Le bon filon

Laurel and Hardy sneak their dog, Laughing Gravy, into their room, despite the 'no pets' policy of landlord Charlie Hall.

The Boys seem to have been fond of the movie they could make about pets in boarding houses. They had already done ANGORA LOVE with a goat as their last silent movie, and would make THE CHIMP later, as well as dealing with gorillas, elephants, and Oxford undergraduates in their features. Here, they've got to deal not only with a desprately cold night, but Charlie Hall, like Stan, a graduate of the Fred Karno troupe.

Abbott and Costello, Bob Hope and Bing Crosby, Dean Martin and Jerry Lewis, Morecambe and Wise, The Two Ronnies, Pete and Dud a.k.a. Derek and Clive, The Blues Brothers, Matt Lucas and David Walliams etc, etc these are just a tiny percentage of comedy double act's, the comedy duo's, that throughout the age's have entertained us all. Each with their own twist and turn of a gimmick that set's them apart, but in the final solution following, at times, the tradition of smart-aleck and buffoon.

However, there is just one pair that set themselves very much apart from the herd, originators and comic geniuses that no one has surpassed, surpassed by either skill, wit and personality the late, great Laurel and Hardy, British born Stan Laurel (1890 - 1965) and his American counterpart Oliver Hardy (1892 - 1957).

Their first outings were of the short silent movie variety, consisting of at least two reels in length, a reel being often around ten minutes long, this first short together was to be Slipping Wives (1927). Their first talkie was Unaccustomed As We Are in 1929, the advantage that both Laurel and Hardy had over most of their silent movie companions were that they adapted very well to this new genre. The Music Box (1932) won them an Academy Award for best short film, their only such Award.

Yet again, the famous Hal Roach Studios had a part in the making of Laughing Gravy, along with the writing credits to H.M. Walker (1885 - 1937) who with a vast order of merit as writer of dialogue and title creator for works for many of the silent, and not so silent, era's shorts. A snippet of Laurel and Hardy titles that includes Night Owls, Another Fine Mess, Below Zero, Brats and Our Wife. Directed too by one James W. Horne (1880 - 1942) whose career started out as actor way back in 1913, then progressed to writer then director of many, many shorts and full-length movies.

Then what about poor Laughing Gravy? Well, he, or more be it to the point she, went on to work with Laurel and Hardy twice more in Pardon Us (1931) and The Bohemian Girl (1936) as well as working in other Hal Roach (1892 - 1992) productions.

Laughing Gravy was filmed between the 2nd and 18th of February 1931 and released April 4th of the same year, and it is here, in this studio setting, we find this enduring duo shacked up in lodgings, one dark cold winter, and of course with their tiny pet dog Laughing Gravy, who has been sneaked into said bed-sit. It's in this predicament that poor old Laughing Gravy is finally found out by the mean spirited Landlord, with the assistance of the bungling and inept pair in the room above, of course.

So begins the absurd battle to retrieve this poor unfortunate mutt from the grasps of the freezing, howling winds and heavily snow ridden night. This is typical Laurel and Hardy starting out with good behaviour that very quickly turns to fanciful farce, with the ever blundering pair digging that inevitable hole so far deep that only sheer stealth and luck could bring them back over the edge and back to normality. Laughing Gravy is a wonderful insight into the world of this dynamic comedy duet, their antics and slapstick timing, and our joyful laughter at their own hilarious and often painful expense.

It is the ever-comic mental and physical abuse, which Oliver has to suffer, and suffer in silence, by the hands of his slimmer partner Stan, that makes this pair an extremely unfortunate accident-prone comedy act. It is Oliver's camera baiting, his looking directly into the audience and pleading for sympathy and understanding, and in this technique, this interacting with the audience, that has been turned into a powerful tool that both enhances the comedy and draws us into the plight. This alone, has Laughing Gravy warming our hearts to the duo's plan of action and its dire and hysterical results.

