Horror Hotel

The City of the Dead is a British made horror starring industry legend Christopher Lee.

It tells the story of a student studying witchcraft who decides to go to a sleepy town drenched in rich occult history. There she finds more than she could have ever expected.

The movie is years ahead of it's time, it looks great, it plays out perfectly and I walked away considerably more satisified than I expected.

It almost felt like a Hammer Horror except without any of the goofiness, in fact the film is really quite merciless by comparison and would have heavily stood out back in 1960.

A very enjoyable effort for all horror fans.

The Good:

Looks great

Very dark for its day

Perfectly paced

The Bad:

Ending is weaker than the rest

Things I Learnt From This Movie:

It's best to invite someone into your home after they're already in

Witches though bulletproof are vunerable to guns actually being thrown at them

Strangers rarely come to Whitewood...and for good reason. For it's inhabited with witches and warlocks...and Christopher Lee! He's absolutely menacing in his role of Professor Driscoll. Horror Hotel (aka: The City of the Dead) is a just an old fashioned horror story, it's even kind of creepy. I think this one is all about the atmosphere; a dark and rickety hotel located in an aging New England town that boasts an excellent use of fog that would make John Carpenter envious. It's something to be seen. Horror Hotel is slightly dated, but not too shabby. After all, "the basis of reality is fairy tales, and the basis of fairy tales is reality"

This film remains under-rated and under the radar for it's atmosphere, cinematography, and editing (especially one great match-cut).

The film opens on the New England village of Whitewood in 1692. The Puritans are getting ready to burn a witch. What makes this different? For one, nobody was ever burned at the stake for witchcraft in what is now the USA - they hanged them. But burning is much more creepy and cinematic. Also, they happen to be burning an actual witch - Elizabeth Selwyn. At first she begs for help from Jethro, a puritan in the crowd. Jethro is asked if he knows this witch. He says no. As she is burning, Selwyn sends up a prayer to Lucifer that she will serve him for eternity if he curses Whitewood for her sake. Jethro sends up affirmations to Lucifer too. Note to Jethro - after this burning is over you might want to leave town because praying to Lucifer with a condemned witch is just not good form in a paranoid conformist society such as 17th century New England.

Cut to present day (1962) and a professor (Christopher Lee) is lecturing students on this particular incident on his series of talks on witchcraft. One particular student says she wants to do some field work on this subject, and the professor directs her to Whitewood and to the innkeeper of the town's inn. When the student arrives she finds it forboding, and small groups of people gather in the street and stare at her. A ghostly fog shrouds everything. Let's just say our heroine gets more than enough field work to satisfy her thesis.

Soon, back home, her brother and boyfriend get concerned and they head to Whitewood too. Let me just say that this is one of those horror fllms in which the characters refuse to acknowledge the clues/warnings that would turn most of us in the opposite direction, but then we would have no movie if everybody had their curiosity tempered by self preservation.

With cinematography by Desmond Dickinson that is wonderfully atmospheric and eerie with one of the great inspired endings to a horror film.

Eeriest scene to me? When the innkeeper at Whitewood asks the young visiting coed if she would like to join the other guests in dancing and you see them spinning and pirouetting about in perfect synchronization as though they are decorative mechanical figures dancing in a jewelry box.

I'd recommend this one today. It really holds up and the horror - though not graphic at all - is very effective.

A true masterpiece and a perfect example of how imagination and desire can overcome a small budget in film making! "Horror Hotel", aka, "City Of The Dead" is one of my all-time favorite horror classics. Beautiful black and white photography, a stock pile of atmosphere, a literate script, terrific acting and chills galore! I have seen this gem many times, first when I was very young and caught it on the Late Show. It has had an effect on me everytime I see it. The plot seems familiar I am sure, a witches cult is operating in a small New England town but there is much more then that! From Christopher Lee to the chilling witch hunt and stake burning of the opening to the climatic battle with the coven in the graveyard. Outstanding! Mist and fog drown this small town and what strikes me most is that this entire production was studio bound!!! no location shooting, all done in a studio and it comes off without a hitch! I happen to have a copy of this film on video that I cherish. It's not a newly remastered, pristine copy. It's a copy that seems to have been copied from a television broadcast and I love it! It looks grainy, old, had pieces of hair and dirt on it and I wouldn't trade it for the world. It brings back great memories of films shown when I was young in the 60's and 70's and adds an extra dose of charm and atmosphere to the film. A true classic and one I highly recommend!

Having not taken much time to watch older movies of this genre, I was pleasantly surprised by how comprehensive the film was.

Black and white photography rarely seems to look this good, and has been one of the things that has turned me off such films before now. The visuals in City Of The Dead are so sharp and foreboding that they serve to accentuate the small town paranoia perfectly.

In terms of the characters, Patricia Jessel as Mrs Newlis and Christopher Lee as Prof Driscoll, are supremely sinister, whilst Venetia Stevenson as Nan Barlow, is hopelessly deserving of the viewers compassion as the witches prey!

I've come to love this film, not just for the sake of the film itself, but because it proved me so wrong in my assumption that most movies of this type/age are dull, it's incredibly watchable and tense.