The Broken Land

To Put it in Perspective, Anthony Mann and Budd Boetticher put a "New Face" on the Western in the 1950's and Sam Peckinpah put an Amen to it with Ride the High Country (1962) and then Reincarnated the "New" Western with The Wild Bunch (1969). Peckinpah, it Could be Said, Ended the New Wave of Westerns and Started the New New Wave of Westerns. No Mean Feat.

While Hardly in the Mann/Boetticher/Peckinpah Camp, This Little Movie is Indeed a Bit Different from Standard Stuff in its Introspection of Some Off Beat Characters that Include a Brutal Dictatorial Sheriff, a Dim-Witted Likable Stiff, a Good Hearted Drifter, and Jack Nicholson as a Slightly Miscast Bad/Good Guy. Diana Darin is the Damaged Goods still Managing to Look Good and Emote Kindness.

Overall, Worth a Watch for Early Nicholson, a Good but Short Story, and Some Colorful Cinemascope Landscapes.

This short 1-hour Western movie centers on a drifter who comes to a small town and has run-in with its sadistic sheriff. A string of circumstances leads to running from a posse, robbery, and murder. Considering the limited length of this movie, it's a good story, the characters are likable, the dialog is literate, the performances are good (particularly Jack Nicholson), and it's well directed. If you collect Western movies, this one is worth having.

Director John Bushelman rings no bells for me but I see that he directed the 1978 TV mini series THE DARK SECRET OF HARVEST HOME, which was a better than tolerable horror effort.

Regrettably, the low budget puts paid to any hopes one might have of a hidden gem, particularly after one learns that a very young Jack Nicholson is in the jail of nasty Marshall Jim Cogan (Kent Taylor), who runs the place with whip and Colt .45, and does not hesitate to press false charges, even against the mentally retarded town idiot, amateurishly played by Gary Sneed.

Double chin Diana Darrin seems more than a tad old for the part of love interest to Robert Sampson, but at least she has some information about Marshall Cogan that she imparts to the populace at the decisive moment.

Nicholson and his mordant smile inevitably catch your eye as the sole spirited performance. Clearly, budget limitations did not permit contracting better players and script writing team, but at least the cinematography stands as better than usual for a B (C?) Western, all shot on rocky and dusty Arizona location.

Worth a watch, though probably not a rewatch. 5/10.

The story opens up with a drifter stumbling into a town ruled by a sheriff who trusted no one and would make certain that everyone in town lived or died by his rules.

Many people in the town would love to just up and move away but the crazy sheriff would some way convince them to stay.

There was also a woman who recently moved into town and had an affair with the sheriff and held some deep dark secrets about him, which made him want her to leave on the next stagecoach out of town.

Jack Nicholson was very young in this picture but just his appearance in the film makes it worth your while to watch and enjoy.

And what a delight to watch it in LBX please folks !!!! What a pleasure because it is so rare from an API production. The story itself is not that terrific, but for a B western, that's what I like, instead of the bland and standard yarns with the same character, as the likes of Bill Elliot or Roy Rogers.... Don't mind about Jack Nicholson, focus instead on this cosy tale, despite the fact that it won't bring anything exceptional, except the villain as lead character, but it is only a rare little gem, so unique and hard to find in LBX. And the acting is pretty good too for this kind of production, even the directing, from this unknown director. But I have always craved for evil lead characters, especially a rogue sheriff, played here by Kent Taylor.