Ajouter une intrigue dans votre langue"Tales of Tomorrow" was a hosted science fiction anthology series running from 1951 until 1953."Tales of Tomorrow" was a hosted science fiction anthology series running from 1951 until 1953."Tales of Tomorrow" was a hosted science fiction anthology series running from 1951 until 1953.
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I was lucky enough to see this series in first run! Fortunately, the episodes are still available on videotape. (I salute those who preserved the films.) This was in many ways more experimental than "Twilight Zone" and similar programs. And here's an example: I recall the episode where the program opened with a typical and excellent Tales Of Tomorrow science-fiction storyline. Just as the audience got into the live action, the entire play and its cast and even its crew were disrupted by an actual on-stage emergency! (This, of course, was a play-within-a-play, but the "reality" of it was stunning!) Seek out taped episodes, and learn what television once, long ago, could do, and how creative it could be, and what it wasn't afraid to try.
Television of the early 1950's had lots of science fiction programmes. You had your choice of "Rocky Jones, Space Ranger", "Flash Gordon", "Tom Corbett, Space Cadet" and the series I am here tonight to talk about.
"Tales of Tomorrow" was for the most part a well done and effective series which offered plots which never . . . well okay, seldom . . . strayed into outlandishness. Monsters were rarely seen but their presence was always felt. In the "Dune Rollers" episode for example we learn that mysterious rocks found only on a spot called Lightning Island have the power to merge and grow into giant rocks which can move on their own and radiate enough heat to burn a victim to a crisp. (If that sounds familiar and you have never seen the episode you are probably thinking about s similarly theme feature from the 1980's called THE CREMATORS.)
The "Blunder" episode will have you on the edge of your seat but you might as well relax. Scientist Robert Allen risks an experiment which might deplete the Earth's entire oxygen supply. Of course he is certain that this will not happen but his fellow scientists are not at all sure. Can they reach him in time to stop him? The ending will leave you asking "WHAT just happened?"
"The Crystal Egg" will always be a favourite of mine. Oscar winner Thomas Mitchell is a university professor who is asked to examine what appears to be a harmless curio. Ah, but when he looks into it he sees the surface of Mars. And one time, a moment which will make you jump, he sees something looking back at him!
"Test Flight" starring Lee J. Cobb is another good one. Lee is a wealthy businessman who decides to build his own rocket to fly to the Moon. A mysterious engineer offers him a fool proof plan to build a rocket and Lee nearly bankrupts his company to build it. Does it work? Yes, and Lee and the engineer are the test pilots . . . but is Lee ever in for a surprise after take-off.
Everyone has already written about the "Frankenstein" episode so there is little that I can add. So much has been said about this episode that watching it today is a little disappointing because many of you will be expecting more. The one live broadcast may have contained more "juicy bits" but these were edited (if they ever even existed to begin with) for subsequent re-broadcasts. Lon Chaney gives a really great performance, way different from his portrayal of The Monster in GHOST OF FRANKENSTEIN (1942) and this interpretation is wholly original.
"What You Need" was a very satisfying episode also. I was glad William Redfield's ruthless, amoral character got what he deserved but I wish Edgar Stehli had made a different decision at the end. You will see what I mean.
Okay so very often the backdrops are obviously painted. In fact in the "Appointment on Mars" episode the camera follows Leslie Neilsen as he climbs a rock and you can see the studio lights about where the backdrop ends! Characters blow lines and miss cues, even during the commercials which were also shot live. This only adds to the charm of these episodes and recalls the age of Live Television; an era which is sadly gone forever. Thank goodness for collections like this so people like me who missed that era can see what it was like.
"Tales of Tomorrow" was for the most part a well done and effective series which offered plots which never . . . well okay, seldom . . . strayed into outlandishness. Monsters were rarely seen but their presence was always felt. In the "Dune Rollers" episode for example we learn that mysterious rocks found only on a spot called Lightning Island have the power to merge and grow into giant rocks which can move on their own and radiate enough heat to burn a victim to a crisp. (If that sounds familiar and you have never seen the episode you are probably thinking about s similarly theme feature from the 1980's called THE CREMATORS.)
The "Blunder" episode will have you on the edge of your seat but you might as well relax. Scientist Robert Allen risks an experiment which might deplete the Earth's entire oxygen supply. Of course he is certain that this will not happen but his fellow scientists are not at all sure. Can they reach him in time to stop him? The ending will leave you asking "WHAT just happened?"
"The Crystal Egg" will always be a favourite of mine. Oscar winner Thomas Mitchell is a university professor who is asked to examine what appears to be a harmless curio. Ah, but when he looks into it he sees the surface of Mars. And one time, a moment which will make you jump, he sees something looking back at him!
"Test Flight" starring Lee J. Cobb is another good one. Lee is a wealthy businessman who decides to build his own rocket to fly to the Moon. A mysterious engineer offers him a fool proof plan to build a rocket and Lee nearly bankrupts his company to build it. Does it work? Yes, and Lee and the engineer are the test pilots . . . but is Lee ever in for a surprise after take-off.
Everyone has already written about the "Frankenstein" episode so there is little that I can add. So much has been said about this episode that watching it today is a little disappointing because many of you will be expecting more. The one live broadcast may have contained more "juicy bits" but these were edited (if they ever even existed to begin with) for subsequent re-broadcasts. Lon Chaney gives a really great performance, way different from his portrayal of The Monster in GHOST OF FRANKENSTEIN (1942) and this interpretation is wholly original.
