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Le Garde du corps

Titre original : Yôjinbô
  • 1961
  • Tous publics
  • 1h 50min
NOTE IMDb
8,2/10
139 k
MA NOTE
POPULARITÉ
2 771
730
Toshirô Mifune and Tatsuya Nakadai in Le Garde du corps (1961)
A crafty ronin comes to a town divided by two criminal gangs and decides to play them against each other to free the town.
Lire trailer2:35
2 Videos
99+ photos
One-Person Army ActionPeriod DramaSamuraiActionDramaThriller

Un samouraï rusé arrive dans une ville contrôlée par deux gangs rivaux. Il décide de les dresser l'un contre l'autre pour libérer la ville.Un samouraï rusé arrive dans une ville contrôlée par deux gangs rivaux. Il décide de les dresser l'un contre l'autre pour libérer la ville.Un samouraï rusé arrive dans une ville contrôlée par deux gangs rivaux. Il décide de les dresser l'un contre l'autre pour libérer la ville.

  • Réalisation
    • Akira Kurosawa
  • Scénario
    • Akira Kurosawa
    • Ryûzô Kikushima
  • Casting principal
    • Toshirô Mifune
    • Eijirô Tôno
    • Tatsuya Nakadai
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,2/10
    139 k
    MA NOTE
    POPULARITÉ
    2 771
    730
    • Réalisation
      • Akira Kurosawa
    • Scénario
      • Akira Kurosawa
      • Ryûzô Kikushima
    • Casting principal
      • Toshirô Mifune
      • Eijirô Tôno
      • Tatsuya Nakadai
    • 255avis d'utilisateurs
    • 154avis des critiques
    • 93Métascore
  • Voir les informations de production sur IMDbPro
  • Film noté 155 parmi les meilleurs
    • Nommé pour 1 Oscar
      • 5 victoires et 2 nominations au total

    Vidéos2

    Official Trailer
    Trailer 2:35
    Official Trailer
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    Photos129

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    + 123
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    Rôles principaux52

    Modifier
    Toshirô Mifune
    Toshirô Mifune
    • Sanjuro Kuwabatake…
    Eijirô Tôno
    Eijirô Tôno
    • Gonji - Tavern Keeper
    Tatsuya Nakadai
    Tatsuya Nakadai
    • Unosuke - Gunfighter
    Yôko Tsukasa
    Yôko Tsukasa
    • Nui
    Isuzu Yamada
    Isuzu Yamada
    • Orin
    Daisuke Katô
    Daisuke Katô
    • Inokichi - Ushitora's Rotund Brother
    Seizaburô Kawazu
    Seizaburô Kawazu
    • Seibê - Brothel Operator
    Takashi Shimura
    Takashi Shimura
    • Tokuemon - Sake Brewer
    Hiroshi Tachikawa
    • Yoichiro
    Yôsuke Natsuki
    Yôsuke Natsuki
    • Kohei's Son
    Kamatari Fujiwara
    Kamatari Fujiwara
    • Tazaemon
    Ikio Sawamura
    Ikio Sawamura
    • Hansuke
    Atsushi Watanabe
    • The Cooper - Coffin-Maker
    Susumu Fujita
    Susumu Fujita
    • Homma - Instructor Who Skips Town
    Kyû Sazanka
    Kyû Sazanka
    • Ushitora
    Kô Nishimura
    Kô Nishimura
    • Kuma
    Takeshi Katô
    Takeshi Katô
    • Ronin Kobuhachi
    Ichirô Nakatani
    • First Samurai
    • Réalisation
      • Akira Kurosawa
    • Scénario
      • Akira Kurosawa
      • Ryûzô Kikushima
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs255

    8,2138.6K
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    Résumé

    Reviewers say 'Yojimbo' is celebrated for Kurosawa's masterful direction, Mifune's compelling performance, and its innovative blend of genres. The film is lauded for its suspenseful narrative, dark humor, and impactful action. Critics praise Kurosawa's dynamic camera work and the film's influence on Spaghetti Westerns. Audiences appreciate its timeless appeal and intricate storytelling. Some note minor pacing issues and underdeveloped characters, but overall, it's a seminal work in world cinema.
    Généré par IA à partir de textes des commentaires utilisateurs

