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5,4/10
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Ajouter une intrigue dans votre langueVolcanic activity frees giant scorpions from the earth who wreak havoc in the rural countryside and eventually threaten Mexico City.Volcanic activity frees giant scorpions from the earth who wreak havoc in the rural countryside and eventually threaten Mexico City.Volcanic activity frees giant scorpions from the earth who wreak havoc in the rural countryside and eventually threaten Mexico City.
- Réalisation
- Scénario
- Casting principal
Carlos Múzquiz
- Dr. Velazco
- (as Carlos Muzquiz)
Pascual García Peña
- José de la Cruz
- (as Pascual Peña)
Pedro Galván
- Father Delgado
- (as Pedro Galvan)
Arturo Martínez
- Major Cosio
- (as Arturo Martinez)
Quintín Bulnes
- Lineman killed on pole
- (non crédité)
José Chávez
- Train conductor
- (non crédité)
Roberto Contreras
- Chumacho
- (non crédité)
Fernando Curiel
- Pillo (foreman)
- (non crédité)
Ángel Di Stefani
- Military man
- (non crédité)
Alfonso Díaz Landa
- Military man
- (non crédité)
Jaime González Quiñones
- Boy in San Lorenzo
- (non crédité)
Leonor Gómez
- Villager
- (non crédité)
Bob Johnson
- Narrator
- (voix)
- (non crédité)
- …
Avis à la une
Black Scorpion, is another semi classic, 50s giant monster movie. It should have been called the scorpions that ate Mexico. If you enjoy other movies from the 50s that feature giant insects or other huge monsters wreaking havoc on mankind, you will also like Black Scorpion. You do have to keep in mind that this was made in 1957. Don't be looking for the thrills you can get from the special effects in today's horror movies. The movie has to be viewed within the context of the time it was released. For it's time, the special effects were great. This was truly a scary movie for it's time and continues to be exciting today. I found this to be a very entertaining movie and recommend it to anyone who enjoys the giant monsters of the 50s and early 60s. Enjoy.
Way above average giant insect thriller, mainly due to the awesome special effects of Willis O'Brien ("King Kong" - 1933). Three set-pieces are superb: the first appearance, rather unexpectedly, of heroine Mara Corday talking to telephone linemen, who soon are under attack, then the train wreck which is terrifying and bizarre, and the final confrontation in the stadium, featuring grand editing and surprising touches. Mexico setting works well, music and sound effects are exemplary, sub-Earth sequence featuring more creatures is eerie. Title refers to the largest creature in the climax, budgetary limitations revealing a black traveling matte, still mystical, with fascinating zoom-in camera shots. Some have faulted the scorpion's "drooling" close-ups, but I find them bone-chilling. Even the main titles are innovative - alternating flashing white/black letters on white/black backgrounds, set to gripping soundtrack. Defects: some poorly-executed process shots, and the leading actors, Corday, Richard Denning, and Carlos Rivas, are hammy and unsubtle and a Corday-Denning romance occurs too late in the script, especially after all the mayhem.
Volcanic activity in Mexico frees an enormous variety of scorpion from entombment in the Earth. The beasts proceed to terrorize the locals, and it's up to macho geologists Hank Scott (Richard Denning) and Arturo Ramos (Carlos Rivas) to help save the day. Naturally, Hank also has to spend whatever spare moment he's got romancing rancher Teresa Alvarez (Mara Corday).
You're assured a reasonably good time with 1950s genre perennials Denning ("Creature from the Black Lagoon") and Corday ("Tarantula") as the stars, and with Willis O'Brien of "King Kong" fame doing the stop motion animation of the creatures. Now, granted, it's slow to start, tends to get dialogue heavy at times, and the romantic subplot also helps slow down the pace while the movie should be building to a peak. But "The Black Scorpion" hits its stride at the beginning of the middle third, once the creatures make their appearance. If you're anything like this viewer, you'll be laughing with appreciation every time they make an appearance. (Especially when they're shown in close-up. I, for one, wasn't aware that scorpions drooled this much.) The highlight has to be the big set piece when Hank and Arturo descend into the scorpions' lair and encounter not just the arachnids, but a tentacled worm that was originally intended for use in the "ravine bottom" sequence in "King Kong". Some of the special effects are dodgy, but that doesn't apply to O'Briens' work, which is impressive as always.
Denning, Rivas, and Corday are engaging leads who receive capable support from supporting players Mario Navarro (as the annoying tag along kid Juanito), Carlos Muzquiz (as Dr. Velazco), Pedro Galvan as Father Delgado, and Arturo Martinez as Major Cosio. Navarro is appealing, but he's required to play a kid who only succeeds at putting himself in harms' way in his attempts to "help".
Not among the best "giant creepy crawlie" features of the 1950s, but it's still pretty good fun, with an appropriately rousing finale.
Seven out of 10.
