En voyageant à bord du Transsibérien Express, un anthropologue et son rival doivent contenir la menace posée par la cargaison: un singe préhistorique qui est l'hôte d'une forme de vie qui ab... Tout lireEn voyageant à bord du Transsibérien Express, un anthropologue et son rival doivent contenir la menace posée par la cargaison: un singe préhistorique qui est l'hôte d'une forme de vie qui absorbe l'esprit des passagers et de l'équipage.En voyageant à bord du Transsibérien Express, un anthropologue et son rival doivent contenir la menace posée par la cargaison: un singe préhistorique qui est l'hôte d'une forme de vie qui absorbe l'esprit des passagers et de l'équipage.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
- Prof. Sir Alexander Saxton
- (as Cristopher Lee)
- Yevtuchenko
- (as Angel del Pozo)
- Maletero - Baggage Man
- (as Victor Israel)
- Natasha
- (as Helga Line)
- Konev - Conductor
- (as Jose Jaspe)
- Creature
- (as Juan Olaguibel)
- Russian Guard
- (as Jose Canalejas)
- Vorkin
- (as Jose Marco)
Avis à la une
The film was a surprise at its premiere, getting a large international cast, starring the two most representative actors of Hammer Films and obtaining great success at the global box office, dealing with a ferocious prehistoric monster that is transported on the Trans-Siberian train, when the monster awakens and comes to life, subsequently running rampant around the train and causing an astonishing carnage. Well directed by Eugenio Martin, specialized in this type of genre productions, he makes an impressive film, knowing how to use very well the train where the action takes place, the models, the characterizations of the actors, as well as the special effects with lots of guts and gore. The film not only has nothing to envy, but also resembles the Hammer productions at the time. It displays lots of guts and blood but it seems pretty mild compared to today's gore feasts. It's an unrelenting shock-feast laced with nice acting by the two Hammer genre's stars that deserves its cult status. Furthermore, magnificent Telly Savalas , before Kojak, as a crazed Cossack commander and Alberto De Menzoza as a Rasputin-style monk. Lively secondary cast is frankly cool, so the supporting cast is downright great, made up of well-known Spanish actors, such as: Alberto De Mendoza, Silvia Tortosa, Angel Del Pozo, Víctor Israel, Helga Liné, José Jaspe, José Canalejas, José Marco, Barta Barri, Jorge Rigaud, among others.
This unfolds a bone-chilling and suspenseful musical score by John Cavacas. Next to a lush photograph with juicy atmosphere by Alejandro Ulloa, but unfortunately it becomes too murky in some edited prints. Good work by makeup supervisor Julián Ruiz and evocative sets by Ramiro Gómez. The film was well and competently directed by Eugenio Martin or Gene Martin. He was an expert in horror films (Hypnosis, A Candle for the Devil, The Fourth Mrs. Anderson) and Spaghetti Westerns (Pancho Villa, Bounty Hunter, The Bad River Man). Rating: 7/10. Above average. It is a relentless feast of shocks with enjoyable performances by the two stars of the Hammer genre, well worth seeing. A very decent horror film that seems pretty tame compared to today's gore feasts.
Cushing and Lee are at their best, playing off each other like the twin horror icons they are! The story line is intriguing and quite original, providing an atmosphere of creeping dread to go along with its beastie!
EXTRA POINTS: For the Rasputin-like Father Pujardov (Alberto del Mendoza), who adds a heavy dose of hyper-religious blather and outright madness to the proceedings. Also, Telly Savalas makes a perfectly intimidating Cossack!
A unique and very influential horror film...
But Horror Express has a lot more to offer than just good acting. It's a powerful and fascinating story that delivers a good old fashioned amount of scares and atmosphere. The entire story takes place on a old train which is the ideal setting for a film like this. The old and noisy carriages create a unique atmosphere of claustrophobia and the `nowhere to run'-element is used to the max. The plotline itself surprisingly good and it keeps you alert during the entire movie. This is also thanks to the several other, interesting topics that are included in the movie like anthropology, religion and the evolution-theory. Sure, the entire screenplay is illogical and the plot contains as many holes as a small Swiss cheese but - seriously - who cares. I prefer this kind of silly inspiration and creativity a million times over the horror crap they make nowadays !! Horror Express is - simply put - a must see ! I'd even say it's essential viewing if you're looking for the highlights in the genre. It's original, creepy ( even pretty bloody and violent ), it contains enough humor to moderate things and most of all.it's very entertaining. Climb on board and find yourself a seat.Horror Express is one movie you won't regret watching !!
Now that I'm an adult, with plenty of gory movies under my belt, I've largely gotten over my childhood dread of this odd little film. And yet, "Horror Express" still packs a scary punch for me during its best scenes. The train setting is both romantic and claustrophobic, and the monster is effective in both its human and creature forms.
The script blends science fiction and horror to interesting effect, suggesting that the monster is some kind of "unholy" alien. I've seen a lot of horror/sci-fi hybrid stories on TV (in Kolchak, The X-Files, Doctor Who, etc.), but not too many in the movies - so "Horror Express" is fairly unique in its blending of genres for the silver screen.
This movie is also noteworthy for its first-rate genre cast. Of course, horror icons Peter Cushing and Christopher Lee are on hand (unusually, Lee has more dialog than Cushing - the reverse is usually true). But the really noteworthy piece of casting is Telly "Kojak" Savalas as a loud, bossy Cossack captain. To be honest, I think his glorified cameo is a little outrageous, and temporarily threatens to derail the film (pun entirely intended, I'm afraid), but ultimately he doesn't distract too much from the other, better-established characters.
Of course this is no masterpiece, but fans of what I call "good little horror films" should enjoy it immensely. It's got good ideas, scares, gore, eye candy, and cool actors - what more do you need, right?
Le saviez-vous
- AnecdotesPeter Cushing arrived in Spain for filming and immediately told producer Bernard Gordon that he could not do the picture, as he felt it was too soon after his wife's death. Christopher Lee convinced Cushing to stay on by reminiscing with him about the previous movies they'd worked on together, much to the relief of Gordon.
- GaffesThe opening credits say the movie takes place in Peking, but all the railroad station sets have signs that say "Shanghai" in Chinese. The cast's dialogue also refers to their train trip starting in Shanghai.
- Citations
Dr. Wells: [entering Saxon and Mirov's compartment with a shotgun] Thought this might come in handy.
Inspector Mirov: [sarcastic] Oh, good idea. Two of you together - that's fine. But what if one of you is the monster?
Dr. Wells: Monster? We're British, you know!
- Crédits fousIn the opening credits of the English-language VHS version, Christopher Lee's name is misspelled as "Cristopher".
- Versions alternativesDVD by Image Entertainment is 88 minutes long, the original theatrical version. DVD by Simitar Video is 85 minutes long, the television version.
- ConnexionsEdited into Time Tracers (1997)
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Pánico en el Transiberiano
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 300 000 $US (estimé)