    Avis à la une

    9freemantle_uk

    Classic Kurosawa centred around one great performance

    Yojimbo is one of Akira Kurosawa's most celebrated films in his career and was remade by Sergio Leone into A Fistful of Dollars. It is considered an essential film and a classic in the samurai genre. Toshiro Mifune was excellent as the nameless ronin who sets out to protect the town, being a man of few words. Kurosawa is of course excellent at setting up the conflict in the town and how it affects the people whilst also delivering on fine samurai sword fights (a man even has his hand cut off). Kurosawa wonderfully lets his scenes play out with plenty of long shots and small camera movements. Kurosawa and his actors also inject some occasional moments of humours to help lighten the mood when need be. But for the most Yojimbo is a serious drama with some very dark elements. Out of the Kurosawa films I have seen I personally prefer Seven Samurai for its scale and Rashomon for its ambition, but Yojimbo is still a worthy film and true film buffs need to watch it.
    Tigereyes

    Sensational!

    If I had to choose only one movie for film students to learn from, this would be it. Other films may be more profound, or their imagery more groundbreaking, but this one is so tightly constructed that nothing - not a frame, word, or gesture - is extraneous.

    Toshiro Mifune, one of the world's most charismatic actors, is perfection as a tough loner of a samurai who takes it upon himself to clean up a town corrupted by two gambling clans. Swirling through and around him is a story that is both technically flawless and profoundly moving.

    Kurosawa meticulously infuses every detail with meaning; there's a purpose behind every shot, and aspiring directors should pay close attention (why is the camera slightly tilted? why are there concubines in the background?). His economy of style was never more amazing; watch as the samurai rides into town, and the director establishes the atmosphere with exactly one jaw-dropping shot. And the story is equally well-crafted, with no plot holes and no inconsistencies.

    A wonderful tale that rolls beautifully from start to finish. See it, see it, see it!!
    Infofreak

    For sheer entertainment value 'Yojimbo' is hard to beat! The Kurosawa movie I enjoy the most.

    I'm not going to waste time debating which was the "greatest" or "best" of Kurosawa's movies, but if you want to know the one I enjoy the most it's 'Yojimbo'. 'Rashomon' and 'Throne Of Blood' are probably deeper and more substantial, but for sheer entertainment value 'Yojimbo' is hard to beat! Being a Kurosawa movie it's no surprise that it stars Toshiro Mifune. The two made many movies together, but this is the performance I like to watch the most. I love looking at Mifune's face! His expressions are awesome. He was without a doubt one of the 20th centuries greatest movie stars. 'Yojimbo' was a massive influence on many spaghetti westerns, specifically 'A Fistful Of Dollars', but before you bay for Sergio Leone's blood, please read Dashiell Hammett's detective classic 'Red Harvest', published in 1929 and you'll see that Kurosawa lifted his plot from it. I see no mention whatsoever of this source material in the credits for 'Yojimbo', so let's just leave the Leone bashing alone okay? Many people have convincingly argued that samurai movies were inspired by classic American westerns anyway. Walter Hill later "remade" 'Yojimbo' (or 'Red Harvest' depending on your perspective) as 'Last Man Standing' and David Lynch gave a small nod to it in his 'Wild At Heart'. You can certainly see both the samurai and spaghetti influences in Tarantino's 'Kill Bill' 1 and 2, that's for sure. "Influences", "inspirations", these are things that go around and around, it's what a writer or film maker does with them that counts. 'Yojimbo' is a classic action movie. Maybe only 'Wages Of Fear' is better. Every film buff needs this movie in their collection!
    10OttoVonB

    Reinventing the Western

    After a string of classic masterpieces, Kurosawa confronted his influences head-on. Throwing John Ford's Western aesthetics into a blender and painting them pitch black. The results are Yojimbo and its legacy.

    Yojimbo ("the bodyguard") is the tale of a flea-ridden wandering swordsman, Sanjuro (Toshiro Mifune, in his finest performance). He arrives at a gang-war ravaged town and starts hiring himself out to both sides, playing them off against another, in order to wipe all the scum out. Sound familiar?

