Au-delà du réel

I was a fan of this show from the premier episode of "The Galaxy Being" which I saw when I was ten years old. I just recently was given the DVD set of both seasons. It's great to be able to see THE UNCUT episodes the way they were originally broadcast. It's true that the special effects of the early 60's are rather crude compared to what can be done with CGI today, however, the original Outer Limits made up for it by two things which often are missing in todays science fiction movies and series:excellent story lines with equally excellent acting. Another thing which always stood out for me was the music score which accompanied each episode. I was surprised when my teenage daughter watched some of the episodes with me and like them. One episode which resonated with her was "Don't Open Til Doomsday" It was weird having her discuss the episode with me and express the same feelings that I had 42 years ago when I saw it for the first time. I have to say that when the technology allowed for more realistic and fantastic special effects it seemed to take the heart out of good story telling. Even though I watched The new Outer Limits on Showtime and enjoyed it I feel that it still was inferior to the original series.

If you wanted to know what really good,really spectacular effects along with a good story for maximum effort,then this show set the standard for all science fiction shows as we know it today. And for good reason. For one the stories were based on science fiction subjects ranging for nuclear explosions,aliens and extraterrestials from another world(and some of the most scariest monsters on TV back then!),and creatures from beyond the depths of imagination,and secondly humans who tried to communicate beyond the point of other dimensions and other lifeforms. This show came along with the status of other science fiction shows that domination TV sets throughout the 1960's,with titles like "The Twilight Zone", "Boris Karloff's Thriller","Voyage to the Bottom of the Sea","Lost in Space","Star Trek",and the UFO series "The Invaders". In my opinion about this show it scares the daylights out of me every time I see it. The new version doesn't have a clue to what the original was like,and to me the original rules. Point Blank. Even though it ran for two astounding seasons and producing a total of 49 episodes running in prime-time for ABC-TV from September 16,1963 until January 16,1965,the science-fiction/horror anthology series "The Outer Limits" brought some of the most electrifying special effects ever devised for TV(it would have really fantastic if the original series would have stayed around for another season to make its transition to color but the entire series was shown in black and white). During its first season, the series brought in astounding ratings then toward its second season the powers that be at ABC torpedoed it when it moved from Monday nights to Saturday nights opposite "The Jackie Gleason Show",and "Flipper" which clobbered it in the ratings. Several episodes do stand out as brilliant that made up the guest star roster ranging from future "Star Trek" cast members William Shatner, Leonard Nimoy, Grace Lee Whitney, James Doohan and DeForest Kelley. Other guest stars were Donald Pleasence, Adam West, Arlene Martel, David McCallum, Barbara Luna, Jill Haworth to Martin Sheen, Sally Kellerman, Robert Culp, Michael Ansara, Eddie Albert,Cliff Robertson and future Oscar winner Robert Duvall. There were 32 episodes for Season 1 of this series that aired from September 16, 1963 until May 4,1964. For its second and final season when ABC moved the series from Monday nights to Saturday nights in an earlier time slot opposite "The Jackie Gleason Show" and "Flipper" a total of 17 episodes aired from September 19,1964 until January 16,1965 when it was canceled in mid-season. The show that replaced "The Outer Limits" on January 24,1965 was the variety family series "The King Family Hour".

This science fiction anthology series that lasted for 2 seasons and 49 episodes, great acting, superb set design, and wonderful stories made this in some ways better than even "the Twilight Zone". I know that statement could very well be considered close to heresy to some, and don't get me wrong I do love Twilight Zone and hold it among my favorite shows, I merely find the endlessly thought-provoking and wonderous episodes of Outer Limits to edge out the great, but reallying on last-minute twists episodes of Twilight Zone. Followed in the mid '90's by a revival show on Showtime that while good in it's own right, just couldn't hope to hold a candle to the original series.

