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IMDbPro

La meneuse de jeu

Titre original : The Matchmaker
  • 1958
  • Approved
  • 1h 43min
NOTE IMDb
6,8/10
1,3 k
MA NOTE
La meneuse de jeu (1958)
Official Trailer
Lire trailer2:10
1 Video
20 photos
ComedyRomance

Ajouter une intrigue dans votre langueThornton Wilder's tale of a matchmaker who desires the man she's supposed to be pairing with another woman.Thornton Wilder's tale of a matchmaker who desires the man she's supposed to be pairing with another woman.Thornton Wilder's tale of a matchmaker who desires the man she's supposed to be pairing with another woman.

  • Réalisation
    • Joseph Anthony
  • Scénario
    • Thornton Wilder
    • John Michael Hayes
  • Casting principal
    • Shirley Booth
    • Anthony Perkins
    • Shirley MacLaine
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    1,3 k
    MA NOTE
    • Réalisation
      • Joseph Anthony
    • Scénario
      • Thornton Wilder
      • John Michael Hayes
    • Casting principal
      • Shirley Booth
      • Anthony Perkins
      • Shirley MacLaine
    • 31avis d'utilisateurs
    • 7avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos1

    The Matchmaker
    Trailer 2:10
    The Matchmaker

    Photos20

    Voir l'affiche
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    + 12
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    Rôles principaux33

    Modifier
    Shirley Booth
    Shirley Booth
    • Dolly 'Gallagher' Levi
    Anthony Perkins
    Anthony Perkins
    • Cornelius Hackl
    Shirley MacLaine
    Shirley MacLaine
    • Irene Molloy
    Paul Ford
    Paul Ford
    • Horace Vandergelder
    Robert Morse
    Robert Morse
    • Barnaby Tucker
    Perry Wilson
    Perry Wilson
    • Minnie Fay
    Wallace Ford
    Wallace Ford
    • Malachi Stack
    Russell Collins
    Russell Collins
    • Joe Scanlon
    Rex Evans
    Rex Evans
    • August
    Gavin Gordon
    Gavin Gordon
    • Rudolph
    Torben Meyer
    Torben Meyer
    • Alex, Headwaiter, Harmonica Club
    Orangey
    Orangey
    • Cat
    • (as Rhubarb)
    Ann Blake
    • Bit Role
    • (non crédité)
    Paul Bradley
    Paul Bradley
    • Waiter
    • (non crédité)
    Steve Carruthers
    Steve Carruthers
    • Patron at Harmonica Club
    • (non crédité)
    Peggy Connelly
    • Ernestina Simple
    • (non crédité)
    Lorraine Crawford
    • Younger Beauty
    • (non crédité)
    Franklyn Farnum
    Franklyn Farnum
    • Patron at Harmonica Club
    • (non crédité)
    • Réalisation
      • Joseph Anthony
    • Scénario
      • Thornton Wilder
      • John Michael Hayes
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs31

    6,81.2K
    1
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    10

    Avis à la une

    SkippyDevereaux

    What "Hello Dolly" should be

    This is the film that "Hello Dolly" strives to be but can't. Everything about this film is so sweet and Shirley Booth gives a performance that is just hilarious. I also like the way the actors talk to the audience every now and then. At least Miss Booth is more convincing as a middle-aged widow than Miss Streisand was. I wonder what "Hello Dolly" would have been like if they gave the part to Shirley Booth?
    gregcouture

    One can see why it was prime material for a musical treatment.

    "Hello, Dolly!", that marvelously overblown, elephantine 1969 movie musical starring Barbra Streisand, can trace its cinematic origins to this charming film, which, in its stage incarnation, had enjoyed a successful Broadway run a few years before.

    Paramount wisely employed the inimitable Shirley Booth to head the cast and, perhaps since she was no guarantee of big box office, despite her Academy Award for "Come Back, Little Sheba" (1952), they filmed it in VistaVision but not Technicolor. Too bad, because it's nicely mounted, smartly directed and well cast, with Paul Ford deserving of particular praise. His wonderfully humorous Horace Vandergelder makes one wish he'd been allowed to play the role again opposite Streisand (though, to be sure, he would have appeared to be much too old for Barbra, who was only twenty-seven years old when Twentieth practically bankrupted itself filming that monumentally successful Broadway bonanza.)

