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Le trésor du pendu

Titre original : The Law and Jake Wade
  • 1958
  • Approved
  • 1h 26min
NOTE IMDb
6,8/10
3 k
MA NOTE
Robert Taylor, Richard Widmark, and Patricia Owens in Le trésor du pendu (1958)
Marshal Jake Wade aids outlaw Clint Hollister escape jail but Clint wants to know where Wade hid an old hold-up loot taken while both men were outlaws in the same gang.
Lire trailer2:04
1 Video
25 photos
DramaWestern

Jake, un ancien hors-la-loi devenu shérif, aide un ancien compère, Clint, à s'évader de prison. Mais Clint veut récupérer le butin qu'ils avaient dérobé ensemble et qui est caché dans une vi... Tout lireJake, un ancien hors-la-loi devenu shérif, aide un ancien compère, Clint, à s'évader de prison. Mais Clint veut récupérer le butin qu'ils avaient dérobé ensemble et qui est caché dans une ville fantôme. Il ne reculera devant rien.Jake, un ancien hors-la-loi devenu shérif, aide un ancien compère, Clint, à s'évader de prison. Mais Clint veut récupérer le butin qu'ils avaient dérobé ensemble et qui est caché dans une ville fantôme. Il ne reculera devant rien.

  • Réalisation
    • John Sturges
  • Scénario
    • William Bowers
    • Marvin H. Albert
  • Casting principal
    • Robert Taylor
    • Richard Widmark
    • Patricia Owens
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    3 k
    MA NOTE
    • Réalisation
      • John Sturges
    • Scénario
      • William Bowers
      • Marvin H. Albert
    • Casting principal
      • Robert Taylor
      • Richard Widmark
      • Patricia Owens
    • 50avis d'utilisateurs
    • 20avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Official Trailer
    Trailer 2:04
    Official Trailer

    Photos25

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    + 19
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    Rôles principaux17

    Modifier
    Robert Taylor
    Robert Taylor
    • Jake Wade
    Richard Widmark
    Richard Widmark
    • Clint Hollister
    Patricia Owens
    Patricia Owens
    • Peggy
    Robert Middleton
    Robert Middleton
    • Ortero
    Henry Silva
    Henry Silva
    • Rennie
    DeForest Kelley
    DeForest Kelley
    • Wexler
    • (as De Forest Kelley)
    Burt Douglas
    Burt Douglas
    • Lieutenant
    Eddie Firestone
    Eddie Firestone
    • Burke
    Fred Coby
    Fred Coby
    • Deputy
    • (non crédité)
    Gene Coogan
    Gene Coogan
    • Minor Role
    • (non crédité)
    Richard H. Cutting
    Richard H. Cutting
    • Luke
    • (non crédité)
    Roy Engel
    Roy Engel
    • Avery
    • (non crédité)
    Al Ferguson
    Al Ferguson
    • Minor Role
    • (non crédité)
    Rory Mallinson
    Rory Mallinson
    • Deputy
    • (non crédité)
    Reginald Simpson
    Reginald Simpson
    • Minor Role
    • (non crédité)
    Dean Smith
    Dean Smith
    • Soldier
    • (non crédité)
    Henry Wills
    Henry Wills
    • Cavalry Sergeant
    • (non crédité)
    • Réalisation
      • John Sturges
    • Scénario
      • William Bowers
      • Marvin H. Albert
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs50

    6,82.9K
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    10

    Avis à la une

    7ma-cortes

    Brilliant and tense Western drama with marvelous use of locations and top-drawer cast

    An awesome rugged Western masterfully directed by John Sturges including good main cast and agreeable secondary actors in which Marshal Taylor tangles with nasty bandit Widmark over a buried loot . It deals with outlaw Clint Hollister (Richard Widmark) getaways from prison with the help of a lawman with a dark past called Jake Wade , because once Clint did the same for him . Jake left Clint just after , but Clint finds him back and forces Jake by kidnapping his girlfriend called Peggy (Patricia Owens) to lead him to a loot Jake buried one year ago when he abandoned Clint . Hollister and his sidekicks (Robert Middleton, DeForest Kelley , Henry Silva) tie Jake and survey to no escape . Then Peggy learns all too quickly about Jake's dark past . When they arrive in the ghost little town where Jake hid the money, they have to fight off a bunch of marauding Indians .

