Ajouter une intrigue dans votre langueA collection of science-fiction stories.A collection of science-fiction stories.A collection of science-fiction stories.
- Nommé pour 1 Primetime Emmy
- 2 victoires et 3 nominations au total
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Let me take you back. Let me pull you there. A male human child of 6 cycles. It is 1963. Dad was cool and suggested we watch this new 'weirdo' show. We did that sort of thing together - bonding, don't you know? From the very first second the show was unlike anything I had ever seen before. The set up? We just lost control of our TV sets and 'they' were going to show us something - 'awe and mystery'. I'm all for that. 'The Twilight Zone' had already done this...yet this was something different. The visuals combined with the truly subversively semi-subliminal (I hope) sound effects - very compelling. It pulled you right in, teased and hypnotized. Then, that gut wrenching music slowly wanders in and disorients. Hurry up, commercial! Get over already! (Commercials were somewhat shorter back then as I recall)
I believe the first episode, which I haven't seen in years, segued right from the sine-wave intro. I also recall the intro as being a bit longer with the first few episodes. I could be wrong. These were on TV and - you know - TV takes liberties. Later episodes started right in on the action...a prologue to tease you for what's to come. Then - a crescendo note of surprise, awe and mystery - the 'sine-wave- intro. I want to watch this! This same technique was later adopted by such peers as 'The X-files'.
Folks! The original Outer Limits intro was fun! It was almost art...the first season anyway. I do like the 'new' Outer Limits on occasion - but that intro of theirs? Ugh, I can't wait til it's over and the show starts. The intro of the original series came as a part of the package.
Then we have those stories. A child of 6 expects monsters to be monsters. Many of these monsters - each horrific in a surprisingly memorable way - turned out to be well-meaning or benign. That will certainly screw with the perceptive 6 year old mind. So, the monster under my bed might not be a monster at all? Wow!
Yes, those stories were assisted by the most symbiotic music I had heard at the time. Those dirges piped in at just the right moment, working the mood into a niche, and making the plot point. You know, we, the audience, were being seduced by the notes to 'listen up! You might learn something'. The second season unfortunately lost these tunes and were replaced by this wavering 1950-ish B-movie ilk. I shouldn't bash it. It wasn't bad - it just wasn't the Frontiere-groove anymore, man.
I could adorn each episode with praises. Even a bad one was better for me than anything else on TV then. If they were on today I would still watch a bad episode. They still made you consider your place in the Universe. Sometimes they even scared the crap out of you. But the good episodes were gems! Those creatures were fantastic. At the time our local station edited 'Architects Of Fear' so we never got to see the creature since it was deemed too scary. The story still held together even without the extra boost a fearsome face would provide. Many years later I finally saw what the creature looked like. I can see why the stations did what they did for that innocent era. I probably would have screamed myself to sleep. 'Zanti Misfits' had me doing that anyway. The 'Bellero Shield' had me upset for years. I think I actually understood the ending at 6 years old.
So, I am not going to keep listing episodes. I like them all and will be owning them in my library.
Bottomline, folks! If you haven't seen any of these - DO! Unfortunately short-lived, these early episodes are a one-of-a-kind example of good TV. Rare and perhaps extinct. A series that didn't underestimate its audience and nearly always challenged them. Giving this an 8 because of the poor second season - though the first season is frequently easily a 9 or above.
I believe the first episode, which I haven't seen in years, segued right from the sine-wave intro. I also recall the intro as being a bit longer with the first few episodes. I could be wrong. These were on TV and - you know - TV takes liberties. Later episodes started right in on the action...a prologue to tease you for what's to come. Then - a crescendo note of surprise, awe and mystery - the 'sine-wave- intro. I want to watch this! This same technique was later adopted by such peers as 'The X-files'.
Folks! The original Outer Limits intro was fun! It was almost art...the first season anyway. I do like the 'new' Outer Limits on occasion - but that intro of theirs? Ugh, I can't wait til it's over and the show starts. The intro of the original series came as a part of the package.
Then we have those stories. A child of 6 expects monsters to be monsters. Many of these monsters - each horrific in a surprisingly memorable way - turned out to be well-meaning or benign. That will certainly screw with the perceptive 6 year old mind. So, the monster under my bed might not be a monster at all? Wow!
Yes, those stories were assisted by the most symbiotic music I had heard at the time. Those dirges piped in at just the right moment, working the mood into a niche, and making the plot point. You know, we, the audience, were being seduced by the notes to 'listen up! You might learn something'. The second season unfortunately lost these tunes and were replaced by this wavering 1950-ish B-movie ilk. I shouldn't bash it. It wasn't bad - it just wasn't the Frontiere-groove anymore, man.
