A Majority of One

Looking at the film afresh as a mature adult, I'm now amazed I never realized that however excellent an actor Alec Guiness was, he simply looked ludicrous as an ersatz Japanese man. He appeared to have some sort of tightening device around his eyes so that they always looked closed! I guess that passed for generic Asian looks in those days. Too bad at the time James Shigeta was too young for the part; I kept visualizing him as an older man. That quibble aside, it is truly a heartwarming tale and well-performed by the wonderful Rosalind Russell and Mr. Guiness. Nice to see a regular-guy performance by Ran Danton, too, as the son-in-law. I'd always associated him with "Legs" Diamond and other unsavory characters he usually seemed to play. All in all, entertaining and drives home some important points about tolerance and family relations.

Warner Bros. cast movie stars Rosalind Russell, and Alec Guiness in this movie based on the hit Broadway play directed by long time veteran Mervyn Le Roy with very fine Warner Bros production values.

Rosalind Russell an Irish Catholic Yankee was cast as a Brooklyn Jewish Matron, the part played by Gertrude Berg on Broadway. There is a lot of mileage between Roz Russell and Gertrude Berg! English star ( and also Catholic) Alec Guiness was assigned to play the Japanese male lead. Ms. Russell had a lot of talent and is one of the most glaring examples of a great actress who never won an Oscar. Alec Guiness right off his great Oscar win in The Bridge On The River Kwai playing the English officer tormented by his Japanese captors is elegant and intelligent in his performance in this film. Due to the deft professionalism and talent do these two very fine Stars pull off their characterization's.

Gary Vinson and Sharon Hugueny both WB stars are listed in the credits but I only saw them briefly. Warners contract star Ray Danton is fine in this film.

Of course the producers needed some names to carry this, and after all, Guinness could play anything, right? Here we have Sir Alec in a variation on his standard Refined Exotic Man, very similar to his Prince Faisal in Lawrence of Arabia and Brahmin Professor Godbole from A Passage to India. On Broadway Mr. Asano was played by Cedric Hardwicke, so this was simply continuing established --and highly outdated-- practice.

At least the onstage Mrs. Jacoby was portrayed by Gertrude Berg, creator and star of TV's The Goldbergs (1949-1957), and the kind of little round Jewish mama one would visualize in the role. Roz does her best, but it's not just that she's doing Jew-Face to Guinness' Yellowface-- she comes across as gawky and vulgar rather than sweet and endearingly quaint.

As has been presented in innumerable interracial romances intended for white audiences, the potential shock is taken out by the knowledge that hey, after all, those actors are both white. Acting is pretending! Nowadays, however, audiences are more sophisticated and like a bit more realism.

Now, who would we cast in a new production of A Majority of One?

One of the great love stories of all time. If it is possible to fall in love with a movie I fell the first time I saw it. I did not have recorder at the time. I thought it might be a time filler when I saw the listing. I like Rosalind Russell and Alec Guinness so I tuned it in. I wish I had a recorder at that time.

It is wonderful movie. It starts with two elderly bigoted, hurt and angry people who go through trials and tribulations with her family and still get together in the end. They are hurt because of family losses during World War II.

It is a quiet romantic comedy that comes off beautifully.

If you like love stories, then this movie is a must.

This is a gentle little film that may have it's faults with the hindsight of 40 years, but is enjoyable, especially I feel to those that remember the post WW11 days.

Alec Guinness plays the part beautifully, with his usual master of the character, Rosalind Russel plays a good stereotyped Jewish Mother .... the other characters just fill in between the lines. The only character that I find fault with is 'Eddy' the No. 1 boy of the family in Tokyo. He is obnoxious and completely out of character with a real 'House Boy' of the times that was lucky enough to get a 'cushy number' working for an American Diplomat.

In these days of virtual reality with sex, blood and car chases being the three main criteria of movie making, this movie is like going to a stage production from the 50's...... gentle and enjoyable.