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Ajouter une intrigue dans votre langueA skirt-chasing spy and a millionaire bachelor must foil mad scientist Dr. Goldfoot's plot to use his army of bikini-clad robots to seduce wealthy men into signing over their assets.A skirt-chasing spy and a millionaire bachelor must foil mad scientist Dr. Goldfoot's plot to use his army of bikini-clad robots to seduce wealthy men into signing over their assets.A skirt-chasing spy and a millionaire bachelor must foil mad scientist Dr. Goldfoot's plot to use his army of bikini-clad robots to seduce wealthy men into signing over their assets.
- Réalisation
- Scénario
- Casting principal
Pamela Rodgers
- Robot #12
- (as Pam Rodgers)
Avis à la une
My teenage son and I have been catching up on Vincent Price films thanks to cable TV. Most have been those cheesy Poe horror flicks from the 60s, but this one was something out of the ordinary! My son and I laughed all the way through, and at the end he declared, "This is probably the worst movie I've ever seen in my life!" This film gives Vincent Price a chance to spoof his own persona and he does it with relish. His comic timing is great, although his sidekick Jack Mullaney is disappointingly unfunny and un-Igorish. (If you want to see Mullaney in his creepy mode, find the BELFRY episode from the first season of Alfred Hitchcock.) Avalon and Hickman turn in their usual likable performances, and Susan Hart impresses with her varied accents and comic mugging.
The Supremes sing a horrible title song slightly off-pitch, and that theme dominates Les Baxter's jolly score. Various other beach party favorites make cameo appearances (and advertise a movie...THE GIRL IN THE GLASS BIKINI...which was never released). San Francisco looks great, with all the usual hillside chase clichés. The plot is so thin (actually full of holes) that it hardly bears thinking about.
It was also refreshing to be reminded that the standards for female beauty used to be more substantial than in our anorexic age.
The opening animated titles and the closing blackout dance sequence are also worth mentioning. All in all, a pleasant way to spend 90 minutes, if you miss the goofiness of the 1960s.
The Supremes sing a horrible title song slightly off-pitch, and that theme dominates Les Baxter's jolly score. Various other beach party favorites make cameo appearances (and advertise a movie...THE GIRL IN THE GLASS BIKINI...which was never released). San Francisco looks great, with all the usual hillside chase clichés. The plot is so thin (actually full of holes) that it hardly bears thinking about.
It was also refreshing to be reminded that the standards for female beauty used to be more substantial than in our anorexic age.
The opening animated titles and the closing blackout dance sequence are also worth mentioning. All in all, a pleasant way to spend 90 minutes, if you miss the goofiness of the 1960s.
Diabolically hammy mad scientist Vincent Price (as Dr. Goldfoot) has a dozen beautifully-shaped young female robots. They wear gold bikinis for underwear and are not shy about parading around for the camera. Lead "robot" Susan Hart (as Diane, #11) succeeds in Mr. Price's mission, to seduce handsome millionaire Dwayne Hickman (as Todd Armstrong). Also turned on by Ms. Hart, rival agent Frankie Avalon (as Craig Gamble, #00 and ½) tries to foil Price's plot to mate more millionaires with his sexy robots. The Supremes sing the title song, but do not appear. A couple of cameos help liven up the dungeon sequence. When compared to the infinitely better "Get Smart" TV series created by Mel Brooks and Buck Henry, this spoof of "James Bond" spy films fell flat - fortunately, the women weren't.
*** Dr. Goldfoot and the Bikini Machine (11/6/65) Norman Taurog ~ Vincent Price, Frankie Avalon, Dwayne Hickman, Susan Hart
*** Dr. Goldfoot and the Bikini Machine (11/6/65) Norman Taurog ~ Vincent Price, Frankie Avalon, Dwayne Hickman, Susan Hart
Vincent Price looks like he's having a great old time in this preposterous film Dr. Goldfoot And The Bikini Machine. For a classically trained actor like Price the chance to do a whole film around a Snidely Whiplash type villain must have been impossible to resist. Of course he got the money up front.
Dr. Goldfoot has invented an army of robots who look like cover girls in bikinis and his mad plan is to get them married to the richest people in the world and take over their money. Such a one played by Susan Hart he's targeted Dwayne Hickman with. But her programming got messed up and she goes after Frankie Avalon a would be secret agent who is the cause no doubt of his uncle spymaster Fred Clark's baldness.
Nothing wrong with seeing all these statuesque beauties, put your mind on them and you'll forget the inanities of the story. However Price and his assistant Jack Mullaney will give you a few chuckles. They remind me of Jack Lemmon and Peter Falk in The Great Race.
It's excruciatingly dumb, but also very funny.
Dr. Goldfoot has invented an army of robots who look like cover girls in bikinis and his mad plan is to get them married to the richest people in the world and take over their money. Such a one played by Susan Hart he's targeted Dwayne Hickman with. But her programming got messed up and she goes after Frankie Avalon a would be secret agent who is the cause no doubt of his uncle spymaster Fred Clark's baldness.
Nothing wrong with seeing all these statuesque beauties, put your mind on them and you'll forget the inanities of the story. However Price and his assistant Jack Mullaney will give you a few chuckles. They remind me of Jack Lemmon and Peter Falk in The Great Race.
It's excruciatingly dumb, but also very funny.
"Dr. Goldfoot and the Bikini Machine" is one of those campy'60s movies that are, basically, an excuse to show bikini-clad girls in a movie. Vincent Price stars as the mad scientist Dr. Goldfoot, with an insane plan to rob all the world's richest men. Frankie Avalon plays a bumbling secret agent trying to foil Dr. Goldfoot's evil scheme, and even pokes fun at his "Beach Blanket" history. This movie has a ridiculous story, but it has some good qualities. For one thing, the animated opening credit sequence is fun and eye-catching. For another, the chase scene is a good laugh. And, if nothing else, is has better production values than its sequel, "Dr. Goldfoot and the Girl Bombs"!
A totally dumb, freewheeling comedy, good for some lowbrow fun. With its mad scientists, bikini-clad girls, laser guns and silly slapstick gags, this film has definite cult possibilities, but it's never really very funny (despite campy performances by Price and Frankie Avalon). Plus, the mismatch between on-location filming and rear-projection techniques in the final big chase sequence is so obvious it becomes awfully distracting. (**)
Le saviez-vous
- AnecdotesThree of the bikini girls from the bikini machine were Playboy playmates.
- GaffesIn the first sequence between Todd and Diane in Todd's hotel suite, his room has twin beds. When she returns to get him to sign a power of attorney, the room has a large, circular double bed.
- Citations
Dr. Goldfoot: You know, Igor, I'm beginning to regret that I brought you back to life.
- Crédits fousThe opening credits are formed from molten gold that takes on various shapes: a pair of golden feet, coins, and a woman.
- ConnexionsEdited from La chambre des tortures (1961)
- Bandes originalesDr. Goldfoot And The Bikini Machine
Words and Music by by Guy Hemric & Jerry Styner
Performed by The Supremes
Through the courtesy of Motown Record Corporation
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- How long is Dr. Goldfoot and the Bikini Machine?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Dr. Goldfoot and his Bikini Machine
- Lieux de tournage
- 1000 block, Lombard Street, San Francisco, Californie, États-Unis(opening sequence and end chase)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 300 000 $US (estimé)
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By what name was Dr. Goldfoot and the Bikini Machine (1965) officially released in India in English?
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