I could adorn each episode with praises. Even a bad one was better for me than anything else on TV then. If they were on today I would still watch a bad episode. They still made you consider your place in the Universe. Sometimes they even scared the crap out of you. But the good episodes were gems! Those creatures were fantastic. At the time our local station edited 'Architects Of Fear' so we never got to see the creature since it was deemed too scary. The story still held together even without the extra boost a fearsome face would provide. Many years later I finally saw what the creature looked like. I can see why the stations did what they did for that innocent era. I probably would have screamed myself to sleep. 'Zanti Misfits' had me doing that anyway. The 'Bellero Shield' had me upset for years. I think I actually understood the ending at 6 years old.
So, I am not going to keep listing episodes. I like them all and will be owning them in my library.
Bottomline, folks! If you haven't seen any of these - DO! Unfortunately short-lived, these early episodes are a one-of-a-kind example of good TV. Rare and perhaps extinct. A series that didn't underestimate its audience and nearly always challenged them. Giving this an 8 because of the poor second season - though the first season is frequently easily a 9 or above.
10DD-931
I was eight when this show first appeared on TV. I can give no greater example of the potential power of television than by saying that when the control voice came on to take over the TV set, I would run out of the room. I couldn't watch a single first run episode of this show. Yet when it was over, I would relentlessly pump my brothers for information on what happened in each episode. And sitting in my room listening to the sounds in the living room and Dominic Frontiere's brilliant and unmatched score would transport me despite myself into realms of imagination and fear that I quite simply had never conceived of before. When I finally was old enough, and brave enough, to watch this show (and yes, I've seen every episode and now have the dozen best episodes on VHS), I discovered that what the camera had captured was, by and large, every bit as wondrous as what I had imagined. This show changed my life. How can any movie or TV show do more than that? Best 10 episodes: "The Architects of Fear", "Nightmare", "Demon with a Glass Hand", "O.B.I.T.", "Corpus Earthling", "The Sixth Finger", "It Crawled Out of the Woodwork", "The Borderland", "The Galaxy Being", and "The Inheritors". And don't miss the great performances by Robert Culp, Robert Duvall, David McCallum, James Shigeta, Jill Haworth, Martin Landau, Jeff Corey, Salome Jens, Martin Sheen, Henry Silva, Ed Asner, Nina Foch, George Macready, Sally Kellerman, Arline Martel, Warren Oates, Michael Ansara, Ivan Dixon, Leonard Nimoy, and Steve Ihnat - among others. The so-called Outer Limits anthology series running now doesn't have a clue of what "The Outer Limits" is all about. I wish the producers would be honest and just not use the title "Outer Limits". Then I could forgive them their mediocrity. And for those who say the original is outdated, I say you're only missing out on what this show really means. And don't be so sure that what we understand about the universe now - IN OUR SOULS - is better than what we understood in 1963. Thank you, Internet Movie Database. I've finally found the forum to get this off my chest.
If you wanted to know what really good,really spectacular effects along with a good story for maximum effort,then this show set the standard for all science fiction shows as we know it today. And for good reason. For one the stories were based on science fiction subjects ranging for nuclear explosions,aliens and extraterrestials from another world(and some of the most scariest monsters on TV back then!),and creatures from beyond the depths of imagination,and secondly humans who tried to communicate beyond the point of other dimensions and other lifeforms. This show came along with the status of other science fiction shows that domination TV sets throughout the 1960's,with titles like "The Twilight Zone", "Boris Karloff's Thriller","Voyage to the Bottom of the Sea","Lost in Space","Star Trek",and the UFO series "The Invaders". In my opinion about this show it scares the daylights out of me every time I see it. The new version doesn't have a clue to what the original was like,and to me the original rules. Point Blank. Even though it ran for two astounding seasons and producing a total of 49 episodes running in prime-time for ABC-TV from September 16,1963 until January 16,1965,the science-fiction/horror anthology series "The Outer Limits" brought some of the most electrifying special effects ever devised for TV(it would have really fantastic if the original series would have stayed around for another season to make its transition to color but the entire series was shown in black and white). During its first season, the series brought in astounding ratings then toward its second season the powers that be at ABC torpedoed it when it moved from Monday nights to Saturday nights opposite "The Jackie Gleason Show",and "Flipper" which clobbered it in the ratings. Several episodes do stand out as brilliant that made up the guest star roster ranging from future "Star Trek" cast members William Shatner, Leonard Nimoy, Grace Lee Whitney, James Doohan and DeForest Kelley. Other guest stars were Donald Pleasence, Adam West, Arlene Martel, David McCallum, Barbara Luna, Jill Haworth to Martin Sheen, Sally Kellerman, Robert Culp, Michael Ansara, Eddie Albert,Cliff Robertson and future Oscar winner Robert Duvall. There were 32 episodes for Season 1 of this series that aired from September 16, 1963 until May 4,1964. For its second and final season when ABC moved the series from Monday nights to Saturday nights in an earlier time slot opposite "The Jackie Gleason Show" and "Flipper" a total of 17 episodes aired from September 19,1964 until January 16,1965 when it was canceled in mid-season. The show that replaced "The Outer Limits" on January 24,1965 was the variety family series "The King Family Hour".
