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IMDbPro

Mariage à l'italienne

Titre original : Matrimonio all'italiana
  • 1964
  • Tous publics
  • 1h 42min
NOTE IMDb
7,4/10
12 k
MA NOTE
Sophia Loren and Marcello Mastroianni in Mariage à l'italienne (1964)
Filumena is the lifetime mistress of a wealthy playboy who is planning to leave her and marry another woman. She will do anything in her power to stop this and marry her instead, including revealing that she's had three children that she kept hidden from him and one of them is his. But which one?
A powerful balance of comedy and drama, with extraordinary performances from Mastroianni and Loren at their best!
Lire trailer1:06
2 Videos
99+ photos
ComedyDramaRomance

Un homme riche, Domenico, et Filumena, une prostituée démunie, partagent une grande partie de leur vie dans l'Italie du lendemain de la Seconde Guerre mondiale.Un homme riche, Domenico, et Filumena, une prostituée démunie, partagent une grande partie de leur vie dans l'Italie du lendemain de la Seconde Guerre mondiale.Un homme riche, Domenico, et Filumena, une prostituée démunie, partagent une grande partie de leur vie dans l'Italie du lendemain de la Seconde Guerre mondiale.

  • Réalisation
    • Vittorio De Sica
  • Scénario
    • Eduardo De Filippo
    • Renato Castellani
    • Tonino Guerra
  • Casting principal
    • Sophia Loren
    • Marcello Mastroianni
    • Aldo Puglisi
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,4/10
    12 k
    MA NOTE
    • Réalisation
      • Vittorio De Sica
    • Scénario
      • Eduardo De Filippo
      • Renato Castellani
      • Tonino Guerra
    • Casting principal
      • Sophia Loren
      • Marcello Mastroianni
      • Aldo Puglisi
    • 43avis d'utilisateurs
    • 32avis des critiques
  • Voir les informations de production sur IMDbPro
    • Nommé pour 2 Oscars
      • 7 victoires et 10 nominations au total

    Vidéos2

    Marriage Italian Style
    Trailer 1:06
    Marriage Italian Style
    MARRIAGE ITALIAN STYLE: Like a Lady (US)
    Clip 1:33
    MARRIAGE ITALIAN STYLE: Like a Lady (US)
    MARRIAGE ITALIAN STYLE: Like a Lady (US)
    Clip 1:33
    MARRIAGE ITALIAN STYLE: Like a Lady (US)

    Photos192

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 188
    Voir l'affiche

    Rôles principaux21

    Modifier
    Sophia Loren
    Sophia Loren
    • Filumena Marturano
    Marcello Mastroianni
    Marcello Mastroianni
    • Domenico Soriano
    Aldo Puglisi
    Aldo Puglisi
    • Alfredo
    Tecla Scarano
    • Rosalia
    Marilù Tolo
    Marilù Tolo
    • Diana
    • (as Marilu' Tolo)
    Gianni Ridolfi
    Gianni Ridolfi
    • Umberto
    Generoso Cortini
    Generoso Cortini
    • Michele
    Vito Moricone
    Vito Moricone
    • Riccardo
    Rita Piccione
    • Teresina - Seamstress
    Lino Mattera
    Alfio Vita
    Alfio Vita
    • Una pasticcere
    Alberto Castaldi
    • Doctor
    • (as Alberto Gastaldi)
    Anna Santoro
    • Seamstress
    Enza Maggi
    • Lucia - Maid
    Mara Maryl
      Antonietta D'Onofrio
        Raffaello Rossi Bussola
        Raffaello Rossi Bussola
        • Nocella - Lawyer
        Vincenzo Aita
        Vincenzo Aita
        • Alfonso - Priest
        • (non crédité)
        • Réalisation
          • Vittorio De Sica
        • Scénario
          • Eduardo De Filippo
          • Renato Castellani
          • Tonino Guerra
        • Toute la distribution et toute l’équipe technique
        • Production, box office et plus encore chez IMDbPro

        Avis des utilisateurs43

        7,412K
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        Avis à la une

        10paolo-28

        I loved it!

