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Les amours d'une blonde

Titre original : Lásky jedné plavovlásky
  • 1965
  • Tous publics
  • 1h 28min
NOTE IMDb
7,4/10
10 k
MA NOTE
Hana Brejchová in Les amours d'une blonde (1965)
Romance noireComédieDrameRomance

Une jeune femme de la classe ouvrière dans une petite ville tchèque pass la nuit avec l'un des membres d'un groupe de Prague. N'entendant plus parler de lui, elle fait ses bagages et arrive ... Tout lireUne jeune femme de la classe ouvrière dans une petite ville tchèque pass la nuit avec l'un des membres d'un groupe de Prague. N'entendant plus parler de lui, elle fait ses bagages et arrive à sa porte, mettant sa famille dans le pétrin.Une jeune femme de la classe ouvrière dans une petite ville tchèque pass la nuit avec l'un des membres d'un groupe de Prague. N'entendant plus parler de lui, elle fait ses bagages et arrive à sa porte, mettant sa famille dans le pétrin.

  • Réalisation
    • Milos Forman
  • Scénario
    • Jaroslav Papousek
    • Milos Forman
    • Ivan Passer
  • Casting principal
    • Hana Brejchová
    • Vladimír Pucholt
    • Vladimír Mensík
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,4/10
    10 k
    MA NOTE
    • Réalisation
      • Milos Forman
    • Scénario
      • Jaroslav Papousek
      • Milos Forman
      • Ivan Passer
    • Casting principal
      • Hana Brejchová
      • Vladimír Pucholt
      • Vladimír Mensík
    • 39avis d'utilisateurs
    • 66avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 2 victoires et 4 nominations au total

    Photos69

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    Rôles principaux20

    Modifier
    Hana Brejchová
    Hana Brejchová
    • Andula
    Vladimír Pucholt
    Vladimír Pucholt
    • Milda
    Vladimír Mensík
    Vladimír Mensík
    • Vacovský
    Josef Sebánek
    Josef Sebánek
    • Otec
    Ivan Kheil
    • zálozák Manas
    Jirí Hrubý
    • Burda
    Milada Jezková
    Milada Jezková
    • Matka
    Josef Kolb
    Josef Kolb
    • Pokorný
    Marie Salacová
    • Marie
    Jana Novaková
    • Jana
    • (as Jana Nováková)
    Jarka Crkalová
    • Jaruska
    Tána Zelinková
    • Dívka s kytarou
    Zdena Lorencová
    • Zdena
    Jan Vostrcil
    Jan Vostrcil
    • Plukovník
    Antonín Blazejovský
    • Tonda
    Jindrich Heidelberg
    • Reditel
    • (non crédité)
    Ota Sattler
      Dana Valtová
      • Bohunka
      • (non crédité)
      • Réalisation
        • Milos Forman
      • Scénario
        • Jaroslav Papousek
        • Milos Forman
        • Ivan Passer
      • Toute la distribution et toute l’équipe technique
      • Production, box office et plus encore chez IMDbPro

      Avis des utilisateurs39

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      Avis à la une

      9Galina_movie_fan

      Simple and Touching Story

      Milos Forman's "Loves of a Blonde" which he made in Czechoslovakia in 1965 way before "Cuckoo Nest" and "Amadeus" tells a very simple bitter-sweet tale about a teenaged girl who works in a shoe factory in a small town. With sixteen girls to one man - her chances to find a man of her dreams were not very high. One evening, she meets an attractive and young piano player who tells her about Prague and compares her to a guitar that could've been painted by Picasso. After they spend the night together, he leaves and she travels to Prague to find him. The film has been one of my favorites for many years and my opinion did not change after I saw it again a week ago - funny, sad, tender, and realistic film about searching for love, broken promises, shattered hearts, and universality of hope.
      8christopher-underwood

      Lovely.

      Part of what was known as the Czech New Wave in the 1960s and this particular title a great favourite of Film clubs and societies back in my younger days. Director Milos Foreman, of course, left what is now known as the Czech Republic for the US where he made films as diverse as The People vs Larry Flynt, Amadeus and One Flew Over the Cuckoo's Nest. Before leaving he mad a trio of film in his native country of which this is probably the best although his similar and later film The Firemen's Ball had, perhaps even greater impact internationally being in colour. For A Blonde in Love Foreman uses mostly local people from the village where he shot with, I believe, only one professional actor who it turns out was as influenced by the non actors as there were by him. The young blonde of the title was the sister of the director's wife and gives a wonderful performance. Indeed the whole piece, barely a story, is a joy to watch despite the cringe worthy moments, on the dance floor in particular. A warm and caring film that is beautifully shot and despite an obvious air of austerity throughout still managing to convey a feeling of positivity. Lovely.
      7Bunuel1976

      LOVES OF A BLONDE (Milos Forman, 1965) ***

      This is the second of Forman's Czech films I've watched after the other Criterion release, THE FIREMAN'S BALL (1967) - though that was via a late-night Italian TV broadcast some years ago; these two films constitute his most celebrated work from this early phase in his career.

