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Les frères Rico

Titre original : The Brothers Rico
  • 1957
  • Approved
  • 1h 32min
NOTE IMDb
6,8/10
1,7 k
MA NOTE
Richard Conte, James Darren, Dianne Foster, Larry Gates, Kathryn Grant, and Paul Picerni in Les frères Rico (1957)
Theatrical Trailer from Columbia Pictures
Lire trailer2:24
1 Video
48 photos
Film NoirCrimeDramaThriller

Un comptable de la mafia à la retraite est de retour lorsque ses frères, qui ont récemment fait un tabac pour l'organisation, décident de s'adresser aux autorités.Un comptable de la mafia à la retraite est de retour lorsque ses frères, qui ont récemment fait un tabac pour l'organisation, décident de s'adresser aux autorités.Un comptable de la mafia à la retraite est de retour lorsque ses frères, qui ont récemment fait un tabac pour l'organisation, décident de s'adresser aux autorités.

  • Réalisation
    • Phil Karlson
  • Scénario
    • Lewis Meltzer
    • Ben Perry
    • Georges Simenon
  • Casting principal
    • Richard Conte
    • Dianne Foster
    • Kathryn Grant
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    1,7 k
    MA NOTE
    • Réalisation
      • Phil Karlson
    • Scénario
      • Lewis Meltzer
      • Ben Perry
      • Georges Simenon
    • Casting principal
      • Richard Conte
      • Dianne Foster
      • Kathryn Grant
    • 31avis d'utilisateurs
    • 31avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    The Brothers Rico
    Trailer 2:24
    The Brothers Rico

    Photos48

    Voir l'affiche
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    + 44
    Voir l'affiche

    Rôles principaux55

    Modifier
    Richard Conte
    Richard Conte
    • Eddie Rico
    Dianne Foster
    Dianne Foster
    • Alice Rico
    Kathryn Grant
    Kathryn Grant
    • Norah Rico
    Larry Gates
    Larry Gates
    • Sid Kubik
    James Darren
    James Darren
    • Johnny Rico
    Argentina Brunetti
    Argentina Brunetti
    • Mama Rico
    Lamont Johnson
    • Peter Malaks
    Harry Bellaver
    Harry Bellaver
    • Mike Lamotta
    Paul Picerni
    Paul Picerni
    • Gino Rico
    Paul Dubov
    Paul Dubov
    • Phil
    Rudy Bond
    Rudy Bond
    • Gonzales
    Richard Bakalyan
    Richard Bakalyan
    • Vic Tucci
    William Phipps
    William Phipps
    • Joe Wesson
    Mimi Aguglia
    Mimi Aguglia
    • Julia Rico
    • (non crédité)
    George Blagoi
    George Blagoi
    • Restaurant Patron
    • (non crédité)
    Bonnie Bolding
    • Stewardess
    • (non crédité)
    Nesdon Booth
    • Burly Man
    • (non crédité)
    Marvin Bryan
    • Ticket Clerk
    • (non crédité)
    • Réalisation
      • Phil Karlson
    • Scénario
      • Lewis Meltzer
      • Ben Perry
      • Georges Simenon
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs31

    6,81.7K
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    Avis à la une

    7masonfisk

    CONTE AS THE BROTHER WHO HAS IT ALL...OR DOES HE...?

    Phil Karlson's (Walking Tall/Ben) 1957 crime thriller starring Richard Conte. Conte is a successful businessman in Florida w/a happy home life (his wife however is infertile but they are in the process of adoption) & all of this is interrupted by a cryptic phone call summoning him to Arizona for a one on one conference. He goes & meets w/a man who has been pulling his strings for the majority of his & his family's life. It turns out Conte has been tied to the mob for some time & even though his current business concerns are legitimate, his brother (who's part of this capo's crew & has gone into hiding) has committed murder & the boss fearing if caught, will spill to the authorities decides to rub him out w/Conte's help. At first hoping his familial loyalty will convince him of turning over his brother (he actually believes him at this point), Conte instead flies out to California to warn a third brother to run away (even though his own wife is expecting) but all along as much as Conte tries to keep his movements close to his vest, the mob boss's minions are on him every step of the way. A demoralizing hero's journey is taken whereby the cold waters of reality wash over him in the worst possible way w/blood being the price to be paid. Conte is excellent here & his trek to the unknown plays like a travelogue of the worst kind as he city skips his way to a bitter truth. Co-starring James Darren (I remember him from TJ Hooker growing up) as one of Conte's brothers.
    8bkoganbing

