Dans la jungle, un savant fait des expériences avec le vaudou pour créer un être indestructible au service de sa volonté. Lorsque des chercheurs d'or arrivent au village, il se rend compte q... Tout lireDans la jungle, un savant fait des expériences avec le vaudou pour créer un être indestructible au service de sa volonté. Lorsque des chercheurs d'or arrivent au village, il se rend compte que le chef de l'expédition est le sujet idéal.Dans la jungle, un savant fait des expériences avec le vaudou pour créer un être indestructible au service de sa volonté. Lorsque des chercheurs d'or arrivent au village, il se rend compte que le chef de l'expédition est le sujet idéal.
- Réalisation
- Scénario
- Casting principal
- Ted Bronson
- (as Touch Connors)
- Susan Gerard
- (as Mary Ellen Kaye)
- Gandor
- (as Emmett E. Smith)
Avis à la une
This one here wasn't all that bad of a low-budget voodoo effort. What really gives this one a lot of enjoyable elements here is the fact that it really generates a pretty intriguing atmosphere with the use of the voodoo angle to really help sell this one's connection to the jungle setting here. This one gets that element off to a great start here with the opening voodoo ceremony being performed where the gathered crowd gets whipped into a frenzy as the ritual items placed on her and the enhanced dancing before the transformation makes which for a great start to this, and with the ever-present tribal drumming throughout here as well as the jungle- dwelling atmosphere that really helps to solidify the voodoo-filled atmosphere of this part of the film. As well, this also makes use of one of the strongest and most vital aspects of voodoo about it not being able to force someone to do something they usually wouldn't do, and it really sells this aspect of the religion by forcing a critical plot-point to come from this and to be able to stick to conventions is to be commended. Other fun here comes from the scenes with the voodoo-raised creature as the different resurrections in the bunker are incredibly creepy and the action scenes of it charging into villages and destroying everything are quite fun, though it's the finale that really sells this one. Bringing into play the ceremonial altar deep in the fog-enshrouded jungle, the wild dancing and chanting being quite fun and there's the fine set- pieces of capturing the wife as well as the different battles to be found at the ceremony which is where this one really makes for a great time here. With the fantastic creature design and the low- budget charms on display, this one is enjoyable enough to overcome the few minor flaws here. The main issue against this one is obviously the cheap, low-budget nature of the film which doesn't really make any part of this one look like anything else here except for a cheap cash-in. The sets, the simplicity of the locations and the whole atmosphere is so obviously and easily seen as such it really takes a lot out of the film in that state. Likewise, that continues into the overall length of this as the film takes on barely enough to reach the hour mark and really only gets there with only a few minor set-pieces that stretch that length out with the rather lame scenes of her being kept hidden in her room, the time- wasting scene in the motel room where they get held up from going on their trip and the scenes of them in the jungle wrestling for control with each other are quite lame and really just seem stretched out variations just to get it to a proper running time. These issues, along with the rather cheap look, all lower this one somewhat.
Today's Rating/PG: Violence.
* (out of 4)
Really bad film about a mad scientist in the African jungle turning a woman into a monster by using voodoo. I love these old "B" movies and AIP was always one of the best but this film here is just downright boring, slow and not interesting in anyway. The film is full of dialogue, which is poorly written and slows everything down. The performances are all equally bad but not bad enough to where we can laugh at them. The film is bad from start to finish but it never gets to the point to where you can laugh at it, which means the film is just hard to watch.
And Create a Mesmerized Monster.
The Unimpressive Creation is None Other than Paul Blaidsdale.
Wearing His Modified Left-Over Costume (with some shelf wear) from "The She Creature" (1956).
So Lackluster it is Carefully Hidden from the Camera.
Marla English is a Balls-to-the-Wall Killer and Gold Hunter who Orders the Men Around like Slaves and Dominates All Her Scenes.
Hidden Away in a Room Guarded by a Gargantuan Native with an Ever-Present Spear,
is a Platinum Blonde (there's one in every B-Movie of the 50's), Conway's Wife (Susan Gerard).
She Falls for "Touch" Conners in a Millisecond.
The Sets are Dark and Filled with Many Potted Plants with an Ominous, Swirling Smoke Filled Pit.
The Movie is in Motion Most of the Time and can be Fun if You Let It.
Pretty Awful even by Grade "Z" Standards.
Clocking in at a Whopping 87 Min. Its an Epic by Director Ed Cahn Measures.
For Fans of Schlock, 50's Horror, and All things Psychotronic...
Worth a Watch
For Others Feel No Guilt to Ignore.
Le saviez-vous
- AnecdotesFeatures the same monster from The She-Creature (1956), but this time wearing different face and a blonde wig.
- GaffesAt 3 minutes Zuranda is lying on a table with a Voodoo Doll on her chest. Chaka, The Witch Doctor picks up the doll and stabs it with a knife. When Zuranda screams in response, the doll is still on her chest.
- Citations
Dr. Roland Gerard: We're doing it Chaka. White man's science and the black voodoo.
- ConnexionsEdited into Les confessions d'un mangeur d'opium (1962)
Meilleurs choix
- How long is Voodoo Woman?Alimenté par Alexa
Détails
Box-office
- Budget
- 65 000 $US (estimé)
- Durée1 heure 17 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1