Le mystère de la villa blanche

This film starring Jack Warner as a police Deputy Inspector was made during Warner's peak of fame. For 21 years, from 1955 to 1976, Warner played the policeman George Dixon in DIXON OF DOCK GREEN, in a total of an astonishing 432 episodes. This film was therefore guaranteed a good reception by the British public because Warner as a policeman had become a national institution by this time. The film was extremely well directed by Val Guest, who will probably always be best remembered for his superior science fiction films THE QUATERMASS XPERIMENT (sic; also starring Jack Warner, 1955) and THE DAY THE EARTH CAUGHT FIRE (1959). The female lead in the film is the American actress Yolande Donlan, Val Guest's wife. He had already directed her in ESPRESSO BONGO in 1959, the film he made before this one. Donlan is very good in the part. Val and Yolande were a very pleasant couple. I visited them at their home in St. John's Wood in London and they were charming and excellent conversationalists. That was long ago, when Yolande was in her forties and very much still a vibrantly attractive woman with a lively personality. I do not know why she did not appear in more films and chose to retire in 1981. She only died a few months ago at the age of 94. This film is based on a novel by the American mystery writer Hillary Waugh, who was no relation to Evelyn Waugh. There are many Waughs in Britain related to Evelyn, and I suppose one could call them the long-tailed Waughs, in which case Hillary Waugh might be styled a short-tailed Waugh, in order to differentiate him from the British variants of his species. They all come from Ireland anyway, and in the mists of time they must all have been one big Oneness, sitting by their peat fires dug from the same bog. The story is a good one, and the title refers to the fact that the police are trying to fit together the pieces of an exasperating jigsaw in order to solve a woman's murder. There are so few clues that the story of detection is fascinating. The film is set in Brighton, and there is a great deal of location shooting there and in Lewes, which show the towns as they were back then, nearly deserted and entirely lacking the sleaze of modern commercialism and identikit chain stores. Living conditions in Britain in 1961 were so basic, and that comes across well. John Le Mesurier has a minor role in this film, and has to do a lot of emoting and crying, for which he was by means noted in his later career as a droll and comic figure. One simply is not used to seeing Le Mesurier sobbing like that, so it makes a change. Le Mesurier commenced his film acting career as long ago as 1938 so he was very much a veteran of the screen already by this early date, six years before he became a national institution as one of the stars of the popular TV series DAD'S ARMY. Le Mesurier had however already made a name for himself in comedy by appearing with Tony Hancock in various episodes of HANCOCK'S HALF HOUR (1957-1960), which are now considered prize classics of their genre. Supporting Jack Warner as the other main policeman is that stalwart of TV and screen, Ronald Lewis. It is sobering to think that he was 41 years younger than Yolande Donlan when he died. This film is certainly a very good yarn, and highly entertaining.

Anyone who enjoys British TV crime drama such as Softly Softly, Taggart or Frost will be right at home with this unfamiliar and rarely shown film. It's wonderful to see a rather seedy early-sixties Brighton, and other than some rather choppy camera work which makes it look more like a 60s TV production than a film, it's surprisingly modern in it's pacing. Jack Warner is on good form, and despite playing a Detective Inspector on the verge of retirement, still looks a little old - even though this was filmed at least a decade before he finished playing Dixon of Dock Green! John Le Mesurier shines in a small role as a distraught father. I thought one or two of the cast perform a little too stiffly to make this a real classic, but its enjoyable nevertheless.

I was drawn straight into this film from the opening scenes and I never lost concentration once. Furthermore I didn't manage to guess the final outcome. A very intriguing police investigation and very well acted by all involved. Films of this nature can only be enjoyed once. I am glad I took the time to watch it.

JIGSAW is a well-shot, engaging crime story inspired by the true story of the Brighton Trunk Murders that took place back in the 1920s. Brighton always makes a picturesque backdrop for films - I guess that's why so many directors make use of it in their movies - and Hammer veteran Val Guest (THE QUATERMASS XPERIMENT) makes the very best of his surroundings.

Otherwise, this is a taut, well-focused detective investigation type film that plays out as a police procedural. We watch the gruff Jack Warner and his team as they go around following up leads and gathering clues, and there's never a moment for distraction or anything here that feels padded. Guessing the identity of the murderer is a tough business indeed, which is why JIGSAW keeps you watching from beginning to end.

The supporting cast is also a delight, featuring as it does performances from Ronald Lewis (THE BRIGAND OF KANDAHAR), Ray Barrett (THE REPTILE) and Michael Goodliffe (A NIGHT TO REMEMBER) alongside a John Le Mesurier cameo. Guest's real-life wife, the statuesque Yolande Donlan, has a major role and is fine in it.

Writer/Director Val Guest had a Long and Varied Career. A Low-Budget Filmmaker that always tried to make His Films look Professional and was Not Afraid to Improvise and Loved Playing with the Tools of Cinema.

His most Successful Films Critically were done for Hammer Studios in the Sci-Fi Genre. Here He made a "Police Procedural" and in the True Definition of the Genre. It is Nothing More than that and that's Exactly what it is and it Never Strays from Format.

What Guest does to make it seem More than that, is the Pacing. It has a Frenetic Style of Rapid Dialog and Quick Moving Scenes. No Passage of Banter or Anything is wasted. It's Economically Energetic and has a Sense of Urgency befitting the Lack of Clues, and the Legwork, and Heavy Lifting needed to Piece Together this "Jigsaw".

The Movie is a bit Long but Never Seems Dull or Boring. Helped by one of England's Actor Icons Jack Warner, who made His Name doing exactly what He is doing here. Solving Crimes on the Telly.

Worth a Watch for Val Guest's Intense Crafting, Jack Warner as an Aging and Cynical Policeman, and for its Crackerjack Plot. You have No Clue throughout what Prize Piece of the Puzzle will Pop Up or When.