Pas de crédit pour les caves

From Hammer Films, "Cash on Demand" is a good thriller from 1961.

It's Christmas week, and in the office of City & Colonial Bank in Haversham, it's a quiet day. The small staff is managed by Harry Fordyce (Peter Cushing), a business-only nerd who exudes no warmth, no holiday spirit, and does not fraternize with the help. He won't even let the staff put up Christmas decorations.

Today there is a ten pound discrepancy and he's making a big hullabaloo about it, even though the error was spotted.

In walks Colonel Gore Hepburn (Andre Morrell), who represents the bank insurance company. He is doing a surprise inspection of the security. When he's alone with Fordyce, he informs him that he's a thief, there to steal the bank's money, and that he's holding Fordyce's wife and child hostage. One signal from the window, and they're done with.

Hepburn has the robbery planned down to the second, and Fordyce must play along. In the outer office, Hepburn acts like an efficient man, checking out the floor signals. Fordyce is a wreck but tries not to show it. He carries out all of his instructions, which include putting the money into suitcases (Hepburn's "luggage").

Very suspenseful film, and one wonders if Hepburn will be able to get away with the robbery, and if Fordyce will be implicated in any way.

Peter Cushing is tremendous in the role of Fordyce, cold, stern, and highly disciplined, living a life where there are no shades of gray and mistakes are not permitted. As Hepburn, Andre Morell is excellent, charming even when he's talking about the most deadly things.

The ending is a little rushed and a tiny bit confusing, but the story is a nice little take on "A Christmas Carol" with Scrooge Fordyce learning a few life lessons. Highly recommended. I saw this on a double disc with "Stop Me Before I Kill."

Harry Fordyce is an exacting and priggish man, the manager of the City & Colonial Bank. He holds himself to a high standard, and demands the same of his staff. One day, a fellow by the name of Colonel Gore Hepburn arrives, claiming he is an insurance investigator who needs to survey the bank. However, it transpires Hepburn is in fact a cunning thief, who plots to manipulate Fordyce into helping him rob the safe. So begins a tense ordeal for Fordyce, the results of which are as unexpected as they are thrilling, in Quentin Lawrence's 'Cash on Demand.'

Based on 'The Gold Inside,' written by Jacques Gillies and featured on Theatre 70 in 1960, 'Cash on Demand' is a taut thriller that will keep you on the edge of your seat throughout its' run. David T. Chantler and Lewis Greifer's screenplay is terrific, featuring thoroughly believable characters, strong dialogue and much suspense. The initially aloof Fordyce is a particularly well-written creation, the character arc of whom is most understated and realistic. The terrifying journey Hepburn takes him on is one of high anxiety that will change him forever; and one which makes for an exciting experience for the viewer.

The film is produced by Hammer Film Productions, and was clearly a low-budget effort- the few, sparsely decorated sets being the clearest indication of this. However, it's a lovely looking flick nevertheless. Arthur Grant's black and white cinematography is striking, adding to the proceedings an atmosphere of film-noir. Grant primarily worked on horror films, and his work was always assured, stylish and memorable. 'Cash on Demand' may not be what he is best remembered for, but his efforts resulted in a distinct and beautiful looking movie that is a highlight of his filmography all the same.

The film also benefits from an evocative Wilfred Josephs' score, which adds supplementary tension to the already taut goings-on. Often, Hammer films suffered from overblown musical scores that robbed scenes of natural impact and drama. Josephs' is understated and effective in all the right measures. Additionally, editor Eric Boyd-Perkins' work is admirable, keeping the film's pace brisk, but not hectically so.

The late, great Peter Cushing stars as Fordyce, giving a performance of sagacity, vulnerability and depth. The heist situation forces the character to go on a journey of self-discovery, and he plays that out faultlessly. Like his dear friend Christopher Lee, Cushing was often pigeon-holed as "just a horror film actor" (particularly in the 60's and 70's) despite his great range. Though perhaps best remembered nowadays for his role in 'Star Wars' and as Van Helsing- and maybe by a few for his turn as Sherlock Holmes- in 'Cash on Demand' he gives a performance that is nothing less than a masterclass in acting; one which deserves to be lauded and more widely known.

