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IMDbPro

Goyokin: La terreur des sabaï

Titre original : Goyôkin
  • 1969
  • Tous publics
  • 2h 4min
NOTE IMDb
7,6/10
2,8 k
MA NOTE
Goyokin: La terreur des sabaï (1969)
ActionAventureDrameSamouraï

Ajouter une intrigue dans votre langueA guilt-haunted samurai warrior attempts to prevent a massacre from taking place.A guilt-haunted samurai warrior attempts to prevent a massacre from taking place.A guilt-haunted samurai warrior attempts to prevent a massacre from taking place.

  • Réalisation
    • Hideo Gosha
  • Scénario
    • Kei Tasaka
    • Hideo Gosha
  • Casting principal
    • Tatsuya Nakadai
    • Tetsurô Tanba
    • Yôko Tsukasa
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,6/10
    2,8 k
    MA NOTE
    • Réalisation
      • Hideo Gosha
    • Scénario
      • Kei Tasaka
      • Hideo Gosha
    • Casting principal
      • Tatsuya Nakadai
      • Tetsurô Tanba
      • Yôko Tsukasa
    • 19avis d'utilisateurs
    • 23avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 1 nomination au total

    Photos43

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    Rôles principaux40

    Modifier
    Tatsuya Nakadai
    Tatsuya Nakadai
    • Magobei Wakizaka
    Tetsurô Tanba
    Tetsurô Tanba
    • Rokugo Tatewaki
    Yôko Tsukasa
    Yôko Tsukasa
    • Shino
    Ruriko Asaoka
    • Oriha
    Kunie Tanaka
    Kunie Tanaka
    • Hirosuke
    Isao Natsuyagi
    Isao Natsuyagi
    • Kunai
    Kô Nishimura
    Kô Nishimura
    Eijirô Tôno
    Eijirô Tôno
    Ben Hiura
    • Rokuzo
    Susumu Kurobe
    Susumu Kurobe
    • Omura Sobee
    Hisashi Igawa
    Hisashi Igawa
    • Takeuchi Shinjiro
    Fujio Tokita
    Fujio Tokita
    Shinnosuke Ogata
    • Miyauchi Hanzo
    Shôji Ôki
    Yoshitarô Asawaka
    Hiroshi Tanaka
    Kyôichi Satô
    • Arai Dokan
    Haruo Suzuki
    • Réalisation
      • Hideo Gosha
    • Scénario
      • Kei Tasaka
      • Hideo Gosha
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs19

    7,62.7K
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    Avis à la une

    9drwnutt

    Absolutely gorgeous images that stay with you forever!

    I saw this film in the late 1970s. It was called "Goyekin - The Emperor's Gold". As I watched our guilt-ridden hero return to fulfill his promise, really a threat, to punish his family if they repeated their crime. I still see the image of him striding along the beach with a conical hat pulled low. The shadow on his face made his eyes glow under the hat and the shot was taken with a telephoto through wispy beach grass. Completely memorable. Then the scene in the forest with the horsemen riding through. It looked like an ancient Japanese painting with hazy colors and an other-worldliness that was amazing. Then the concluding duel in the snow. Two brilliantly attired samurai dueling in a pure white, glistening environment. So many great images from one film!

    The film itself is a pretty typical revenge film with some twists. When Tom Laughlin tried to redo it as a Mexican western,"The Master Gunfighter", it just fell flat. But the samurai movie has an entertaining plot and good action characters with beautiful settings. I think this film is a special case of cinematographic excellence. See it and enjoy the beauty.
    10shinobirastafari

    Among the best of the genre

    From the truly creepy opening to the climax, this movie holds your attention, both with its cinematography and (more preciously) a gripping and coherent storyline.

    Excellent filming techniques in this film hold your attention, when the suspense (yes! actual suspense!) doesn't. The acting (by Nakadai Tatsuya, one of Japan's greatest actors -- far better than Mifune Toshiro, IMHO) is top notch. Finally, the violence (though there's plenty) never degenerates into splatter. The violence appears much more disturbing (intentionally so) and much less titillating than in many "chambara" movies.

    Also noteworthy, this movie plays on the "loyalty vs. morality" theme that Gosha seems so fond of hammering. In this particular movie, however, he really pulls it off with some intelligence. Though I'm a big fan of Gosha, I have to admit that not everything he touches turns to "gold" (Get it? You will...).

    Even so, if you're going to sample from the "chambara" genre, this is among the best (my other nominee would be "Hitokiri/Tenchu" (1969). Frankly, I think it's among the best Japanese films, period.
    7mmushrm

    Wanted to like it but....

    After reading all the raves about this movie I was looking forward to finally watching it. I have to admit to being somewhat let down. Mind you it is a good movie with Nakadai putting in a great performance as a haunted samurai. Maybe I have seen too many samurai or movies from the east but the story seems formulaic for me (I am also watching it over 40yrs since it was made and the movie is older then I am). I still give this movie a 7 rating as it is a good movie but there definitely are better ones. Note: I watched Goyokin after The Sword of Doom. Nakadai's performance is better in this movie but I enjoyed The Sword of Doom more as a whole.
    ametaphysicalshark

    One of the greatest Japanese films of all time

    "Goyokin" is passionate, poetic, beautiful, colorful, thrilling, and brilliantly-filmed. It would be an understatement to say that "Goyokin" is one of the best-looking films I've seen in a long time. Hideo Gosha is one of the most under-appreciated Japanese directors and I say this purely on the strength of this one film because it is a true masterpiece.

