Dans les griffes du vampire

Whilst no one could lay claim to this film being a classic, it is unusual and entertaining enough to warrant viewing, and deserves credit for being different to the norm. Obviously shot on a very limited budget, it is nevertheless smartly scripted, and has a dark and brooding atmosphere which is helped enormously by the black and white photography. Whilst some of the acting is not exactly top-drawer, the film benefits greatly from an excellent performance by Michael Pate, whose menacing presence as the vampire, Drake Robey, still manages to elicit a certain degree of sympathy with the character's plight. It would also be unfair to overlook Eric Fleming's earnest portrayal of the brave preacher. He brings the correct degree of upright integrity to the character, and the film is certainly better for having these two actors in tow. This rarely seen film is worth catching, and is very much novel of its kind.

CURSE OF THE UNDEAD is a vampire western, complete with victims drained of blood and plenty of atmospheric woo-woo music. It's sort of like watching a typical TV western from the period, with the vampire elements added for fun. Does it work? Well, yes.

It's obvious who the bloodsucker is early on, since he sits on his horse mysteriously, and said horse moves in slow-motion. He's a gunslinger named Drake Robey (Michael Pate), who just happens to sleep in a coffin. When local woman Dolores Carter (Kathleen Crowley) offers a reward for the death of whomever murdered her father, Robey shows up, in spite of the fact that dad had a few familiar holes in his neck. Once in town, Robey runs afoul of the local preacher (Eric Fleming), setting up a true good vs. eeevil showdown.

This movie has a nice backstory, explaining Robey's accursed origin. Though there have been other such "crossover" films, this is certainly one of the best...

Glad I found this. A vampire western, might possibly be the first ever of it's kind. A pretty run of the mill Western story-line with a bloodsucking demon added for good measure. The acting and script are nothing great but enough to keep you amused. For lovers of horror, this really is a must see.

The combining of westerns with horror has not always made for great films. I mean, who can forget "Billy the Kid vs. Dracula" and "Jesse James meets Frankenstein's Daughter". The exception is "Curse of the Undead". This 1959 picture stars Eric Fleming as a frontier preacher who is confronted with a vampire in the form of a hired gun, portrayed with sinister, yet sympathetic overtones by Michael Pate.

The plot has some holes in it. For example, Michael Pate's character commits suicide after murdering his brother, which in turn condemns him for all eternity as a vampire...I mean, I have never heard of this premise for a person becoming one of the "undead". Also, the vampire of this movie can walk around in the daylight with seemingly no ill effects, and everyone knows that vampires absolutely cannot be exposed to sunlight, or they will be destroyed.

Despite these minor flaws, the movie actually has a good story and some good acting by Fleming as the preacher, Pate as the vampire/gunslinger, and Kathleen Crowley as the love interest caught between the two. I highly recommend this movie.

This western is one of the strangest in movie history and its weirdness is only surpassed by the infamous "Terror of Tiny Town"-- the first (and only) all-midget western! After all, this is a western about...VAMPIRES!!!

When the film begins, there is the usual sort of plot--a local baddie is trying to take control of surrounding ranches. However, what you come to realize is that that potential range war is actually being orchestrated by a third party. Drake Robey is in actuality a vampire and is using his vampirey skills to create chaos. However, along the way he finds himself falling for a local hottie. The only thing standing between her is the local preacher...the only one who has learned Robey's dark secret.

This is just one strange mash-up--vampires AND cowboys! Strange...but also reasonably interesting and worth seeing despite a few actors who aren't exactly talented. See this one...just to see one of the most unique films to come out of Hollywood.