You're assured a reasonably good time with 1950s genre perennials Denning ("Creature from the Black Lagoon") and Corday ("Tarantula") as the stars, and with Willis O'Brien of "King Kong" fame doing the stop motion animation of the creatures. Now, granted, it's slow to start, tends to get dialogue heavy at times, and the romantic subplot also helps slow down the pace while the movie should be building to a peak. But "The Black Scorpion" hits its stride at the beginning of the middle third, once the creatures make their appearance. If you're anything like this viewer, you'll be laughing with appreciation every time they make an appearance. (Especially when they're shown in close-up. I, for one, wasn't aware that scorpions drooled this much.) The highlight has to be the big set piece when Hank and Arturo descend into the scorpions' lair and encounter not just the arachnids, but a tentacled worm that was originally intended for use in the "ravine bottom" sequence in "King Kong". Some of the special effects are dodgy, but that doesn't apply to O'Briens' work, which is impressive as always.
Denning, Rivas, and Corday are engaging leads who receive capable support from supporting players Mario Navarro (as the annoying tag along kid Juanito), Carlos Muzquiz (as Dr. Velazco), Pedro Galvan as Father Delgado, and Arturo Martinez as Major Cosio. Navarro is appealing, but he's required to play a kid who only succeeds at putting himself in harms' way in his attempts to "help".
Not among the best "giant creepy crawlie" features of the 1950s, but it's still pretty good fun, with an appropriately rousing finale.
Seven out of 10.
Giant scorpions are unearthed by an earthquake and threaten to attack New Mexico. By the numbers script, but the acting is (surprisingly) good...it's just that the script is VERY dull. And when the giant scorpions (and worms and spiders) are on screen the movie is fantastic. These creatures look terrifying (the close ups of the scorpions' face are not pleasant) and the stop motion animation is superb. So...dull except when the monsters are on screen. Worth seeing for monster fans.
Another stop motion classic from the atomic age. Giant scorpions awakened by volcanoes menace Mexico. You think a swarm of giant scorpions is bad, wait until you see the biggest and baddest of the bunch...The Black Scorpion!!
Willis O'Brien (the effects genius from King Kong) gets more than alittle help from Pete Peterson animating these arachnid monstrosities in all their stop-motion glory.
The effects were very well done, but unfortunately the transparent matte shots of the Black Scorpion entering Mexico City are terrible. Almost to the point where it ruins the movie. As is the constant (once or twice would be enough) close up of the scorpions face (which is a drooling animated prop). It would have been wonderful to see the Black Scorpion trashing buildings and attacking people in the city rather than a poor matte shot of the scorpion running through the streets.
Still overall a very enjoyable flick. The acting was actually pretty good compared to most of the genre films from the time.
The best scene from this film (hands down) was the descent into the underground lair of the scorpions, which also features not only a giant freaky worm, but a huge freaky looking trapdoor spider as well! The spider and worm prop were from the famous deleted "bottom of the ravine" scene from King Kong. So this is as close as you're going to get to reliving that infamous lost scene. Other great sequences include two scorpions battling the giant worm in a fight to the death, the scorpions swarming over and attacking a train at night, the Black Scorpion slaughtering the smaller scorpions, and the climatic fight between the Black Scorpion and the Mexican military in a soccer stadium.
I miss these kind of movies!
Willis O'Brien (the effects genius from King Kong) gets more than alittle help from Pete Peterson animating these arachnid monstrosities in all their stop-motion glory.
The effects were very well done, but unfortunately the transparent matte shots of the Black Scorpion entering Mexico City are terrible. Almost to the point where it ruins the movie. As is the constant (once or twice would be enough) close up of the scorpions face (which is a drooling animated prop). It would have been wonderful to see the Black Scorpion trashing buildings and attacking people in the city rather than a poor matte shot of the scorpion running through the streets.
Still overall a very enjoyable flick. The acting was actually pretty good compared to most of the genre films from the time.
The best scene from this film (hands down) was the descent into the underground lair of the scorpions, which also features not only a giant freaky worm, but a huge freaky looking trapdoor spider as well! The spider and worm prop were from the famous deleted "bottom of the ravine" scene from King Kong. So this is as close as you're going to get to reliving that infamous lost scene. Other great sequences include two scorpions battling the giant worm in a fight to the death, the scorpions swarming over and attacking a train at night, the Black Scorpion slaughtering the smaller scorpions, and the climatic fight between the Black Scorpion and the Mexican military in a soccer stadium.
I miss these kind of movies!
Le saviez-vous
- AnecdotesA typical Willis O'Brien touch - in a long shot of the cage descending into the cave, a tiny stop motion bat flies across the screen. Only O'Brien would add another day's work to a scene where it would be barely noticed.
- GaffesMost likely due to budgetary issues, the voices of the opening sequence's narrator, the police radio dispatcher, the radio newscaster, and the public address announcer are all the same. Specifically, it belongs to Bob Johnson, best remembered for being heard in the opening sequence of most episodes of Mission impossible (1966) ("Good morning, Mr. Phelps...").
- Citations
Hank Scott: [after hearing an onimous noise] Ordinarily I've got nothing against moonlit nights, but I'll be glad to get by this one.
- Crédits fousThe Warner Bros. logo does not appear at the beginning of this movie.
- ConnexionsEdited into FrightMare Theater: The Black Scorpion (2017)
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- How long is The Black Scorpion?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The Black Scorpion
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 28 minutes
- Couleur
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By what name was Le scorpion noir (1957) officially released in India in English?
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