NOTE IMDb
6,0/10
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MA NOTE
Une mission envoyée pour sauver la première expédition habitée sur Mars est envahie par une forme de vie inconnue, qui s'embarque sur le navire de sauvetage.Une mission envoyée pour sauver la première expédition habitée sur Mars est envahie par une forme de vie inconnue, qui s'embarque sur le navire de sauvetage.Une mission envoyée pour sauver la première expédition habitée sur Mars est envahie par une forme de vie inconnue, qui s'embarque sur le navire de sauvetage.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Shirley Patterson
- Ann Anderson
- (as Shawn Smith)
Stuart Hall
- Reporter
- (non crédité)
Mike Morelli
- Reporter
- (non crédité)
Monty O'Grady
- Reporter
- (non crédité)
Bert Stevens
- Reporter
- (non crédité)
Pierre Watkin
- Spokesman at Press Conference
- (non crédité)
Avis à la une
When I first saw this film on late night TV, I was hypnotized by its atmosphere and clean, deceptive surfaces. There was a lot of light and shade and the monster was kept off-screen for as long as possible. The claustrophobia of the situation eventually got to me and I didn't survive my first screening. When the film screened again, I survived it, and I enjoyed the suspense. I liked the monster, too, because at seven year's old, I was oblivious to the zipper up the back.
Even now, I still like "It The Terror From Beyond Space". Clearly, along with van Vogt's 'Voyage of the Space Beagle' (a great novel from a great novelist) and Bava's "Planet of the Vampires", these three works were the inspiration for "Alien". The architecture of "It" clearly wasn't an inspiration for Scott's film, so Scott went and dirtied his ship up instead. And I'd hazard a guess that Bava's footage of the astronauts on the vampire planet is what caught Ridley's attention.
The plot of "It" is akin to "Alien" and so are some of the set-ups. The claustrophobic environment in "It" is still impressive, as is the spare sound design and use of simple sonics.
"It" moves along briskly and features some exciting action sequences as the spaceship's crew members are stalked by the marauding extraterrestrial.
Low budget, sure, but a high concept skilfully realized.
Even now, I still like "It The Terror From Beyond Space". Clearly, along with van Vogt's 'Voyage of the Space Beagle' (a great novel from a great novelist) and Bava's "Planet of the Vampires", these three works were the inspiration for "Alien". The architecture of "It" clearly wasn't an inspiration for Scott's film, so Scott went and dirtied his ship up instead. And I'd hazard a guess that Bava's footage of the astronauts on the vampire planet is what caught Ridley's attention.
The plot of "It" is akin to "Alien" and so are some of the set-ups. The claustrophobic environment in "It" is still impressive, as is the spare sound design and use of simple sonics.
"It" moves along briskly and features some exciting action sequences as the spaceship's crew members are stalked by the marauding extraterrestrial.
Low budget, sure, but a high concept skilfully realized.
The "Fun Facts" section on the back of the Midnite Movies DVD proudly exclaims that this film formed the main inspiration for Ridley Scott's film "Alien". I find this quite a remarkable little trivia detail, as "Alien" is generally and deservedly regarded as one of the greatest and most legendary milestones of Sci-Fi cinema and, if the premise of such a classic is inspired by a cheap and typically 1950's monster mania flick, than it means that this source of inspiration must be an underrated and overall very decent film. Of course, being the blueprint for "Alien" has to be put into perspective just slightly. I think we can all safely agree that the rudimentary plot of Scott's film is the least impressive aspect about the entire production. Hideous and invincible extraterrestrial monster gets aboard a spaceship and kills off the astronauts one by one. That's basically it and that's also all that "Alien" has in common with "It! The Terror from beyond Space". "Alien" promptly became an immortal classic thanks to the Ridley Scott's unique talent of building up claustrophobic suspense, the titular creature's nightmarish design and the flawless acting performances of the entire cast (including Sigourney Weaver, John Hurt and Ian Holm), whereas "It!" simply stayed a charming but nonetheless fairly insignificant 50's monster movie. Still, I wouldn't hesitate recommending this movie to fans of nostalgic Sci-Fi, as the action is fast-paced, the characters are likable and the guy-in-the-rubber-monster-suit is highly memorable. The story opens with a sinister voice-over intro I love that spoken in by Colonel Edward Carruthers; sole survivor of the very first manned mission to planet Mars. He awaits the arrival of a second spaceship that will take him back to earth AND to court marshal. Nobody believes Carruthers' story about an unconquerable Martian killing off his crew and he will have to stand trial himself. The nine-headed crew of the second mission will soon be able to defend Carruthers' story, as the unnamed monster sneaks aboard and turns the voyage back to earth into a deadly ordeal. Obviously almost every aspect of the film has dated severely by now (not just the special effects but also, for example the role of women in science) and the script is crammed with hilarious improbabilities (the monster dodges bullets and even grenades, but it's petrified of a tiny little flame?) The acting performances are way above average for that time, with particularly Marshall Thompson and Shirley Patterson shining like stars. Recommended
This is one of the many early sci-fi movies released in the 1950s. Standard for these types of B-Pictures was to put more drama and excitement in the film, than real science. Few directors during that day and age ever sought good solid factual science facts, instead they wanted good old fashion monster vs Earthling type action. They were hooky and poorly made, but without knowing it, they created the nightmare memories of our youthful dreams. As a result, they gave audiences what they sought, trills and cheap entertainment. The story in this film is the foundation of modern films like 'Alien' and for its day had formulas which worked. Marshall Thompson plays Col. Ed Carruthers and Ray "Crash" Corrigan, the stunt man for many other films, plays the Space Monster called " It ." Dabbs Greer plays Eric Royce. Although it is an early sci-fi movie, when seen through the sleepy eyes of a youngster, at the Drive-In theaters of the day, it's nothing less than a Classic. Fun for anyone with a yearning to be frightened by a space monster. ****
If you'rr a ten year old kid home alone at about one in the morning in a creaky old house in the early sixties, this movie is actually pretty scary. The scenes where the monster keeps his just barely alive victims in the air vents (and actually drags one of them around with him) for who knows what reason are chillingly eery (or eeringly chilly). Good film for nostalgia fans.
