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Parmi les vautours

Titre original : Unter Geiern
  • 1964
  • Tous publics
  • 1h 38min
NOTE IMDb
5,9/10
2 k
MA NOTE
Parmi les vautours (1964)
AventureDrameOccidental

Ajouter une intrigue dans votre langueOutlaws disguised as Indians commit crimes against settlers but Winnetou and Old Surehand are determined to unmask the bandits and keep the peace between settlers and Indians.Outlaws disguised as Indians commit crimes against settlers but Winnetou and Old Surehand are determined to unmask the bandits and keep the peace between settlers and Indians.Outlaws disguised as Indians commit crimes against settlers but Winnetou and Old Surehand are determined to unmask the bandits and keep the peace between settlers and Indians.

  • Réalisation
    • Alfred Vohrer
  • Scénario
    • Karl May
    • Eberhard Keindorff
    • Johanna Sibelius
  • Casting principal
    • Pierre Brice
    • Götz George
    • Elke Sommer
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,9/10
    2 k
    MA NOTE
    • Réalisation
      • Alfred Vohrer
    • Scénario
      • Karl May
      • Eberhard Keindorff
      • Johanna Sibelius
    • Casting principal
      • Pierre Brice
      • Götz George
      • Elke Sommer
    • 10avis d'utilisateurs
    • 6avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Photos28

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    Rôles principaux48

    Modifier
    Pierre Brice
    Pierre Brice
    • Winnetou
    Götz George
    Götz George
    • Martin Bauman Jr.
    Elke Sommer
    Elke Sommer
    • Annie Dillman
    Stewart Granger
    Stewart Granger
    • Old Surehand
    Sieghardt Rupp
    Sieghardt Rupp
    • Preston
    Miha Baloh
    Miha Baloh
    • 'Reverend' Weller
    • (as Mihail Baloh)
    Walter Barnes
    Walter Barnes
    • Martin Bauman Sr.
    Renato Baldini
    Renato Baldini
    • Judge George Leader
    Terence Hill
    Terence Hill
    • Baker Jr.
    • (as Mario Girotti)
    Vojislav Miric
    • Stewart
    • (as Voja Miric)
    Louis Velle
    Louis Velle
    • Gordon
    Stojan 'Stole' Arandjelovic
    • Milton
    • (as Stole Arandjelovic)
    Ilija Ivezic
    • Jackie
    Dusan Bulajic
    • Bloomfield
    Davor Antolic
    • Rod
    Boris Dvornik
    • Fred
    Mirko Kraljev
    • Bill
    Djordje Nenadovic
    • Miller
    • Réalisation
      • Alfred Vohrer
    • Scénario
      • Karl May
      • Eberhard Keindorff
      • Johanna Sibelius
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs10

    5,91.9K
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    10

    Avis à la une

    Poseidon-3

    Middling entry in a series

    Continuing in the tradition of previous German-made westerns based on the books of Karl May, this later entry can't hold a candle to earlier films such as "The Treasure of Silver Lake". This one has Granger as leading man and, though he has occasional moments of wit and presence, for the most part he isn't interesting enough to carry the film. He is joined (as in most all of these films) by Brice as Apache Chief Winnetou. The chemistry between the two doesn't quite match that of Brice and Granger's predecessor Lex Barker (who played a different character, but the roles are very similar.) The plot involves Granger and Brice setting out to discover who murdered a frontier mother and daughter. The surviving father blames the Indians while Brice feels that it was a gang of thieves called The Vultures (they certainly don't SOUND like a very friendly band of men!) In the mix is Sommer who is en route to see her father and is wearing a belt filled with gold. The son of the murdered family (George) finds himself falling for her as he investigates the murders along with Granger and Brice. Their adventures take them across various terrain and eventually alongside a wagon train which is beset by infiltrating bandits. This film lacks the grandeur and the production values of earlier films in the series. The lighting is about the worst that can be without having everyone completely in the dark. There is some unintentional humor as in seeing Sommer's extreme bubble bouffant hair-do in an old west setting and the usual hilarity that results from the awful dubbing (Why do these old-fashioned vocal dubbers always sound like they smoke 4 packs of cigarettes a day?) Most fun is seeing George bounce all over the place as if he has springs in his boots. No American western ever had anyone quite so gymnastic in his approach to action scenes. (Also note that, perhaps due to a European sensibility, the men in these films seem to touch each other so much more often than in American westerns. Look for it, it's really unusual.) The film just seems to have a deadening pall over it for some reason. It does not have the style, energy or vividness of the earlier works. It comes to life briefly during a pretty rousing "circle the wagons" stand off and an interlude at an Indian camp at which Granger has to prove his word to a disbelieving (and hilariously bulked up) chief. It's an okay movie to see once, but has no real lasting impact.
    6whpratt1

