Un monde psychédélique

Most everything people have already said about this movie is how I think about it, too. However, I would like to say for the Seeds fans out there that might try to see the film so they can see the Seeds footage that it's way too brief. I love the Seeds and I wanted desperately to see some closeups of the guys in action. Maybe see some good dancing by Sky or even get a good group shot. I was pretty disappointed to see Sky rocking out to some bad synchronizing on part of the audio engineers. It makes him look like he has no sense of rhythm! And you only get to see him for half seconds at a time. And Daryl Hooper (organist) isn't even shown when the band plays! It spends more time showing Jan Savage's fingers playing guitar than it spends on the any other Seeds shot. Quite a disappointment, especially since there is hardly any footage of this amazing band anywhere. Aside from that, the Strawberry Alarm Clock get great coverage, which is nice.

The plot of the movie is really entertaining as well. But I wonder, why didn't Jenny talk like a deaf person? I guess it's because you're led to believe she really isn't deaf.

Either way, it's a good movie with some good tripping scenes and cool clothes and lines: "Why are you dancing alone?" "I'm not, I'm dancing with everybody!" yikes! that's heavy! haha

A 17 year old deaf mute (Susan Stasberg!?!) tries to find her brother (Bruce Dern) in 1968 San Franciscos Haight-Ashbury area. A musician (Jack Nicholson) and his friends try to help her.

The plot is unbelievable from the word "go" and, despite location shooting in Haight-Ashbury, this is a very Hollywoodized look at hippies. Everybody is so healthy, friendly, helpful and they live in colorful, spotlessly clean huge houses happily. That was NOT the way it was--any documentary on the 60s could tell you that. Realism aside, this is one of AIP's best pictures.

The dialogue is VERY dated (and hysterically funny) as are the situations, but the film never stops moving, is shot in deep rich color, has good acting (considering) and is never once dull. Check out a most interesting "funeral" in the film and a very funny sex sequence. However, at the end, it gets VERY serious and has a depressing ending. Too bad--it's totally at odds with the rest of the film. Still--well worth seeing.

It also stars Dean Stockwell (who has the best lines) and Garry Marshall (!!!) in a bit as a cop! Produced by Dick Clark!

At the same time you had blaxploitation movies you also had hipsploitation films too ... actors who understood NOTHING of what was going on ( Nicholson is a great actor but NOT a hippie him and his mates here look like jocks going to a costumed ball ) acted in movies written by studios trying to cash in on the latest in their eyes fad ... most of these 60's films used "straights" in hippie drag and that is never going to be convincing; it is literally a travesty...

Also it must be strange they felt they had to sample scenes from West Side Story in effect .... the final message was do not do drugz kidz they will fork u up ... fine by me but not done this way ... watch The Strawberry Statement instead or Zabriskie Point or More 1969 by Barbet Schroeder more honest films about the period & simply better films ...

It's a rock band - hippie gang trying to protect a deaf runaway girl while on the search for her missing brother, but instead, they're taking The Trip to nowhere. Director Rush, who gave pony-tailed Nicholson some star treatment in HELL'S ANGELS ON WHEELS, delivers this pretty good view of offbeat, sublime hysteria pertaining to the drug frenzy that popularized late 60s culture. One troubling factor, though: it was made to immoralize society as we once knew it. Just say "wicked", and you'll enjoy this cinematic acid trip that isn't half-bad. RATING: * * 1/2

Psych-Out is as much a skewed look at the world of hippies as much as it is a praise-full one- Clark knew that he couldn't show hippies as they really were, despite that he could get filming rights in Haight-Ashbury and other sections of San Francisco, but hey if you're not going for realism, go for ciche! And what ciche it is: Strausberg is a deaf runaway looking in San Fran for her brother, played by Bruce Dern (a near Jesus look-a-like), named the Seeker, and yet instead falls in with a psychadelic rock group called Mumblin Jim, headed by Stoney, Jack Nicholson in a pre-Easy Rider look. The plot is used as a thread to showcase various cliched scenes; the pad filled with hippie-people, the acid-freak out, the scuffle with the fuzz (one of which a young Garry Marhsall), the scuffle with the regular folk, and the music scenes, one of which is a abhorrition on Hendrix's Purple Haze (it's the opening chords played backwards!). Yet, I can reccomend this movie to nostagia-fanatics, ex-hippie film buffs, and for those who'd like to see Nicholson before he started making money in Hollywood, and this is not saying he's bad in this, he's quite good considering the tripe of a screenplay. Another small plus is Kovacs on photography.

And hey, don't forget the Strawberry Alarm Clock and the seeds! B