    Even though Yojimbo the film is a thrilling ride and very funny dark comedy, it is hard to imagine what a bombshell this was for audiences at the time of its release. It is as far removed as can be from the then squeaky-clean aesthetic of samurai films: you can almost smell the sweat and the grime of the sordid town and characters. The action is fast and furious, enhanced by Kurosawa's deft use of telephoto lenses and Masaru Sato's avant-garde score. With all that, Yojimbo was a massive kick in the pants of a fossilized genre.

    It exploded beyond the confines of its own country and genre, forever influencing the very Westerns that had inspired it, particularly a new wave out of Spain and Italy at the time. One Sergio Leone copy/pasted the whole plot into his own revisionist Western and gave us the Dollars trilogy. The slightest of Spaghetti Western enthusiasts owes Kurosawa a debt of gratitude.

    As with all truly great work, its greatness exists even devoid of context, and for all the historical precedents it set, all Kurosawa wanted to make was an entertaining film. That he bloody well succeeded is the least you can say about Yojimbo.
    10funkyfry

    First class samurai action tale with philosophy to boot

    Classic samurai action pic; often imitated but never equalled. Mifune creates a memorable character (who appeared in a sequel) in the Ronin who decides the course of his life on the toss of a stick, and ends up risking his life to save a village full of peasants he finds revolting. It's possible to see "Yojimbo's" actions as either heroic or as the game of a bored warrior in need of amusement -- as often in Kurosawa's films, the fact that the characters' motives remain open to interpretation adds depth to the film.

    Wonderful images, and skillful direction that keeps the pace of the storytelling tight and tells most of the story through images -- this is the kind of film that is so good it can be watched a silent film without losing too much of its impact or meaning.

    I think that if Kurosawa had spent more of his time in litigation and less making movies, he might have made a living for the rest of his life off all the movies that have ripped off this movie. Certainly Eastwood's "Man with No Name" character owes a lot to Mifune's contribution; not only in Leone's films (the first of which borrows its entire plot from Kurosawa; a court settlement ensued which made sure Kurosawa made most of the profits from "Fistful of Dollars" in Asia his own) but also in Eastwood's best film as a director -- "High Plains Drifter", which borrows scenes such as Eastwood's rebuke of the villagers from "Yojimbo".

    The really funny thing about all this, and what not too many American critics or audiences have noted, is that "Yojimbo" is itself a western. All the ingredients for a western are here, and the film's plot and style obviously owe a debt to Zinnemann's "High Noon". "Yojimbo" even borrows the device of time, setting up a confrontation at 3:00 a.m. as shouted by the town crier. I like "Yojimbo" better than "High Noon", so I don't want to go too far into this line of thought....

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Akira Kurosawa told Toshirô Mifune that his character was like a wolf or a dog and told Tatsuya Nakadai that his character was like a snake. Inspired by this direction, Mifune came up with Sanjuro's trademark shoulder twitch, similar to the way a dog or wolf tries to get off fleas.
    • Gaffes
      In the initial fight scene, The Samurai cuts the first two adversaries in the mid-section, then slices the last man's arm off. That last man is first seen from behind holding the sword in his right arm above his head, but the arm holding the sword shown moments later is a left arm.
    • Citations

      Sanjuro: I'll get paid for killing, and this town is full of people who deserve to die.

    • Versions alternatives
      The initial US release ran only 75 minutes, 35 minutes shorter than the original version at 110 minutes.
    • Connexions
      Featured in 62nd Annual Academy Awards (1990)

    Meilleurs choix

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    FAQ23

    • How long is Yojimbo?Alimenté par Alexa
    • Is 'Yojimbo' based on a book?
    • Who did the man with the prayer drums kill?
    • Any recommendations for movies similar to "Yojimbo"?

    Détails

    Modifier
    • Date de sortie
      • 25 avril 1961 (Japon)
    • Pays d’origine
      • Japon
    • Langue
      • Japonais
    • Aussi connu sous le nom de
      • Yojimbo
    • Lieux de tournage
      • Toho Studios, Tokyo, Japon(Studio)
    • Sociétés de production
      • Kurosawa Production Co.
      • Sammy
      • Toho
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 46 808 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 15 942 $US
      • 28 juil. 2002
    • Montant brut mondial
      • 68 196 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 50 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 2.35 : 1

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