    Horrible Film

    Thought I might be interested in this film because I like the acting of Stewart Granger over the years and in this so called film he plays the role of a so called superman named "Old Surehand" which is a big joke. The acting is horrible and you will be completely confused as to what is really going on between Indians and white people. This film should be called a comedy film because the entire film goes around in circle after circle and makes absolutely no sense at all. Elke Sommer, (Annie Dillman) was added to the film to give some romantic charm to the film but her acting and performance was a big waste of time. I wish I had never seen this film, it is a HORRIBLE FILM!
    1islandlures

    A Merry-Go-'Round

    Yup..." A Merry-Go-'Round". That is what this film should have been titled because that was all the story of this picture did. 'Round and 'round and 'round it went. I stopped watching it a little after halfway into the film I was afraid it would never end. One of the WORST films I've ever seen. The story line was a collection of almost every Western movie ever shown. Except for the horses, the acting of all the Casts were pathetic, to say the least. A total waste of my money and my time.
    5henri sauvage

    Highly improbable, but strangely enjoyable

    As another commenter said, this is pure fantasy in a Western setting. If you're looking for the gritty realism of a Spaghetti Western or an American Western from the Peckinpah era, this is definitely not your cup of tea.

    For one thing, everyone is so clean -- even the Vulture Gang, whom you'd naturally expect to have less exacting standards of personal hygiene.

    In many ways, these "Bratwurst Westerns" seem like throwbacks to an earlier style, namely, the 1930s brand of American horse opera. Except that in the Old Surehand series, the Native Americans are portrayed to an almost ridiculous degree as misunderstood Noble Savages. (Which is somewhat of an improvement over depicting them as mindless, bloodthirsty savages, but neither approach corresponds very closely to the reality.)

    What's really disconcerting about the English language dub of the film is that someone else does Stewart Granger's voice. Which is a pity, because much of Granger's charm and presence as an actor resided in that inimitable bass growl. I wonder why they couldn't get him to do his own dubbing -- I'd have given this one an extra star just for that.

    But it doesn't look as though the production values were skimped when it came to the costuming and props, and the cinematography is occasionally breathtaking. (If possible, you should try to catch this in letterbox format, just for the gorgeous scenery.) The action sequences come off fairly well, too, and the bad guys are appropriately villainous.

    Overall, I can think of many worse ways to spend an hour-and-a-half.
    sandcrab

    Truly a writer's romantic imagination

    I've seen more than several of these Karl May novels adapted for the screen and I'm not yet sure who has the better imagination. Its quite obvious that these are totally unrealistic depictions of ruthless heathens and downright savages trying to be put in a kinder light for whatever purpose that has yet to be explained. When Native American's watch these tall tales I'm sure they laugh even harder than I did. Way too far out of touch with cultural realities. To qualify them as interesting entertainment would be beyond logical reason. Some of the more obvious flaws are using model 94 Winchester rifles way before the time frame they came into being. Then to believe that one could shoot an arrow from mid-flight without aiming is especially difficult for even an expert marksman to comprehend. These films are pure fantasy from the word go. If you have 90 to 100 minutes to spare I'd suggest visiting the many Native American web pages instead and find out the truth about the culture and customs.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Stewart Granger's voice was dubbed by another actor for the English-language version of this film.
    • Gaffes
      The film depicted a Shoshone encampment in which a totem pole was prominently displayed amongst the tee-pees. The Shoshone, nomadic in nature, did not have totem poles as part of their tribal culture. The totem pole was found only in cultures of the Indigenous peoples of the Pacific Northwest Coast of North America (Washington State and British Columbia, Canada).
    • Connexions
      Followed by L'appât de l'or noir (1965)

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    FAQ17

    • How long is Amongst Vultures?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 5 août 1966 (France)
    • Pays d’origine
      • Allemagne de l'Ouest
      • France
      • Italie
      • Yougoslavie
    • Langue
      • Allemand
    • Aussi connu sous le nom de
      • Frontier Hellcat
    • Lieux de tournage
      • Krka Falls, Krka National Park, Croatie
    • Sociétés de production
      • Rialto Film
      • Jadran
      • Société Nouvelle de Cinématographie (SNC)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 38min(98 min)
    • Mixage
      • Mono
    • Rapport de forme
      • 2.35 : 1

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