'Way Out

I agree with evilgrows comments about this episode. I first saw it when I was 10 years old and have had nightmares about it ever since. I saw it at the Museum of Television and Radio in New York, along with 7 other episodes, quite recently. It is just as I remembered it--its amazing what a ten year old mind can remember if its traumatic. Its just as creepy but not quite as scary as I remember it. The man is played by Murray Hamilton, who played Elaine Robinson's father in "The Graduate"---he's quite a familiar face. The wife is played by an almost unrecognizable Doris Roberts--- Marie on "Everybody Loves Raymond." The museum is a very interesting place to visit, and I highly recommend going there if one is in New York. Admissiion is $10, which can be applied towards a membership.

This certainly would make a nice DVD box set. Actors and crew on this show are a who's who of Television in the 1960's. I've only seen 5 episodes all were odd in the best sense of the word and none of these five sound like the best of the series even.

The show features eerie electronic music in part by Robert Colbert who went on to to Dark Shadows and The Night Stalker. Title sequence of hands sticking up like trees out of sand is also memorable.

The show, like Roald Dahl's fiction, has heavy doses of dark dark humor, so much so that it's hard perhaps to call it horror but also hard to accept as just comedy either. This sets it apart from the lighter comedy episodes of other fantasy shows of that, or any, era, and perhaps left a mass TV audience confused and abandoned. It certainly had a good lead in time slot right before Twilight Zone and would make a nice lead in to those shows.

So it's too bad, though maybe not too much of a surprise, that the show didn't catch on. Someone bring these to DVD to be rediscovered as they deserve to be. Seems like a show ahead of it's time. Looks to have been shot on video, though copy I saw was so murky it was hard to tell.

I was seven years old when I saw this episode, and these many many years later it still is in place as one of the creepiest concepts and images I have ever experienced. Hope to see this one day on DVD, or on TV someplace. Far scarier and more unsettling -- at least this one episode that has stayed alive in my head -- than anything else, except perhaps some segments of "Thriller" with Karloff. Glad to see other people remembering this with the same intensity as I have! Obviously there were lots of us kids staying up and devouring this material, and funny that of all these, basically only "The Twilight Zone" and "The Outer Limits" still resonate in any major way. "T Zone" because of the number of episodes became a classic, "Outer Limits" because of its sheer excellence despite a low # of episodes. Almost no hope for something like "Way Out" to have a life in syndication, which obviously it didn't. Hopefully this will resurface for us soon!

Way Out was a dark anthology series that aired on Friday nights at 9:30 PM in in the slot before Twilight Zone on CBS between March and July of 1961. It replaced one of TV's most notorious bombs, Jackie Gleason's "You Are In the Picture", an ill conceived game show. It premiered with strong ratings for the debut episode of "William & Mary" based on Roald Dahl's short story, but failed to sustain its audience and was canceled by July of 1961. Roald Dahl wrote and delivered the dark, wry introductions and sign offs with panache. Beginning each show with a, "How are you?" He would offer advice on, disposing of unpleasant spouses, or recount facetious stories of his boyhood in Norway where, when somebody died, and the ground was frozen solid, they would sharpen the legs and hammer the body into the ground, "like an enormous nail."

Fondly remembering this almost forgotten chapter in television history, Mike Dann says, "Way Out was one of the last weekly dramatic shows to be done in New York. Practically more than any other show, while it was not the most important, it represented the end of the era of New York as a production center for prime time. The only thing we had left then was variety shows. It meant the death of drama in New York, which is a great loss fore everyone."One I would dearly love to see, but have not been able to find is "Soft Focus" starring Barry Morse with makeup by Dick Smith. The program is subtle and needs repeated viewings to be fully appreciated. I hope it comes out on DVD or VHS.

The "galaxybeing" did a good job of describing this series and did so with a great deal more specificity than I could. The show was genuinely frightening. I do remember the episode about the love affair with the headless "electric woman". It gave me nightmares as a child. One of the most chilling things about the show (I hope I'm remembering this correctly) was the lead in at the beginning. I recall hands sticking up out of sand and writhing to the tempo of beatnik bongo drums. As the drum crescendo increased in intensity, the hands would burn up.

No wonder it lasted just fourteen episodes in the days of Ward and June Cleaver! Definitely ahead of its time.