        Well I think that you should watch this wonderful Italian film. It is taken from the comedy "Filumena Marturano" by Eduardo De Filippo. Marcello Mastroianni is superb and Sophia Loren is excellent. It's a pity she didn't won the second Oscar as best actress of this film.

        The title-song "'O cielo ce manna 'sti 'ccose" by Fred Bongusto is absolutely wonderful.
        10richard-1787

        Yes, Loren is breathtakingly beautiful in this movie, but there is much more to it than that

        Yes, Sophia Loren is breathtakingly beautiful in this movie - at times - but there is much more to it than that.

        This movie does a remarkable job of developing two characters, especially Loren's character, over more than 20 years. There are no stereotypes - the warm-hearted prostitute, etc. - here, no facile caricatures. Rather, Loren, directed by di Sica, is able to develop a complex and fascinating character who goes from a 17 year old girl to a woman in her 50s. Loren does this not with fancy make-up, etc., but by ACTING. She is believable as the terrified young girl thrown into prostitution by abject poverty; she is completely believable as the 50+ year old woman defending her three children. (She was 30 when she made this movie.) I couldn't stop watching this movie. Loren is so real in it that you HAVE to find out what will become of her character.

        This movie shows you what a good movie can be: something with complex, real characters whom you want to know more about. It is the complete opposite of the caricature-, stereotype-ridden formulaic pictures we get too often.
        7dirkdeckard

        La più bella "Donna"

        One of the biggest hits of the "Italian Comedy", starred by the top of the Italian star-system. De Sica give us a solid film all along the length, taking us from drama to comedy, they're separated by a faint border; as the life itself.

        Obviously, the time has passed and some points are old-fashioned (technical resources, technology, life's perspective) but it's true the film gets one realistic approach (it couldn't be less being this film one of the examples of Italian neo-realism) about the drama of a woman who looks for dignity and fights for the good of her children.

        This pink neo-realism sows us the common life of Italian people after WWII. Mediterranian country, misogyny, catholic, conservator, noisy… similar to Spain (españolada, Landismo), Greece, etc.

        Good performances form Mastroianni, who is a playboy but with a good heart at least, and, especially Sophia Loren, at her prime, as Filomena, a prostitute who will fight for her honesty, dignity and her sons, a woman with attitude, tough in her acts and with some real curves. In other words the best "donna", along with Magnani, in all history.

        De Sica, without reaching the lever of previous works in the 40's, makes a gret work in a field he controls like only a few people more. Good photography and ambiance. Music as Italian music, little cloying but it don't bother and it suits the film.

        Thou, there are some negative points: - Relationship with children and their reaction are unnatural and the aren't worked as it'd be necessary. - Story could be analyzed in a deeper way. It's a good topic. - Make-up of Loren at 17, she doesn't look even for a moment, her body is different, no one can't do it something about it with that clothes, but the make-up could be better.

        But it's a good movie, despise of these thing and the fact that is a movie made in the early 60's and other things I can't remember. You can enjoy this film and discover if you didn't make it earlier the refreshing Italian cinema.
        7kevinolzak

        Seen on Pittsburgh's Chiller Theater only in 1969

        After anthologies "Boccaccio 70" and "Yesterday, Today and Tomorrow," director Vittorio De Sica returns to a single story format with his favorite actress Sophia Loren, joined yet again by Marcello Mastroianni, evoking memories of her Oscar-winning turn in "Two Women" as Filumena, devoted companion to Mastroianni's wealthy Domenico, who discovered her as a frightened 17 year old in a bordello during a wartime bomb raid, putting her to work as a domestic in his mother's home rather than waste his position in society on a woman below his station. 20 years pass and she now lies on her deathbed, requesting the presence of a priest who promptly joins the two in marriage (just as he's prepared to wed a girl half his age), Domenico stunned to see Filumena up in no time and fighting fit, and more determined than ever to emerge the victor in this battle of the sexes, not so much for herself but for the three sons she has secretly cared for over the years. There are amusing moments to be sure but it's by heart a serious drama in which Sophia effortlessly ages from bubbly coquette to middle aged dowager over 100 minutes yet still meets her perfect match in Marcello Mastroianni, who has no business being so likable when he's essentially portraying a cad.
        8lasttimeisaw