    This exciting as well as robust Western contains tension-filled , juicy atmosphere , thrills , suspense , gun-play and an impressive final on a dead little town which was one of filmmaker Sturges's best moments . Magnificent western from the John Sturges/Richard Widmark team and their second collaboration , after ¨Backlash¨ and considered one of their best . Colour , music , scenarios , landscapes all marks well in this thrilling story about a compulsive outlaw who contends his old friend as well as his nemesis . It describes a long journey in which there are extreme characters combined with psychological observations and enriched by eventual ambiguity and a tense picture about dishonesty and badness . This particular Western only starred by a few characters contains an interesting screenplay by William Bowers based on the novel by novel Marvin H. Albert . By that time (1958) the picture was considered quite strong , tough , surprisingly violent ; today is deemed a classic film . And seems to be a great influence of wide range such as violence , a hard battle of wits among gunslingers and scenarios . The two stars , Robert Taylor and Richard Widmark , make nice adversaries . They are accompanied by a good support cast such as Robert Middleton , Henry Silva , Burt Douglas , Eddie Firestone and intimate ¨Bones¨ DeForest Kelley of Star Trek . Filmed in Cinemascope in colorful cinematography by Robert Surtees who gets to take from nature the maximum impacts as deserts , valleys , mountains , being wonderfully photographed . Being filmed on location in Alabama Hills , Lone Pine, Death Valley National Park,California, USA . Breathtaking background scenarios , dramatic close-up along with shining illuminations , all of them perfectly mingled with a tale full of violence , tension , intrigue and shoot'em up .

    This top-drawer Western drama was compellingly produced by William Hawkes and stunningly realized by the master John Sturges , infusing the traditional Western with psychological confusion , including his characteristic use of landscape with wonderful use of Natural Parks which is visually memorable . Sturges established his forte with magnificent Westerns almost always plenty of action , violence , and splendid outdoors . Sturges began his directing career at Columbia Pictures, where from 1946-49 he he worked on "12-day wonders" ("B" pictures shot on a 12-day schedule). From there he moved on to MGM where he filmed more "B" pictures, albeit on a larger budget . He established an independent production company in 1959, releasing through United Artists. From 1960-67 he worked under contract for United Artists. His first major hit was the western Dog Day at Black Rock (1955) , which he shot in just three weeks, wrapping up virtually every scene in a single take . He specialized in robust action pictures, particularly westerns. He excelled at bringing to life tautly written stories about tough characters facing difficult circumstances . Throughout his career he regularly alternated hits with misses . He has also been criticized for his lack of stylistic trademarks , though his best films remain exciting to watch . Sturges was expert on all kind of genres , but especially warlike such as : ¨Great Escape¨, ¨Ice Station Zebra¨ and ¨Eagle has landed¨ and Western such as ¨Last train of Gun Hill¨, ¨Magnificent Seven¨, ¨Backlash¨, ¨Law and Jake Webb¨, ¨Joe Kidd¨ and Chino¨, among others . This high-level and Western will appeal to Robert Taylor and Richard Widmark fans .
    7helpless_dancer

    Greed over common sense

    Seems to me Widmark's character would have been money ahead to simply knock off another bank rather than go into injun country where the chances of dying were pretty high. However, this probably wouldn't have made any better of a film. Plenty of shooting, flying arrows, nasty killers, and as usual Widmark gives a stellar performance as a psychotic gunman intent on having his way no matter what.
    7Howlin Wolf

    Always on the run...

    'Old' Westerns aren't my favourite type of film - never have been, but if I had to make an exception for a classic example, right now this would be it. One thing in its favour from my point of view is that it tells a simple story which really boils down to one man versus another. Sure, both the title character and the baddie have cohorts, but the crux of the matter is that there's a score to be settled between the two leads. Joyfully, there isn't a posse in sight (unless you include the Indian encounter.)