Around a week after initial shooting, extra scenes were added, a third reel, an extra ten minutes that does deviate from the first two reels, but non the less is just as funny in conjoining all three reels nicely, albeit a story in itself. This third reel had been lost for some decades, until the 1980's, and is now available as a full package. If sought out in the right places, the three different versions of Laughing Gravy, the original English language release two reeler, the three reel foreign language version (in English too) and now, the whole three reel's in 30 minutes of glorious computer generated colour can now be squandered at our leisure, for always.

Another fine mess? On the contrary, a fine comedy feast with lavishing of laughter and gravy.

Laughing Gravy (1931)

*** (out of 4)

2-reel version

Laurel and Hardy try to hide their pet dog from the landlord. I wouldn't say this short is overly funny but there's enough fun moments to keep it entertaining. All the stuff with the landlord is good but the stuff with the dog doesn't work as well. Hardy falling in a barrel of water is certainly the highlight.

Laughing Gravy (1931)

** 1/2 (out of 4)

extended 3-reel version

Foreign markets got this extended version with an extra reel, which really hurts the film. Nothing in this added reel is funny so it's no wonder why it was cut out in most places.

"Mr. Laurel and Mr. Hardy stuck together through thick and thin; one pocketbook between them - always empty." - The opening title card of Laughing Gravy.

Laurel and Hardy's comedy short Laughing Gravy is probably the funniest thing in film that ever dealt with the ideas of hypothermia and suicide, let alone those two topics together. In a humorous and well-spent twenty minutes, we see Laurel and Hardy as roommates in a small apartment, housing their dog they nickname "Laughing Gravy" against the landlord's policies. After the dog's incessant barking wakes up the landlord, along with Laurel and Hardy breaking their bed and having the plaster on the wall crumble on top of him, the landlord (Charlie Hall) finds the dog and proceeds to throw him out the window. This leads to a series of comedic improvising by Laurel and Hardy to get the dog back as soon as they can, as well as not waking their landlord up from his slumber.

Laughing Gravy is simplicity well done, as the general bulk of Laurel and Hardy shorts are. The most evident issue here, however, is that this is an early talkie short, so you get the feeling that writer H.M. Walker, at that time, wasn't totally sure of how to structure dialog for a short/feature-film. As asinine as that sounds, after we've been graced in America with films with sound for over eight decades, it's easy to overlook that idea. However, the lack of distinguished dialog and conversation in Laughing Gravy had the ability to make me forget I was watching a short with sound half the time, as music constantly plays in the background.

Other than that, there's little else to say about Laughing Gravy other than the situational comedy in the picture works for a surprising twenty minutes, and that the ending, as unexpected as it is, finds ways to be darkly funny in a way I would've never expected an American short from the early thirties to be. The short is a simple, effective piece of early-American comedy, but not on par with the numerous other fantastic shorts of Laurel and Hardy, or the ones directed by James W. Horne.

Starring: Stan Laurel, Oliver Hardy, Charlie Hall, and Harry Bernard. Directed by: James W. Horne.

LAUGHING GRAVY

Aspect ratio: 1.37:1

Sound format: Mono

(Black and white - Short film)

During a heavy blizzard, boarding-house tenants Stan 'n' Ollie hide their dog from an unsympathetic landlord (Charley Hall) who threatens to evict them if they don't follow the rules. Chaos ensues...

Archetypal L&H comedy, played and filmed to perfection, as the boys' efforts to protect 'Laughing Gravy' meet with disaster at every turn. Ollie's attempts to get back into the house without being noticed by the sleeping landlord is only one of the film's many highlights, leading to a precarious rooftop episode (!) and a series of blunders and disasters. Fine comic timing, excellent set-pieces, great fun. Directed with typical gusto by L&H regular James W. Horne.

The film exists in three separate versions: It played theatrically as a two-reeler, following the elimination of a third reel in which Stan comes into an unexpected inheritance. This material has since been restored to a second version which omits the original's ending. A third edition - which appears to exist only in colorized form - contains ALL extant material, including the inheritance AND the original ending.