Opposite Cushing stars André Morell as Hepburn, the villain of the piece. Morell also played the role in 'The Gold Inside,' and makes Hepburn a charming rogue that you can't help but feel a certain fondness towards. He and Cushing work together wonderfully, and the supporting cast deliver equally impressive performances- Richard Vernon in particular. Vernon plays Pearson, the head clerk of the bank, and is most natural, performing with an unpretentious ease.

'Cash on Demand' is a suspenseful thriller that borders on the film noir and will surely delight any who watch it. Featuring a fine screenplay and story, the film is unpredictable and tense. Benefitting from two excellent performances from Peter Cushing and André Morell, as well as an atmospheric Wilfred Josephs' score; it's a very memorable experience. It may be a low-budget affair, but 'Cash on Demand' is utterly grand.

Cash On Demand is a neat little thriller set entirely inside a very small bank with a very small cast. Peter Cushing plays a nit-picking bank manager who finds he loses his dry demeanour when he is at the mercy of a bank robber who has taken his family hostage.

The film charts the robber's fiendish plan to calmly loot the bank's safe of all it's money and walk out as though nothing is wrong, while all the time putting the terrified manager through the wringer. Cushing really excels in the role of the bank manager, and Andre Morell makes an excellent slimy criminal who you just want to punch the entire time.

As I said, the whole movie takes place in the one setting, and almost in real time too. It's enjoyable while it lasts, and you'll be wondering what will happen, but despite some attempts at dramatic moments(fumbled locks, an unexpected window cleaner, etc), the final payoff is very disappointing, as the film ends in a really weak, almost feel-good way,which negates the realistically tense 60 minutes that preceded it and gave me very little satisfaction for justice being done. In this way it's almost like William Castle film - he also bungles his endings in a similar way.

Cash On Demand is not very well known, but is worthy of a look if you like Peter Cushing as he definitely makes the film.

When I was a teenager, Peter Cushing was my favorite actor; I simply loved his commanding performances in Hammer Studios' horror films. But when I eventually became more interested in dramas and foreign flicks, my appreciation for both Cushing and Hammer waned. I started to wish that Cushing had taken meatier roles in less lurid movies.

Thankfully, I just had the chance to see "Cash on Demand," a film that stretches Cushing's acting ability farther than most of his horror efforts. It's still a genre film – you could label it a crime/film noir movie – but nevertheless, it's got far more dramatic content and character development than the average Hammer film. Cushing is really superb as the cantankerous bank manager; his character is initially quite unpleasant, but as the plot unfolds he becomes gradually, genuinely more sympathetic.

It would be remiss of me to praise Cushing and forget to mention Andre Morell, who plays the debonair bank robber. His performance is wonderfully smug and, for lack of a better word, cool. The two actors have a great rapport throughout the movie, and together they hold the viewer's attention without the aid of any flashy sets or action sequences.

Clearly a modest movie, made for less money than it takes to film a TV show today, "Cash on Demand" is nevertheless a solid caper flick that deserves the attention of movie fans – particularly those who, like me, are interested in seeing Cushing flex his acting muscles outside the realm of vampires and other forms of animated corpses.

Well written and tight little film with a fine performance from Peter Cushing and an even better one from Andre Morell. The former plays a Scrooge like, petty minded Bank Manager (very reminiscent of many that I encountered in my banking career!) and the latter the smooth talking and rather endearing robber. It is snowing outside and by the door is a Santa ringing his bell. With the mean natured manager, the gentleman thief and the allusions to Christmas, it is clear the shadow of Dickens hovers. As well as the crisp and effective dialogue there are just enough little incidents to maintain a certain level of tension and keep this afloat despite the absence of any sensational moments. Clever and measured with excellent performances from all the support actors, this just lacks a bit of spark.