      While a pleasant and sharply-observed comedy-drama in itself, which must have seemed fresh at the time (particularly the intimate detail of its teenage romance), I feel that a lot of these unassuming but critically-acclaimed foreign films - often made under strained political conditions - tend to come off as overrated when viewed today (a similar recent example I encountered was CLOSELY WATCHED TRAINS [1966]). That said, the film benefits immensely from the wonderful cinematography by Miroslav Ondricek (Forman's longtime collaborator).

      Besides, it also includes a couple of lengthy - and delightful - set-pieces: the party sequence, in which the heroine and her two best friends are picked up by a trio of geeky middle-aged soldiers; the scene at the home of the girl's 'boyfriend' (with whom she had a one-night stand), where she causes a commotion by turning up unannounced on his doorstep with a packed suitcase!

      The DVD supplements comprise an amusing but irrelevant deleted scene, and an interesting 17-minute interview with Forman - in which he discusses the film's genesis and how the mix of professional and untrained actors proved providential, sealing its essential charm.
      7gavin6942

      Love That Check New Wave

      A factory manager in rural Czechoslovakia bargains with the army to send men to the area, to boost the morale of his young female workers, deprived of male company since the local boys have been conscripted.

      Loves of a Blonde has often been identified as one of the most significant and ambitious productions of the Czech New Wave, a movement in which a group of young filmmakers, many of whom were educated by the national film academy in Prague, including Forman, Ján Kadár, Věra Chytilová and Jiří Menzel, among others, took significant political risks by using cinema to protest the hypocrisy and absurdity of the Communist state.

      I'll say it before and I'll say it again, of all the "new wave" movements in Europe, by far my favorite is the one that came out of the Czech cinema. The beauty, the honesty and sometimes the surrealism (though not here) is just spot on, and for me really captures what it means to have film as an art form. That Forman went on to become an international success is no surprise.
      Petey-10

      Milos Forman from Czechoslovakia

      Andula is working-class girl living in a Czech town.She sleeps with a pianist called Milda after a party.When she doesn't hear from him, she travels to his parents place, where he still lives.Lásky jedné plavovlásky (English title Loves of a Blonde) from 1965 was the first big hit of Milos Forman.This Czechoslovakian film was nominated for the Golden Globe and Academy Award for best foreign film.In my country, Finland, it won a Jussi Award.Hana Brejchová is wonderful as Andula.Vladimir Pucholt is terrific as Milda.Milada Jezkova and Josef Sebánek are great as his parents.The dialogue is marvelous.Like when Andula and Milda are lying in bed and he explains to her how she's angular.That the woman is shaped like a guitar but she's one painted by Picasso.And there are some terrific scenes.The restaurant scenes are fantastic.Those men on their table are checking on the women on their table, trying to find a way to approach.And when Andula arrives at Milda's place and the mother can't deal with it.Great work from the Czech master.

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      Histoire

      Modifier

      Le saviez-vous

      Modifier
      • Anecdotes
        Director/screenwriter Milos Forman got the idea for the movie when he met a young girl with a suitcase in the streets of Prague. Her story was very similar to the one in the film.
      • Citations

        [from subtitles file]

        Andula: [naked, reluctant to have sex with Milda] But I don't trust you.

        [a short time later, while having sex with Milda]

        Andula: I do trust you. I've never trusted anyone so much before.

      • Connexions
        Featured in Fejezetek a film történetéböl: A cseh új hullám (1990)

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      FAQ16

      • How long is Loves of a Blonde?Alimenté par Alexa

      Détails

      Modifier
      • Date de sortie
        • 16 février 1966 (France)
      • Pays d’origine
        • Tchécoslovaquie
      • Langue
        • Tchèque
      • Aussi connu sous le nom de
        • Loves of a Blonde
      • Lieux de tournage
        • Zruc nad Sázavou, République tchèque(formerly Czechoslovakia)
      • Sociétés de production
        • CBK
        • Filmové studio Barrandov
        • Sebor
      • Voir plus de crédits d'entreprise sur IMDbPro

      Spécifications techniques

      Modifier
      • Durée
        • 1h 28min(88 min)
      • Couleur
        • Black and White
      • Mixage
        • Mono
      • Rapport de forme
        • 1.37 : 1

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