    "Goyokin" has a sense of theatricality about it that fits better than even many of Kurosawa's films. "Rashomon" for instance features performances completely unsuitable for the film's general mood (in my opinion), but in "Goyokin" the nature of the film fits perfectly with the mood and atmosphere Gosha creates. It's almost operatic in many ways, most noticeably so in the exquisitely-filmed sword fighting scenes. The story itself is also fitting of an Opera or an ancient Greek or Roman tragedy. In the tradition of many chambara films the film is reminiscent in sensibility to a revisionist Western, which can either come off as interesting or forced and in this case reminded me of some of the great American and Italian Westerns that came after the genre's popularity started dying.

    Gosha's work here is spectacular. The selection of shots and his coordination with the camera operator are brilliant. The cinematography by Kozo Okazaki displays a fine and mature understanding of the mechanics of photography for film and captures the landscape of the film brilliantly. All the acting is good but Tatsuya Nakadai is truly memorable in the lead role.

    I find it exceptionally hard to write extensively about movies I truly love because I find it hard to articulate my thoughts. I'm not sure I have much to say about this film since it struck me on such an emotional level and because it only matters that it is a passionate, poetic, and stunningly well-filmed movie that stands as my favorite movie in the genre quite easily and has immediately become one of my all-time favorites.

    10/10
    chaos-rampant

    "It's a funeral for us samurais"

    Goyokin is one of those movies that I wanna scream from the rooftops just how incredibly awesome they are. The kind of film I wanna grab every person I know by the neck and force them to watch it with eyes wide open, Clockwork Orange style. It's really a cinematic crime that Goyokin is not as widely seen and regarded as the works of more famous Japanese directors, like Kurosawa. It might be a genre movie and as such attract mostly chambara fans, but this really deserves to reach more mainstream audiences. Put simply, if you like beautiful movies, you have to see this one.

    The plot concerns a clan that is struggling financially who schemes to steal a shipment of the Shogun's gold and silence the nearby villagers who witness the crime and the ronin Magobei (played by the unparalleled Tatsuya Nakadai) who makes a moral stand and decides to go against his former clan. I won't go too far into plot details, but let's just say Goyokin is an anti-samurai film at heart. Like the best work of that other great jidai-geki director, Masai Kobayashi, Hideo Gosha doesn't try to pass moral judgement on his characters and treats them with compassion and affection. We're in 1830 and these are hard times for samurais as Japan finds herself on the brink of change. As one character realises in the end, "We sit here and die in the cold, and what does the Shogunate do? They get fatter in the heat". Gosha doesn't condemn the samurais for their soon to be obsolete code, rather puts things into perspective and shows us that desperate people will do desperate things. Innocent people die but who is really responsible for these crimes? It plays out like a good ancient Greek tradegy, minus the melodrama. Every emotion is incredibly nuanced here, every glance, move and frame. Gosha wisely lets the visuals tell the story.

    And that brings me to the next point. The visuals. I am not exaggerating when I say that Goyokin is one of the most beautiful movies ever conceived. Yes better than most Kurosawa films, if the comparison has any merit. The colours are like small strokes of a brush on a white canvas as most of the film was shot outdoors in snowy landscapes. The rugged terrain is a pivotal character here, from the stormy sea to the blizzards to the open vistas. The cinematography and the way Gosha treats the locations as an integral part of every scene, reminded me of the spaghetti westerns of the great Sergio Corbucci (Django, The Great Silence). The muddy streets of a small town (as in Django). The snow blizzards and the cold, hostile terrain (as in The Great Silence). Samurais trying to prevent frostbite from setting in before a duel, unable to pick up their swords and fight. That nature is so tightly interwoven to the plot is another testament to Gosha's attention to detail. His cinematography is truly outstanding. I simply can't stress how visually awe-inspiring this movie is. Every frame is a painting. In a way it brought to mind the maestro Sergio Leone. After all the jidai-geki and the spaghetti western are very similar in the ways they depict their scarred heroes, the duel and the terrain.

    I don't know what else to say about Goyokin. The performances are great all around with Ruriko Asaoka stealing every scene she's in, not least thanks to her drop dead gorgeous looks. Tatsuya Nakadai is once again outstanding in the lead role. The swordplay is fantastic, quick and brutal thrusts of the sword with an emphasis on the ritualistic aspect of the duel. The silence before and after. Although not as bloody and action-oriented as something like Lone Wolf and Cub, Goyokin left me more than satisfied in that department.

    There's not much else to add, except that Goyokin is criminally underseen (judging by the amount of votes here). Maybe in the years to come western audiences will open up their horizons and realize what they've been missing. In the meantime if you're reading this, seek this movie out. You won't regret it.

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    Histoire

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    Le saviez-vous

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    • Anecdotes
      This is the first Japanese feature film in Panavision.
    • Connexions
      Featured in Trailer Trauma V: 70s Action Attack! (2020)

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    FAQ16

    • How long is The Steel Edge of Revenge?Alimenté par Alexa

    Détails

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    • Date de sortie
      • 30 janvier 1974 (France)
    • Pays d’origine
      • Japon
    • Langue
      • Japonais
    • Aussi connu sous le nom de
      • Goyokin, l'or du shogun
    • Lieux de tournage
      • Japon
    • Sociétés de production
      • Fuji Television Network (Fuji TV)
      • Tokyo Eiga Co Ltd.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      • 2h 4min(124 min)
    • Mixage
      • Mono
    • Rapport de forme
      • 2.35 : 1

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