        Marriage Italian Style

        The film employs a tremendously perky rhythm and register to showcase the traits of the earthly Italy at its post-war development, even though essentially the overwrought kernel of a prostitute's tribulations could hardly appropriate as a comedy material.

        Vittorio De Sica's camera enigmatically haunts and pivots around two leads' present and past, the intangible love/hate chaos is disarmingly intriguing and subconsciously imbues the audience with a fervent compassion towards Sophia Loren's unswerving while passionate Filumena. The leading performance is worth of much accolade, especially for Sophia Loren, whose full-brown force of personality spanning over 20 years in the film and indisputably devotes a magnificent performance with all her zest and vigor. Marcello Mastroianni, is great as well, to hone up his versatility and render the womanizer an ambiguous moral criterion which is a more delicate task.

        I cannot help being fascinated by the exquisite script as well, credited by five names, no wonder all the twists and turns are so fruitful in a way that both surprising and amusing. Nominated for 2 Oscars (BEST FOREIGN FILM and a second BEST ACTRESS nomination for Loren) and is a milestone which not only represents Loren's heyday but also is a comforting fruition of Loren-Conti correlation. Maybe it is not director De Sica's best canon due to its slight superficiality of machismo, which I sense may not be the director's fault as it is a general bias lies in all over the globe. Anyway, the film itself surely is a fine piece captures a genuine Italian aura (the Naples' style) and definitely worth your pocket.

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        Histoire

        Modifier

        Le saviez-vous

        Modifier
        • Anecdotes
          Domenico arranges an apartment in Naples for Filumena. The former tenant's belongings are still in. There is a picture of Clara Petacci (dictator Mussolini's mistress) on the wall and Filumena asks when this will be removed. The scene is set in the late 1940s, so this obviously symbolizes Italy's transition from fascism to a republic. Mussolini himself would probably not have passed the censors.
        • Citations

          Filumena Marturano: [subtitled version] The problem is that our hearts used to be so big...

          [holds up pebble]

          Filumena Marturano: and now look how small they are.

        • Connexions
          Edited into Marcello, una vita dolce (2006)
        • Bandes originales
          Munasterio 'e Santa Chiara
          (uncredited)

          Written by Michele Galdieri and Alberto Barberis

          Sung by Don Domenico on the trip home from the racecourse; Don Domencio also asks the boys to sing it

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        FAQ19

        • How long is Marriage Italian Style?Alimenté par Alexa

        Détails

        Modifier
        • Date de sortie
          • 30 décembre 1964 (France)
        • Pays d’origine
          • Italie
          • France
        • Langue
          • Italien
        • Aussi connu sous le nom de
          • Marriage Italian Style
        • Lieux de tournage
          • Naples, Campanie, Italie
        • Sociétés de production
          • Compagnia Cinematografica Champion
          • Les Films Concordia
        • Voir plus de crédits d'entreprise sur IMDbPro

        Box-office

        Modifier
        • Montant brut aux États-Unis et au Canada
          • 10 600 $US
        • Week-end de sortie aux États-Unis et au Canada
          • 4 967 $US
          • 25 sept. 2011
        • Montant brut mondial
          • 157 819 $US
        Voir les infos détaillées du box-office sur IMDbPro

        Spécifications techniques

        Modifier
        • Durée
          1 heure 42 minutes
        • Mixage
          • Mono
        • Rapport de forme
          • 1.85 : 1

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        Sophia Loren and Marcello Mastroianni in Mariage à l'italienne (1964)
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        By what name was Mariage à l'italienne (1964) officially released in Canada in French?
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