This science fiction anthology series that lasted for 2 seasons and 49 episodes, great acting, superb set design, and wonderful stories made this in some ways better than even "the Twilight Zone". I know that statement could very well be considered close to heresy to some, and don't get me wrong I do love Twilight Zone and hold it among my favorite shows, I merely find the endlessly thought-provoking and wonderous episodes of Outer Limits to edge out the great, but reallying on last-minute twists episodes of Twilight Zone. Followed in the mid '90's by a revival show on Showtime that while good in it's own right, just couldn't hope to hold a candle to the original series.
My Grade: A+
My Grade: A+
I was nine years old when this classic series debuted. The episodes that scared me the most and the reasons why were: "Nightmare" (the sadistic powers of the Ebonite control rod), "It Crawled Out of the Woodwork" (a swirling cloud-monster frightening people to death), "The Guests" (being dragged upstairs for interrogation by a gelatinous brain), "Don't Open Till Doomsday" (being seized and drawn into a box inhabited by a one-eyed alien blob), "A Feasibility Study" (having your neighborhood kidnapped and taken to an alien world while you sleep), and "The Production and Decay of Strange Particles" (radiation suits taken over by energy beings whose face masks glow with lightning bolts). Episodes I really enjoy now are "Demon With A Glass Hand" (great location in the darkened, dilapidated office building, total suspense), "Architects of Fear" (Robert Culp's superb portrayal of a man being transformed into an alien and losing his sanity), "O.B.I.T" (an early commentary about the dangers of electronic spying and loss of privacy), "ZZZZZ" (insects turn the tables on humankind and send one of their own to our world), "The Bellero Shield" (Sally Kellerman's excellent portrayal of a "murderous wife"), "The Invisible Enemy" (sea serpent-like beasts dragging their victims underneath the sand) and "The Mice" (who could forget the grinding claws and constant stalking behavior of this grotesque monster alien?). I do favor the first season more than the second season, because the episodes and story plots are harsher and darker with very chilling music.
In general, series creator Joe Stefano's suspicion of government and scientific research institutions and their motives is truly admirable. Also, he does not always make the aliens the bad guys, as shown in "Nightmare" when the Ebonite wants to put a stop to Earth-government sanctioned torture of POW's. "Outer Limits" on DVD brings an even richer, louder and penetrating quality to this outstanding series. Also, "The Outer Limits: The Official Companion" is a great book for information about the show's production and episodes.
In general, series creator Joe Stefano's suspicion of government and scientific research institutions and their motives is truly admirable. Also, he does not always make the aliens the bad guys, as shown in "Nightmare" when the Ebonite wants to put a stop to Earth-government sanctioned torture of POW's. "Outer Limits" on DVD brings an even richer, louder and penetrating quality to this outstanding series. Also, "The Outer Limits: The Official Companion" is a great book for information about the show's production and episodes.
Le saviez-vous
- AnecdotesThe original title for this series was "Please Stand By," but because the Cuban Missile Crisis had happened less than a year earlier, executives thought it might make people fearful of an air raid. As a reference to this, when Au-delà du réel - l'aventure continue (1995) would cut to a commercial, the Control Voice said, "Please stand by."
- Citations
The Control Voice: There is nothing wrong with your television set. Do not attempt to adjust the picture. We are controlling transmission. If we wish to make it louder, we will bring up the volume. If we wish to make it softer, we will tune it to a whisper. We can reduce the focus to a soft blur, or sharpen it to crystal clarity. We will control the horizontal. We will control the vertical. For the next hour, sit quietly and we will control all that you see and hear. You are about to experience the awe and mystery which reaches from the inner mind to... The Outer Limits.
- ConnexionsEdited from La vie est belle (1946)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Beyond Control
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 51min
- Couleur
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