I dug this one out of the dust bin and was quietly amazed at the simple, yet straight on-target focus of this movie. Yes-- Alien borrowed the basic setup from this 1958 setup. And yes-- Alien did it BETTER, ICKIER, and SCARIER. But hey, this was 1958!
The script is actually very down to earth and intelligent. The snippets of Sci-Fi Factoids actually made sense for what people popularly knew about Mars back then. The women were still women of that era, but they were intelligent and level headed. No Screaming. No fainting. No Falling down and spraining of slim ankles because of fashionable stiletto heels.
The fact that the movie is B&W is a plus in terms of the monster and the make-up. Let's face it-- in most scary movies, the scariest moment is when the camera is DARK and there is almost no color. Here, the shadows hide that fact that the monster is a guy in a heavy rubber suit. And in 1966, this movie frightened me enough to keep me awake all night.
Fun spots:
1-- Guns, LOTS of handguns, Rifles, grenades, crates of 'em-- gods, they even got a BAZOOKA! And they're shooting them all off inside a tin can in Outer Space. Man, they built them thar spaceships like battleships! And they're ALL good shots because not one single bullet ever sets fire to a VITAL control panel. Wow!
2-- The women pour coffee and make sandwiches for the men. Ah. . .Heaven!
If you and your friends are Sci-Fi buff, despite being dated, this 'B' Classic is worth a Saturday Night Oldies Flick.
Just ask POLITELY: Girls, can we have some sandwiches?
The script is actually very down to earth and intelligent. The snippets of Sci-Fi Factoids actually made sense for what people popularly knew about Mars back then. The women were still women of that era, but they were intelligent and level headed. No Screaming. No fainting. No Falling down and spraining of slim ankles because of fashionable stiletto heels.
The fact that the movie is B&W is a plus in terms of the monster and the make-up. Let's face it-- in most scary movies, the scariest moment is when the camera is DARK and there is almost no color. Here, the shadows hide that fact that the monster is a guy in a heavy rubber suit. And in 1966, this movie frightened me enough to keep me awake all night.
Fun spots:
1-- Guns, LOTS of handguns, Rifles, grenades, crates of 'em-- gods, they even got a BAZOOKA! And they're shooting them all off inside a tin can in Outer Space. Man, they built them thar spaceships like battleships! And they're ALL good shots because not one single bullet ever sets fire to a VITAL control panel. Wow!
2-- The women pour coffee and make sandwiches for the men. Ah. . .Heaven!
If you and your friends are Sci-Fi buff, despite being dated, this 'B' Classic is worth a Saturday Night Oldies Flick.
Just ask POLITELY: Girls, can we have some sandwiches?
Le saviez-vous
- AnecdotesThe mask of the monster suit was altered considerably. When Ray Corrigan was fitted for the suit, the mask was initially too tight. Paul Blaisdell, who made the suit, had to remove and rebuild the monster's lower jaw so the mask would fit better. Unfortunately, Corrigan's chin stuck out through the opening made in the mask. Blaisdell made up his chin to look like the monster's tongue. The mask's original eyes (large and catlike, a Blaisdell trademark) were also removed; the eyes you see behind the mask are actually Corrigan's.
- GaffesVan Heusen opens the reactor shield to try to kill the monster, but it smashes through the door to escape. He doesn't reseal the shield, though. The adjoining space, the one with the man with the broken leg, should have been flooded with deadly radiation ("enough to kill a hundred men" as Van Heusen notes).
- Citations
Lt. James Calder: Mars is almost as big as Texas. Maybe it's got monsters.
- ConnexionsEdited into Les envahisseurs invisibles (1959)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- El terror del más allá
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 9min(69 min)
- Couleur
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