    There's nothing' better than a man trying to atone for his past getting caught up once more with an old accomplice who won't let him forget it. What some call a wooden performance from Robert Taylor, I prefer to call 'relaxed'. I've seen him harshly judged in some quarters, but to me he was a likable presence - although it's true to say that of the two, Richard Widmark takes top honours. The final showdown is tense and competently strung out by Sturges. While it's not quite mano a mano, it IS one on one... To me, that's a good thing.
    9bkoganbing

    No Good Deed Goes Unpunished

    Some of the best westerns of the Fifties and Sixties were directed by director John Sturges. Sturges's films combined that rare blend of action for the kiddies with adult problems and issues.

    Here the problem is a debt owed or at least that's what Marshal Jake Wade feels towards Clint Hollister. Before Jake broke with the Hollister, it seems that Hollister saved him from a hangman's noose back when he ran with Hollister's gang. Jake hears about Hollister being arrested and sentenced to be hanged so he rides a piece and breaks him from jail.

    That squares it as far as the Marshal is concerned, but the outlaw leader has other ideas. Seems Jake ran off with the proceeds from the last job. No good deed goes unpunished in this life. Hollister re-unites with his gang and they kidnap the Marshal and his fiancée and force him to lead them to the money.

    You have to watch the film for the rest of this. If you're any kind of a fan of westerns, I think you'll know how this turns out.

    Robert Taylor plays the upright Marshal Jake Wade who could have let the whole thing slide and let outlaw Richard Widmark hang, but he feels a debt. It's a good part for Taylor as he was winding down his contract at MGM. Unfortunately Taylor doesn't figure that Widmark owed him something for running off with the loot. The two leads play well off each other.

    Rounding out the cast is Patricia Owens who is your typical crinoline western woman and the rest of Widmark's gang which included DeForest Kelley, Robert Middleton, and Henry Silva among others.

    Nice Saturday afternoon fare for all fans of the American western, like me.
    7Mickey-2

    Taylor and Widmark as adversaries in a search for hidden bank money

    "The Law and Jake Wade" was made in 1958 and starred Robert Taylor as a former outlaw who gave up the life of crime and became Marshal Jake Wade. Taylor's character is chased by a former outlaw associate, Clint Hollister, eagerly portrayed by Richard Widmark, who returns with two intentions; first, to find the stolen bank money that Wade had hidden in a job they did together, and then kill Jake Wade for causing him so much trouble in the first place. The outlaw gang's portrayers are Henry Silva, Robert Middleton, Eddie Firestone, and before his days in "Star Trek" DeForest Kelley, and all set out to find the missing money. There is, however, some Comanche Indians on the warpath, and the trek where Taylor is leading them to is also in the territory controlled by the Indians. All the elements for a watchable western are included in this one, and the viewer can also take in some views of the western wildlands. A nice 7/10

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      It looks like Richard Widmark is riding Pie, James Stewart's favorite horse.
    • Gaffes
      At the beginning, when Marshall Wade comes into town leading an extra horse, he throws that horse's rein onto the hitching post rail, and it drops right off. As he steps down from his horse, the other horse's rein is now tightly wound around the rail.
    • Citations

      Jake Wade: So tell me, Clint, if things had worked out differently - were you gonna give me a gun, or shoot me in the back?

      Clint Hollister: [pause] I was gonna give you a gun.

      Jake Wade: [flinging a handgun some distance away] There's your gun.

      Clint Hollister: I was gonna hand you yours!

      Jake Wade: Well, you like me better than I like you.

    • Connexions
      Referenced in A Majority of One (1961)

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    FAQ15

    • How long is The Law and Jake Wade?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 9 janvier 1959 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • El tesoro del ahorcado
    • Lieux de tournage
      • Alabama Hills, Lone Pine, Californie, États-Unis(location exteriors)
    • Société de production
      • Loew's
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 538 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 26 minutes
    • Rapport de forme
      • 2.35 : 1

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    Robert Taylor, Richard Widmark, and Patricia Owens in Le trésor du pendu (1958)
    Lacune principale
    By what name was Le trésor du pendu (1958) officially released in India in English?
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