Ajouter une intrigue dans votre langueA compilation of primarily Laurel and Hardy shorts - From Soup to Nuts, Wrong Again, Putting the Pants on Philip, The Finishing Touch, Sugar Daddies and short clips from others - plus Max Da... Tout lireA compilation of primarily Laurel and Hardy shorts - From Soup to Nuts, Wrong Again, Putting the Pants on Philip, The Finishing Touch, Sugar Daddies and short clips from others - plus Max Davidson's Call of the Cuckoo and Dumb Daddies, with some cross-over Charley Chase footage, ... Tout lireA compilation of primarily Laurel and Hardy shorts - From Soup to Nuts, Wrong Again, Putting the Pants on Philip, The Finishing Touch, Sugar Daddies and short clips from others - plus Max Davidson's Call of the Cuckoo and Dumb Daddies, with some cross-over Charley Chase footage, which, along with Robert Youngson's previous "The Golden Age of Comedy", "When Comedy Was ... Tout lire
- Réalisation
- Scénario
- Casting principal
- Stan
- (images d'archives)
- Ollie
- (images d'archives)
- Painting Owner's Mother
- (images d'archives)
- Painting Owner
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Avis à la une
The film begins by showing a few clips from films where the two appeared together...before they were an official team. It doesn't show their first on-screen scene in "The Lucky Dog" (1921) and it probably was because the film was thought lost and only available in fragments back in 1965 (it has since been discovered intact). Then, it shifts to the early silents which featured the two as a team. And, then it strangely shows a few NON-Laurel & Hardy films from the same studio, Hal Roach. While I love Charley Chase, Max Davidson and the others, the clips seemed out of place as they don't include the pair named in the title of the film. This isn't unheard of with a Youngson film as some times I suspect he just added whatever clips he had instead of taking care to pick them better.
The film is generally very good because the material is so good. The film, however, suffers from too much narration (it should have let the shorts speak for themselves) as well as annoying music which was intended to be funny. Instead, it just annoyed.
By the way, when the film showed a clip from the Max Davidson comedy "Pass the Gravy" it completely misrepresented the short. It essentially changed the story completely from the original short. I have no idea why they did this.
But why that irksome and sentimental narration - and the hideous sound effects, including vocal effects? They are distracting and often nauseating. These were silent films - just music please!
But the films themselves are pure genius. Max Davidson is a particular revelation - a very fine comedian. I'd like to see all of "Call of the Cuckoo".
Don't miss this show - but maybe turn the sound down and play some of your own music.
When you watch a silent film (particularly a comedy), you need to keep in mind that it's an early form of cinema from a less complicated and crowded era. There won't be any dialogue, and there won't be any deep theme or philosophical/political commentary, just a set of scenes performed with skill and passion (particularly gags). I myself learnt to appreciate the simplicity of actors performing a basic but entertaining feature. And Laurel and Hardy were one of the best at simple entertainment, as this feature shows.
The feature is a cross between a documentary and an archive collection, featuring clips from Laurel and Hardy's best 1920s silent films, with clips from a few unrelated silent films that pad out the feature (though maybe they should have used more Laurel/Hardy features instead). With this kind of feature you just have to sit back and watch and enjoy yourself.
The narration in the feature goes on for longer than needed with some unnecessary commentary, but otherwise does an adequate job. The original soundtrack that accompanies the feature is a wonderful ragtime symphony that does justice to the gags Laurel and Hardy perform.
It makes a great introduction to Laurel and Hardy and I recommend it to anyone who's a fan of their work.
"Laurel and Hardy's Laughing 20s" was released to cinemas across America and the takings were very good indeed.
Le saviez-vous
- AnecdotesThere was so much prime material from Laurel and Hardy's silent shorts that Robert Youngson prepared a second compilation feature "The Further Perils of Laurel and Hardy" (1967). More Laurel and Hardy footage created a second follow up, "4 Clowns" (1970) (adding Buster Keaton and more footage of Charley Chase). These three compilations of Laurel and Hardy's silent comedy would be the final work for Robert Youngson who would pass away four years later.
- Versions alternativesThere is an Italian edition of this film on DVD, re-edited in double version (1.33:1 and 1.78:1) with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnexionsEdited from Fatty's Fatal Fun (1915)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Laurel & Hardy im Flegelalter
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 30 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1