    Takes The Word On Face Value

    Towards the end of the noir cycle director Phil Karlsen came up with a really good crime drama about three brothers all involved to a greater and lesser degree with organized crime. The oldest, Richard Conte, was at one time the syndicate accountant. But he's retired now, running a laundry the boys have set him up with. His biggest problem now is that he and wife Dianne Foster are trying to adopt a child.

    But brothers Paul Picerni and James Darren are still very much involved and at the dirty end of it. Picerni's a contract killer who just made a major hit and Darren drove the car. Darren's gotten married and disappeared and the syndicate heads are worried he'll turn state's evidence. His brother-in-law Lamont Johnson's already been to the District Attorney.

    Conte has faith and trusts in the big boss Larry Gates who's been close to the whole family Rico, including their mother Argentina Brunetti who took a bullet meant for Gates way back when. So when Gates tells him to find Darren, Conte takes it on face value.

    Of course it's all not that simple and it becomes a tragedy for The Brothers Rico all around.

    The Brothers Rico made in the Fifties as it was could have been an anti-Communist film. The syndicate seems to be really well organized, from Little Italy in New York, to Phoenix Arizona, to Miami, Florida, they've got Conte's movements all tracked. Karlson really builds the tension up as Conte seems to keep running into old acquaintances, but just keeps going on trust.

    Larry Gates who usually plays upright moral types on screen has that persona work for him as the syndicate boss who's just pulling the strings from coast to coast. His is the best performance in the film, followed closely by Harry Bellaver an amiable underboss in Phoenix who's just following orders.

    Kathryn Grant is in this film as Darren's bride. This year that The Brothers Rico came out, she became Mrs. Bing Crosby. She'd keep working a few more years, but after that retired to raise the Old Groaner's second family. She registers well in her role as a pregnant bride in love.

    The Brothers Rico is a gripping noir film, not one for the paranoid minded among us.
    8mossgrymk

    bros rico

    Despite a horrible happy ending that still leaves a bad taste in the ol noir mouth and some really crappy acting from Kathryn Grant and Dianne Foster director Phil Karlson, as per usual, manages to snatch steak tartar from the jaws of Hollywood sausage. I'm especially impressed at how this fine action director can create an atmosphere of tension and menace without resorting to undue amounts of physical violence. In the first two thirds of the film, other than a very brief scene of one of the Rico boys being beaten, most of the mayhem is of the psychological variety as we see the slow, painful education of Eddie Rico into his naivete regarding the ways and means of organized crime that he had foolishly thought he'd left behind. Ably dramatizing this inner conflict is Richard Conte, one of the giants of the noir and crime genres. From an eager desire to believe that crime boss "Uncle" Sid has his best interests at heart to his sagging realization that the opposite is the case, Conte gives us a believable and powerful study in the dangers of self delusion. Ably assisting are three fine but too often overlooked late 50s/early 60s character actors; Larry Gates, who usually plays avuncular professors and DAs, chillingly effective as Sid, "Naked City" regular Harry Bellaver as a corrupt big fish in a small Calif. Desert town pond, and Rudy Bond as his none too bright flunky. So even though the denouement sucks and I would have liked more exploration of the very sick Sid/Eddie relationship I think even Georges Simenon, upon whose novel this film is based, would not have minded watching. Give it a B. PS...Great moody, black and white cinematography from Burnett Guffey of "Bonnie/Clyde" fame. I like how he renders Coronado Calif. Into Miami.
    6hitchcockthelegend

    But Eddie you got even bigger troubles. You going to live.

    The Brothers Rico is directed by Phil Karlson and adapted to screenplay by Lewis Meltzer, Ben Perry and Dalton Trumbo from a story written by Georges Simenon. It stars Richard Conte, Dianne Foster, Kathryn Crosby, Larry Gates and James Darren. Music is scored by George Duning and cinematography by Burnett Guffey.

