L'oeuf de Mothra est réclamé par des entrepreneurs cupides qui refusent de le rendre à ses fées. Lorsque Godzilla surgit près de Nagoya, les habitants de Mothra doivent décider s'ils sont pr... Tout lireL'oeuf de Mothra est réclamé par des entrepreneurs cupides qui refusent de le rendre à ses fées. Lorsque Godzilla surgit près de Nagoya, les habitants de Mothra doivent décider s'ils sont prêts à aider le Japon.L'oeuf de Mothra est réclamé par des entrepreneurs cupides qui refusent de le rendre à ses fées. Lorsque Godzilla surgit près de Nagoya, les habitants de Mothra doivent décider s'ils sont prêts à aider le Japon.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Avis à la une
The plot is strong and,within the demands of a Japanese monster movie,logical. The human characters are mostly reasonably interesting and we don't mind spending time with them for the first half hour or so until the monsters show up. The effects are excellent considering the budget-the constant criticism of the effects in these films is sometimes valid but certainly not here. The two monster battle scenes are shorter then usual but exciting and amusing without being completely comical. Godzilla is at his most fearsome in this film,and he even threatens children,while the graceful,mystical Mothra is a great adversary. Akira Ifikube's music is thrilling {if repetitive}and there are even important issues such as the destruction of the environment and the evils of big business put into the film without spoiling the fun.
Some other Godzilla films may be more funnier,or more exciting,or more spectacular,or whatever,but Godzilla Vs Mothra may well be the artistic peak of the series,with all the elements woven into an immensely satisfying whole,and,unusually for a Japanese sci-fi movie of the time,it was not altered much for it's US version,with only some minor cuts,not-too-bad dubbing and,best of all, the addition of a scene featuring Godzilla!
Known as "Godzilla vs. The Thing" before being changed to the present title somewhere along the line, I cannot stress enough what a great film this is. Godzilla makes an awesome first appearance, and from there the movie actually features a lot of very realistic rear-screen photography of Godzilla roaming around real Japan landscapes and streets. There are some truly amazing shots of Godzilla coming from behind real buildings and mountains, as the usual crowds run for their lives. For some reason, Godzilla films in the original series very rarely used this process after this film, and in the rare case they did, it didn't look nearly as good as it does here.
I am very fortunately to actually own this film on the Simitar Godzilla DVD box set release from 1999, which features this movie in perfect quality and in widescreen. This box set is of the highest quality, totally blowing away the insulting Sony Godzilla DVD box set with some of the same movies, including "Godzilla vs. Mothra," only in very poor quality. If you have the hundreds of dollars to spend, finding a used Simitar DVD set is the way to go.
Of course, another plus is that this is the only Godzilla movie ever to have monster scenes filmed for the American release that were not included in the Japanese release. Of course, seeing this on widescreen rules!
This is also a landmark film because this is the last film of the original series where Godzilla is completely on the bad side. Absolutely not to be missed by any serious monster or sci-fi/fantasy fan.
But now on with the plot: long story short, Mothra's egg washes on the beach and some corporate businessman wants to buy the egg just so he can put it up as an attraction in his amusement park. Two twin faeries show up and warn him to have the egg returned, but he ignores them and even tries to capture them. In the meantime, a news reporter, news photographer, and professor also find out about it and are determined to help the faeries and Mothra before anything bad happens to the egg. Later, Godzilla naturally comes along and interferes, leading to a serious grudge war between the two title monsters.
My thoughts/defenses on this movie: okay, so the monster battles aren't great, but they're certainly not disappointing at all. In fact, the idea of Mothra against Godzilla apparently did sound like a step in the right direction for Toho, in my opinion. Yes, I know Godzilla is such a klutz in this movie, aside from the fact that his mouth is kinda wobbly in this one, but we certainly can't blame him 'cause the guy in the Godzilla costume can't see a thing. Okay, so the ending isn't very climactic, but it still leaves you with a good feeling.
In conclusion, this is one Godzilla movie that I think that all Godzilla fans should give a try/give a chance.
P.S. To all those who think this movie is bad or overrated, I strongly disagree.
This movie is directed by Ishirô Honda (Godzilla, 1954) and stars Akira Takarada (Godzilla, 1954), Yuriko Hoshi (Ghidorah, the Three-Headed Monster), Hiroshi Koizumi (Mothra) and Kenji Sahara (Godzilla, 1954).
I loved the story setup and the giant Easter egg that eventually becomes Mothra. I'll always enjoy the concept of the little ladies being the spokesman for the tribe and Mothra. Godzilla's emergence was great but his facial expressions in the film had me cracking up. The final battle is entertaining and also pretty funny.
Overall this is a film that's more fun than good but an absolutely must see for fans of the Godzilla franchise. Mothra is a unique and fun characters. It's easy to see why she became a mainstay within the franchise. I'd score this a 6.5/10 and strongly recommend seeing it.
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Le saviez-vous
- AnecdotesWhen the protagonists arrive on Infant Island, the skeleton of a turtle is seen in the background where it appears move slightly. This is often misunderstood to be an error but it's actually an intentional choice, inspired by the Italian documentary Mondo cane (1962), which showcased the decomposed remains of a turtle that swayed in the wind. Many fans however took it further, pointing out that it appeared to blink suggesting it was indeed a living, albeit disfigured, creature. The creature eventually was nicknamed "Skeleturtle" and developed a cult following. It would make a cameo in a Godzilla comic and Toho themselves would sell merchandise of the creature, cementing its status as an actual kaiju with it's official name being translated to "Mystery Bones of Infant Island".
- GaffesWhen the Mothra larva grabs onto Godzilla's tail and Godzilla flings it around, the skin of the Mothra larva cracks. This is because it is being damaged by Godzilla.
- Citations
[the natives of Infant Island must decide if they are willing to answer Japan's pleas for help]
Professor Miura: It's a selfish request, but can you help us?
Shobijin (Twin Fairy), Shobijin (Twin Fairy): We must refuse. We have no faith in your world.
Professor Miura: Including us?
Shobijin (Twin Fairy), Shobijin (Twin Fairy): We're very sorry.
Ichiro Sakai: What do we do now?
Professor Miura: It's clear we're not welcome here.
Junko Nakanishi: Please listen to me. I understand why you don't trust us, but even as we speak, many are dying because of Godzilla. Many of them are good people, but even bad people have a right to live. You may call it divine retribution, but all people are equal before God. God plays no favorites. Please, we need your help.
Ichiro Sakai: We too want a world where we can trust one another. But the more people there are, the more difficult it becomes. Nevertheless, we'll never give up. We're working hard to make the world a better place. Please, don't be quick to judge us.
- Versions alternativesThe "Frontier Missile" sequence is the only example of kaiju footage contained in foreign release prints but not in the original cut. This footage slightly alters the arrangement of events of the American and European versions. This footage was filmed at AIP's request and originally excluded from the Japanese cut to keep out the very patriotic American iconage of the scene. It is now featured as bonus material on the Japanese laserdisc.
- ConnexionsEdited from Prisonnières des Martiens (1957)
Meilleurs choix
Détails
Box-office
- Montant brut mondial
- 492 $US
- Durée
- 1h 29min(89 min)
- Mixage
- Rapport de forme
- 2.55 : 1