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When I found this film I had never heard of it. In glancing at its box I saw "Peter Sellers" and "Vittorio De Sica." Just those two names prompted me to take it home.

I was quite happy with what this film is.

The story is solid, and is what keeps this film running. Sellers does a good job, but I still enjoy his Pink Panther role, as well as his roles in Dr. Sstrangelove. Nevertheless, he does well as an Italian crook and "flamboyant" film director.

The comedy isn't too slapstick, it is smart. There are sight gags, there are setups and punchlines, there are one-liners, not to mention spoofed-themes, and pokes at other Italian film directors/producers.

I didn't exactly know what I would get with a De Sica comedy. He did a fine job, though. "Federico Fabrizi" sometimes looks and seems to be just like Federico Fellini. There are some moments where Fellini's 8 1/2 comes to mind.

A critic said that he didn't understand the ending. At first, I didn't. Think, though! Think! This is De Sica!

Take a look at this film, it's a good one.

"After the Fox" is a fine and entertaining comedy with Peter Sellers at his best right after a couple of "Pink Panther" titles, as a master thief who finds the way through which the police will guard his millionaire robbery while he is accomplishing it.

A good supporting cast with Akim Tamiroff, Martin Balsam and pretty Britt Ekland is there too. But what really surprised me is Victor Mature's convincing and funny performance as an aging star who refuses to accept the pass of time and his inevitable entering into more adult roles. I always had Mature has a just standard performer who couldn't help overacting and just helped in his career by his somehow interesting screen presence. In a likable character he does very good in this picture and is one of the highlights of the film.

Good for Victor in one of his last roles!

Peter Sellers is a real enigma. During his career, he made many brilliant films with amazing characterizations (such as DR. STRANGELOVE, BEING THERE, THE MOUSE THAT ROARED and many others), but he also did a lot of amazingly limp films that he practically slept through (THE FIENDISH PLOT OF FU MANCHU and THE PRISONER OF ZENDA). AFTER THE FOX is unusual in that it isn't exactly brilliant but still is very good. As far as Sellers' performance goes, he did a lovely Italian accent and his character was pretty credible, though despite being the star of the film, he wasn't the standout performer (I think this was actually Victor Mature--doing a wonderful self-parody).

The Fox is a master criminal who escapes from prison rather easily in order to keep his sister out of trouble. At first, he thinks she's become a prostitute, but later he finds she's become (horrors) and actress!! Interestingly enough, his sister is played by Sellers' real-life wife, Britt Ekland and his love interest in the film was played by an unknown (but beautiful) Italian. Once out of prison, he learns about a big caper from Akim Tamiroff--smuggling in millions of dollars worth of gold into Italy. So, inspired by his sister's desire to be a movie star, he decides to make a fake film and use this as the cover to smuggle in the gold--and this is how Victor Mature comes into the film. He plays a parody of himself but is very vain and over the hill--telling everyone he's in his thirties even though he's pushing 60! I loved how he insisted he was so young when it was so obvious he wasn't--especially in the scene where Britt throws herself at him and runs her fingers through his hair--only to have them stained black by hair dye. Plus, he was so full of himself that he was gullible enough to believe he was making an art film when in fact Sellers and his gang obviously had no idea what they were doing.

By the way, how Sellers got all the film equipment was pretty interesting. As the film was directed by Vittorio DeSica, he himself appeared in a small scene. He and his crew were filming some Egyptian epic when suddenly the wind machines turned on at full blast. When they were finally turned off, all the equipment--even DeSica's platform and cameras--were missing--stolen by Sellers' gang.

Throughout the film there were many cute moments, but also towards the end the film did lag a bit and the ending seemed to be a bit of a letdown. I especially became bored with the chase scene and the ensuing courtroom scene. Still, it was original and moderately funny with some excellent performances.

By the way, the film clip we see of a younger Victor Mature in an older black and white film was from EASY LIVING--one of Mature's better films. I suggest you try to find it.

For some reason, this film failed on it's release in 1966, and coincidentally marked the first in a long line of cinema flops for the star Peter Sellers, but now, on viewing it on DVD, I think it stands very comfortably amongst his more recognised work. The plot, written by Neil Simon is brilliantly fast-paced, the comedy lies everywhere, and there's terrific support from Maurice Denham, Britt Ekland, and of course Victor Mature sending up himself as a age-defying crummy actor. Why it flopped, heaven knows. Under the masterful direction of Vittorio de Sica, this map-cap farce makes great viewing, although it does take a bit to get the momentum up. Overall, very enjoyable.

"Do you know how many good kisser are starving in Italy?" That's just one of the excellent lines from this underrated movie. The credits alone sound like the plot for a waco 60s jet-set movie: Vittorio De Sica directing a Neil Simon script? You've got to be kidding. True, the film sags and lags at parts, but between Peter Sellers, Victor Mature (truly awesome here), and the mouth-wateringly hummana-hummana Brit Ekland, the movie has enough going for it that it remains a favorite. And that incredible Burt Bacharach score! I swear that if you're depressed and listen to this music (available on CD as I write this), you'll be cured for life!