    Retired from the mob and happy in his new found family life, Eddie Rico (Conte) is pulled back into the underworld when word comes that his two brothers, who are still working for the syndicate, are wanted men.

    Coming at the end of the film noir cycle, The Brothers Rico sits somewhere in between noir and pure crime drama. Conte's character is a classic noir protagonist, a man who is unable to shake of his past and gets drawn into the dark underworld by family ties. Waiting there for him is a surprise, and not a good one at that. The script is very well written, which in Karlson's hands paints a sinister mob underworld operating right under the noses of everyday folk. There's much talking and very little action for most of the running time, but the dialogue is strong, always imbuing the narrative with a sense of menace, background characters are always a threat and violence implied looms over proceedings.

    However, in spite of it being well written and acted with great skill by Conte, Gates and the support cast, it's a dull visual experience and crowned off by a ridiculous "aint life grand epilogue". Top cinematographer Burnett Guffey is wasted here, the film is very minimalist in production, with the film often feeling like an episode of some TV cop show. There's a brief glimpse in the last five minutes of what Guffey could do, but that's it. Conte's character provides the ticket to the noir universe, but ultimately this represents the changing of the guard, a winding down of true film noir. From a viewpoint of the film being a crime drama that provides an observation of a crime syndicate as a real presence, Karlson's movie scores a more than safe 7/10. As a film noir, though, it barely registers and noir fans should expect a flat 5/10 movie. Rounded out I make it 6/10.
    7MOscarbradley

    Let down by the ending but otherwise a fine fifties gangster film.

    Phil Karlson may not be one of the 'great' American directors but he was a very fine genre director, specializing in tough, gritty gangster thrillers of which "The Brothers Rico" is just one. Richard Conte is the retired mob accountant who finds himself drawn back to his criminal past when one of his former associates asks him for a favour on the same day his brother confesses to carrying out a hit and Larry Gates is excellent as the mob boss who drags him back in. Others in a decent cast include Dianne Foster as Conte's wife, James Darren as the younger brother whose actions set the plot in motion, Kathryn Grant as Darren's wife and later director Lamont Johnson as one of the few 'good' guys.

    The source material was a story by none other than Georges Simenon though you probably would never guess it. This is a good, old-fashioned mob movie, the kind that would sit nicely on a double-bill with either Siegel's "The Killers" or Boorman's "Point Blank". Conte spends most of the movie chasing after Darren while Gates' heavies close in and until the end action is kept to a minimum. You could say this is an American gangster film reflected through a European art-house lens. With a better actor than Conte in the lead it might have been a classic but even with Conte it still exerts a grip while the excellent black and white cinematography was the work of the great Burnett Guffey.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Mimi Aguglia (Julia RIco), who plays Argentina Brunetti's (Mrs. Rico) mother, really is her mother.
    • Gaffes
      Gino follows his brother Eddie and then gets in Eddie's car so that they can talk privately. Eddie then drives to the beach. When Gino gets in the car, the wide shot shows a rear view mirror on Eddie's windshield. During the closeup while they are driving, the rear view mirror is gone. As they pull up to the beach, the wide shot again shows that the rear view mirror is back on the windshield.
    • Citations

      Johnny Rico: [to Eddie] Okay, okay, so nobody's blaming you. Let's just say something happened way back when, huh? So maybe I am gonna die, but Eddie, you've got even bigger troubles. You're gonna live.

    • Connexions
      Features Les soucoupes volantes attaquent (1956)
    • Bandes originales
      Let's Fall in Love
      (uncredited)

      Written by Harold Arlen and Ted Koehler (1933)

      Sung and hummed by Richard Conte in bathroom while shaving

    Meilleurs choix

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    FAQ14

    • How long is The Brothers Rico?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 18 avril 1958 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Italien
      • Espagnol
    • Aussi connu sous le nom de
      • The Brothers Rico
    • Lieux de tournage
      • Coronado, Californie, États-Unis(Street scenes when Eddie and Gino are driving)
    • Société de production
      • William Goetz Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 32 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.85 : 1

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    Richard Conte, James Darren, Dianne Foster, Larry Gates, Kathryn Grant, and Paul Picerni in Les frères Rico (1957)
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