting climax. Id' rank this along with "Gallipoli", "Paths of Glory" and "King and Country" as one of the best WWI movies ever made. And to echo some of the other comments here.... I wish I had taped this!