My Grade: A+

From reading the comments many people love this series,and I am another "Outer Limits " fan.The 60's show is far superior to its 90's namesake and the cliched special effects driven SF programs being made today."The Outer Limits" had none of the technological wizardry available to t.v.now, nor even the recources Irwin Allen's productions at Twentieth Century Fox and"Star Trek" at Desilu/Paramount could draw upon in the 1960's.The series was made by Leslie Steven's "Daystar" productions(a small independent),in black and white and on very tight budgets using the Hollywood soundstages of KTTV(and later Paramount Sunset), with some external scenes shot at the MGM backlot at Culver city.The special effects and makeup vary in quality ,some are very good indeed bearing in mind the limitations in budget (examples-the "Sixth finger", "Nightmare","The chameleon", "A feasability study","The galaxy being" "The Bellero shield" and "The keeper of the purple twilight"--what a title!). The show comes from a period when an unusual amount of high quality writing was evident on American t.v.drama (despite what the F.CC. were saying about t.v. being a "vast wasteland").In my view the first season produced by Joseph Stefano is generally superior to the second when Ben Brady of "Perry Mason" took over.Stefano, who had in 1960 scripted "Psycho" for Hitchcock, wrote quite a number of episodes and extensively re-wrote many of the scripts provided by others during the first season. Not just the writing, but the cinematography (often by Conrad Hall),direction and music gives the show a brooding, moody "otherworldly" quality.Gerd Oswald, a minor film director, was used extensively on the show and his episodes are often the most striking. Even the best series will have it's quota of poorer episodes.In my opinion, among "The Outer Limits" worst are "The Probe"(the final episode,with a notably pathetic monster), "The duplicate man"(an interesting idea poorly executed,with another rotten monster), "Behold Eck", "Cold hands, warm heart", "Tourist attraction","The mutant" and "Specimen unknown"(fiendish extra terrestrial plants which sure aint Triffids!--oddly the highest rated episode of the series).Among my favorite shows are "The sixth finger", "A feasability study" ,"Nightmare", "The chameleon"( with Robert Duvall), "Fun and games"(with a great performance by Nick Adams),and "The Inheritors"( a two parter with Duvall again, and featuring a terrific speech at the end, beautifully delivered by Steve Ihnat). A special mention for four outstanding episodes.In "Obit","The Outer Limits" , back in 1963,was warning about that unpleasant instinct in people which leads them to want to spy into the personal lives of others,and which t.v. has sunk to pandering to today with the likes of "Big brother" and "Survivor"."The forms of things unknown",is a stunning piece, an object lesson in what can be achieved by talented people with a limited budget.The car recklessly driven down the road, Andre's poisoning in the lake, and Tone's weird clock machine are all images that you don't easily forget."The man who was never born", a sci -fi variant on "Beauty and the beast", is full of poetic writing and dreamlike scenes.Martin Landau is superb as the soulful mutant from the future, and the poignant final shot where the camera pulls back from a bereft Shirley Knight who is left in a tiny box of light with the dark all around, is the kind of ingenious moment which starkly sets "The Outer Limits" apart from most t.v. productions."The Guests" is a show I often return to.Within the framework of a Sci-Fi horror tale, we find an elegy on the passage of time, love and loss, beautifully filmed with an outstanding musical score. The performances, from Gloria Grahame( cast in type), Luana Anders( cast rather against type),Geoffrey Horne(among others), the direction by Paul Stanley and script by Donald S. Sanford reward re-viewing with further insights and appreciations.A landmark series.

This was a serious and thoughtful series much like "The Twilight Zone"(which aired at the same time) but one which isn't as well remembered or aired, which is a shame, but modern audiences may consider this show talky and slow, as it certainly is different than such anthology series today, which are all about shock value and quick editing.

This series wanted to make its audience think about the potential folly of human nature('The Architects Of Fear') or possible first contact with aliens gone awry('The Mice') and so on. Some episodes were whimsical ('Behold, Eck!) but would still create much imaginative speculative fiction about a two dimensional creature. Of course, you would still have episodes about a sand shark on mars('The Invisible Enemy') to provide the kids with typical monster thrills.

Interesting series that is on DVD, with a memorable disembodied voice introducing the premise and pretending to take control away from the viewer for an hour, which may be the only way you can see it, since unlike "The Twilight Zone", this doesn't get any marathons!