Chûshingura

It is unfortunate, to say the least, that the original 1962 incredibly loving critiques are no longer in print regarding the true nature of the origin, history and creation of this film. When I first saw it in 1963 (at the Castro, I believe, in S.F.) there was a lengthy story "blown up" on display board in the entryway. This film was a one-of-a- kind deliberate and heartfelt "gift to the world", created by a group of Japanese artists using film as their medium. This particular film was a reflection of what happened in the hearts of sentient Japanese artists AFTER Japan's defeat in WWII. Out of profound dignity they crafted this film to tell of the truest, deepest beauty of their culture, revealing it through the vulnerable opening of their hearts and sharing the story of the true Japan. In a manner similar to "The Passion" of our time, there was always a great historical purpose to this gift -- not merely a commercial undertaking. Thus, I believe the HISTORY of this film holds an even more noble place than the film itself, which happens to be a masterpiece painted with the love of its creators.

This story of the 47 loyal ronin (ronin is a Japanese word for a master-less samurai) is based on actual events that took place in 1701 and 1702--although some of the exact details are uncertain (including the actual number) . What is certain is that a feudal lord attempted to murder on of the Shogun's trusted men in one of the royal castles. As a result, the attempted murderer was ordered to commit ritual suicide and his retainers (now ronin) vowed revenge on the man almost killed. What the exact insult was is lost to history, but the tale is considered a classic and most Japanese people are very familiar with it.

It would have a very hard time giving any version of this story a 10 because there are so very many that you can't give them anything for originality. According to IMDb, on Japanese TV alone, something like a dozen different versions were made just during one decade! And, as far as movies go, there are also quite a few. I've seen the classic 1941 version and found it to be very, very different from CHUSHINGURA because it was much more nationalistic and seemed, at times, like wartime propaganda (albeit, very good propaganda) AND because the film was much more fast-moving--skipping much of the setup that you find in this remake. In other words, in 1941, the insult and the attempted murder take place very early into the film and here in 1962, it doesn't occur until about an hour into the film. In fact, while an amazingly well made film, CHUSHINGURA is perhaps too deliberately paced and could have used an edit. While I like very long films, this one just wasn't paced well enough to merit its 3-1/2 hour running time. At 2-1/2 or 3 hours, it would have played better.

As for the acting, sets and everything else about the film, it was all first-rate. The film was obviously a prestige film and as a consequence was filmed in lovely full-color. In fact, other than the pacing and ubiquity of the plot, it's a very well made and interesting film--probably even more so in Japan, where it's a beloved tale illustrating loyalty and honor.

Finally, it should be noted that although Toshirô Mifune is shown on the DVD art and all the pictures here on IMDb, his role is very small and this is definitely a film with a large ensemble cast--not a Mifune film per se. His fans might be disappointed by this and you might want to consider this before you watch.

"Chushingura" retells the famous story of Lord Asano's loyal men in a way uncommon to most historical dramas. Not only does it give the account in wonderful detail, incorporating a great many historical characters (though, as has been said, they can be hard to keep track of), but it is also a wonderfully beautiful and emotional film.

The cinematography is fantastic. Colors are put to good use and set up a wonderful atmosphere; it is a shame that the only DVD release of this film available in the United States is of such poor quality that much of the effect is lost. Akira Ifukube's score is, as usual, magnificent and adds as much mood and atmosphere to the film as the beautiful photography. Many of Toho's great actors are present here and do a commendable job of portraying the vast array of characters. The classic story is told with great emotion as well as attention to detail, and the pacing never slips. There are also many interesting transitions from scene to scene, set up in such a way that a scene often appears at first to be part of the one before it.

A terrific movie. Recommended for all who are interested in this most memorable part of Japanese history and/or dazzling cinematic beauty.

There is not much more that I can add to Michael Stephens' review. As the film closed, I, too, had tears running down my face in awe of what had transpired, not only because of the greatness of this film, but the courage and loyalty of the men and women depicted in this magnificent story.

I am a Caucasian American, but I have a deep love for Asian culture, especially the Japanese culture, so I have a little insight to their way of thinking. I agree with Michael that many Americans will not be able to completely identify with certain events in the film. Nevertheless, you must have a heart of stone if you cannot feel SOMETHING for what happens in the film.

Yes, this is a long movie, but I found I wanted more. The story, the acting, directing, EVERYTHING was MAGNIFICENT!!! And, of course, there was TOSHIRO MIFUNE, brilliant as always even in this limited role. If you are a fan of Japanese cinema, you will see MANY familiar faces. And, to top it off, the music was composed by the GREAT Akira Ifukube.

My only complaint is the DVD. As beautiful as this print is, it still looks like it needs to be restored. I can't imagine how wonderful that would look!! Also, some extras like a short background story would be helpful to those that have no real knowledge of Japanese history. I CANNOT recommend this film enough!!

I have actually seen this film several times because it was my college boyfriend's favorite movie and I was dragged to the local art house to see it 5 times. But I have to say I found something new in it each time. While I agree with the previous reviewer that it can be confusing, the story is legendary in Japan and the film makers didn't feel the need to explain elements the Japanese audience would be familiar with. I suggest a second viewing will make it more coherent. I have yet to see a more recent samurai/martial arts film match the suspense and beauty of the snow scene or the heartbreak at the end of the first half. It is a visually rich and rewarding movie experience.