Pendant la Seconde Guerre mondiale, un marine américain et une religieuse irlandaise, échoués sur une île du Pacifique Sud, forment une amitié improbable. Ils trouvent du réconfort en espéra... Tout lirePendant la Seconde Guerre mondiale, un marine américain et une religieuse irlandaise, échoués sur une île du Pacifique Sud, forment une amitié improbable. Ils trouvent du réconfort en espérant un sauvetage tout en évitant les Japonais.Pendant la Seconde Guerre mondiale, un marine américain et une religieuse irlandaise, échoués sur une île du Pacifique Sud, forment une amitié improbable. Ils trouvent du réconfort en espérant un sauvetage tout en évitant les Japonais.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 2 Oscars
- 1 victoire et 7 nominations au total
Avis à la une
Deborah Kerr had already played a nun in Powell-Pressburger's excellent "Black narcissus",and the part was tailor-made for her.The same goes for Robert Mitchum as a crude,simple,but with a golden heart marine.People cannot help but be struck with the analogies between "heaven" and "African queen" :both feature an odd couple,in jeopardy;that's why the former is overlooked today which is totally unfair.
The two characters are extremely endearing and,when the movie is over,it seems we've always known Sister Angela and Corporal Allison.I dig the line:"it's a gourmet's dish" when the nun is eating turtle soup.I love the way the scenarists show the analogies between a nun's and a marine's lives.The Garden of Eden metaphor is obvious,but the story subtly progresses,and the Snake's temptation happens late in the movie.
The cinematography is splendid,with a superb use of cinemascope,and Georges Delerue's score deserves admiration.Yes "heaven knows..." is certainly one of Huston's sleepers.But I wonder what Luis Bunuel would have done with such a screenplay.
Mitchum and and Kerr (she was nominated for an Oscar) are both excellent and have chemistry, as the film gradually turns into a love story/comedy. Mitchum's encounter with a turtle and Kerr's introduction to sushi are especially memorable. On paper, you would think this teaming would never work - Kerr playing one of her various governess/nun personalities, Mitchum being one of his various hard guy types with a soul, but they play off of each other marvelously and are paired in three more films after this, the last one being in the 1980s.
Oswald Morris did the fine cinematography. John Huston wrote the Oscar nominated screenplay, and four different composers were responsible for the musical score, which verges on being cute. Very worthwhile.
"Heaven Knows, Mr. Allison" is not a masterpiece, but it is one of my favorite movies ever. The beautiful story is a kind of Robison Crusoe in times of World War II, without Friday, cannibals or pirates, but a hardened marine, a gorgeous nun and Japanese. The story has war, adventure, romance and drama, and is supported by the awesome direction of John Huston and the stunning performances of Robert Mitchum and Deborah Kerr in the roles of endearing characters. Deborah Kerr deserved her nomination to the Oscar, but Robert Mitchum was forgotten by the Academy in spite of having a top-notch performance. My vote is eight.
Title (Brazil): "O Céu Por Testemunha" ("The Heaven as Witness")
Le saviez-vous
- AnecdotesWhen filming began, Robert Mitchum worried that Deborah Kerr would be like the prim characters she frequently played. However, after she swore at director John Huston during one take, Mitchum, who was in the water, almost drowned laughing. The two stars went on to have an enduring friendship which lasted until Mitchum's death in 1997.
- GaffesAs the barefoot Mr. Allison is walking through the first shack on the island, his shoes are tied together and hanging around his neck, but the sound is of shod feet walking on the floor boards of the shack.
- Citations
Cpl. Allison, USMC: You don't have to be afraid of me, ma'am. That was just drunk talk. I'd never hurt you! I'd rather *die* first!
- Crédits fousOpening credits prologue: 1944 SOMEWHERE IN THE SOUTH PACIFIC
- ConnexionsFeatured in Les Soprano: For All Debts Public and Private (2002)
- Bandes originalesRappa Kimigayo
(uncredited)
Meilleurs choix
Détails
Box-office
- Budget
- 3 000 000 $US (estimé)
- Durée
- 1h 47min(107 min)
- Couleur
- Rapport de forme
- 2.35 : 1