"What You Need" was a very satisfying episode also. I was glad William Redfield's ruthless, amoral character got what he deserved but I wish Edgar Stehli had made a different decision at the end. You will see what I mean.
Okay so very often the backdrops are obviously painted. In fact in the "Appointment on Mars" episode the camera follows Leslie Neilsen as he climbs a rock and you can see the studio lights about where the backdrop ends! Characters blow lines and miss cues, even during the commercials which were also shot live. This only adds to the charm of these episodes and recalls the age of Live Television; an era which is sadly gone forever. Thank goodness for collections like this so people like me who missed that era can see what it was like.
Watching this program back in the early 50's was a real treat; to say it scared the hell out of me would be an understatement. Here we had a live show with minimal sets and special effects; yet the writing was such that every story was totally believable. This caused me more than a few sleepless nights! I'm sure Rod Sterling learned a thing or two; some of his Twilight Zone episodes are eerily similar. Later anthology programs (Science Fiction Theatre, One Step Beyond, Outer Limits, etc.) never had the same impact on me (perhaps because I was older), though the more recent 'Tales from the Darkside' seemed to stir up a little emotion. I haven't watched any of the 'Tales from Tomorrow' tapes; maybe some memories should remain 'just a memory'.
Well before "The Twilight Zone" and "The Outer Limits", there was a similar anthology series on ABC, "Tales of Tomorrow". The show generally was written very well but unfortunately its budget was practically nothing. As a result, some of the shows were just awful (such as "Read To Me, Herr Doktor") because the 'monsters' were just hilariously bad and some were brilliant ("The Window") because these episodes did NOT rely on special effects or aliens. It's a shame, however, that the show has been mostly forgotten--as these later series sure owe it a debt of thanks for paving the way for horror/sci-fi/fantasy anthology shows.
Fortunately, if you want to see the show, you can! Yep, following the links on IMDb or by going straight to archive.org you can download the shows or watch them online for free, as they are in the public domain. Give them a try, you'll likely enjoy them despite their limitations.
Fortunately, if you want to see the show, you can! Yep, following the links on IMDb or by going straight to archive.org you can download the shows or watch them online for free, as they are in the public domain. Give them a try, you'll likely enjoy them despite their limitations.
The classic January 18, 1952 live TV broadcast of "Frankenstein" with Lon Chaney, Jr. is finally available on DVD!
I had never even heard of this program until I was browsing in my local dollar store and happened to flip through their bin of dollar DVD's and saw a black and orange package bearing the title Tales of Tomorrow with a picture of three men in space suits staring at me.
I picked it up and immediately spotted Thomas Mitchell on the back cover photo. Any television appearance with Thomas Mitchell is worth seeing, but when I saw that the first episode was "Frankenstein," I knew I had a genuine find on my hands!
The three episodes are as follows:
Frankenstein (1-18-52) Starring John Newland and Lon Chaney, Jr. This, of course,is the prize of the lot. Chaney's performance (drunk or not) still hints at the sensitivity and greatness he was capable of. I'm left wondering what he might have done during an "actual" performance.
The Crystal Egg (2-29-52)Stars Thomas Mitchell and is based on a story by H G Wells. Mitchell sees Mars inside the titular crystal egg -which promptly goes missing and there's dirty work afoot!
Appointment on Mars (6-22-52) Leslie Nielsen (looking unusually young and virile) appears as one of a trio of space explorers in this weirdly disturbing drama which comes across as a low-rent adaptation of The Martian Chronicals.
I had never even heard of this program until I was browsing in my local dollar store and happened to flip through their bin of dollar DVD's and saw a black and orange package bearing the title Tales of Tomorrow with a picture of three men in space suits staring at me.
I picked it up and immediately spotted Thomas Mitchell on the back cover photo. Any television appearance with Thomas Mitchell is worth seeing, but when I saw that the first episode was "Frankenstein," I knew I had a genuine find on my hands!
The three episodes are as follows:
Frankenstein (1-18-52) Starring John Newland and Lon Chaney, Jr. This, of course,is the prize of the lot. Chaney's performance (drunk or not) still hints at the sensitivity and greatness he was capable of. I'm left wondering what he might have done during an "actual" performance.
The Crystal Egg (2-29-52)Stars Thomas Mitchell and is based on a story by H G Wells. Mitchell sees Mars inside the titular crystal egg -which promptly goes missing and there's dirty work afoot!
Appointment on Mars (6-22-52) Leslie Nielsen (looking unusually young and virile) appears as one of a trio of space explorers in this weirdly disturbing drama which comes across as a low-rent adaptation of The Martian Chronicals.
Le saviez-vous
- AnecdotesIn a production of "Frankenstein," Lon Chaney Jr. played the monster. An urban legend states that Chaney was intoxicated during the live TV broadcast, due to his heavy drinking. In the broadcast (which is available on YouTube), Chaney is handed a chair - but instead of smashing it, he sets it down, and shouts "Break! Break!" while making smashing motions with his hands. However, Chaney later explained in an interview that he was not drunk. Before the broadcast, he had spent four hours in the makeup chair, having his monster makeup applied. When the performance started, Chaney assumed it was a dress rehearsal, and thus, did not break the chair when it was handed to him. Between scenes, the director informed Chaney that the broadcast was happening live, so in subsequent scenes, Chaney didn't hold back and freely broke pieces of the set. (In the YouTube video of the broadcast, he falls out a window and later smashes Dr. Frankenstein's lab equipment.)
- ConnexionsFeatured in Classic Sci-Fi TV: 150 Episodes (2009)
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Détails
- Durée
- 25min
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1
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