    Anyway, this version is genuinely charming and always repays a re-viewing. Its equivalent from a major American motion picture production company is almost inconceivable today, what with audiences whose tastes have been so brutally coarsened. Thank goodness there's a video version to pop into the VCR for those of us who'd occasionally like to take a bit of a holiday from all the troubles that beset us now.
    7bkoganbing

    Matchmaker, Match Thyself

    After a lifetime of arranging couplings for others Dolly Levi has decided it's time that she settle down with somebody. Her target in her sights is merchant Horace Vandergelder in turn of the last century Yonkers, New York. Of course Horace the old goat is looking at young Irene Molloy. What to do, especially since his young clerk Cornelius Hackl has eyes for her also.

    Shirley Booth who originated many parts on the Broadway stage, but had few screen credits up to that time takes over the role that Ruth Gordon played on stage in the 1955-1957 season for 481 performances. Another Shirley named MacLaine with few screen credits at that point to her name plays young Irene.

    And the object of all this fuss is potbellied old Paul Ford giving one of his patented bellowing performances. It was interesting to read how Ford had come to the acting profession rather late in life. He certainly is ham enough that you wonder why didn't do this all of his life. Ford had just completed a four year run as the harried and harassed Colonel Hall, object of many of Sergeant Bilko's con games in the Phil Silvers Show. For most of his career Ford was a blusterer whether here or in The Music Man or Never Too Late. He looked a lot like Edgar Kennedy, but his boiling point was always quickly reached.

    Anthony Perkins who really did other things besides Norman Bates in Psycho is just fine as the wistful young clerk at Ford's mercantile and he's partnered in his adventures by young Robert Morse who repeated his stage role as Barnaby Tucker.

    Of course most know The Matchmaker as the basis for Hello Dolly and seeing it now is like seeing Shaw's Pygmalion which for better or worse is now known as My Fair Lady without the songs. Still The Matchmaker is fun to watch for the nostalgically inclined.
    8jackmagicjck2

    Better Than the Musical;

    I enjoyed this much more than it;s musical counterpart 'Hello Dolly'. The cast is so much more likable. They have high energy but are not phony. Shirley Booth is like the lovable grandmother and not the diva like Barbra Streisand was. She kind of reminds me of Aunt Clara from 'Bewitched' she is not dopey but she is just so sweet lovable and gentle. While Streusand just kind of had this thing as if to hey look at me!!!!'Anthony Perkins is cute, and likable not dopey like Micheal Crawford. and Paul Ford, is a much more convincing portrayal of Horace Vandergelder then Walter Mathau. 'Hello Dolly' was too stagy and phony while this is just cute and upbeat. I would chose this over 'Hello Dolly' any day.
    8bjon

    Fabulous, even without the music!

    Well now, who are the only two people could pull it off playing Dolly Levi? There are only two: Carol Channing and Shirley Booth! "Shirley Booth??? Who's She?" Or maybe "Ah, come on!!!" Well it's true! Ms. Booth ranks up there right in the same spot with Carol Channing. What a gal! People who don't know who she was should take the time to see this film. It proves her innate talent for playing sappy frumps all the way up to lovable, hilarious, wisecracking characters. Oh, and did I forget conniving? There's a wonderful cast here supporting her as well. The costumes are superb, the timing is excellent.

    One thing I must mention here though is, that although I also consider Barbra Streisand a great talent, she seemed to be more or less mis-cast in the role in "Hello Dolly." She merely played herself. Shirley Booth fit the bill as a strong, rather overbearing character. I will repeat though that she had proved previously that she could play just the opposite.

    Another SB "must see." Even in black and white and with no music.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Shirley Booth was 60 years old when she played the part of Dolly Levi in this film. Her age was more appropriate for the character of a middle-aged widow than Barbra Streisand who took the part in the musical remake Hello, Dolly! (1969) 11 years later. Streisand was only 27 at the time.
    • Gaffes
      As he's preparing to leave Vandergelder's store, Joe Scanlon refers to Mr. Vandergelder as Mr. Handergelder.
    • Citations

      Dolly "Gallagher" Levi: Money, pardon the expression, is like manure. It's not worth a thing unless it's spread around, encouraging young things to grow.

    • Connexions
      Referenced in I Love Lucy: The Matchmaker (1954)

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    FAQ14

    • How long is The Matchmaker?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 14 août 1959 (Allemagne de l'Ouest)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • The Matchmaker
    • Lieux de tournage
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, Californie, États-Unis(Studio)
    • Société de production
      • Don Hartman Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 43 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.85 : 1

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