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Ajouter une intrigue dans votre langueA young insecure college sportsman is in trouble. He wants to marry his very straightforward girlfriend, also a student, but has no money. When he is offered a bribe to fix a game, he is tor... Tout lireA young insecure college sportsman is in trouble. He wants to marry his very straightforward girlfriend, also a student, but has no money. When he is offered a bribe to fix a game, he is torn even more about the matter.A young insecure college sportsman is in trouble. He wants to marry his very straightforward girlfriend, also a student, but has no money. When he is offered a bribe to fix a game, he is torn even more about the matter.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Fred Aldrich
- Moving Man
- (non crédité)
Ricky Allen
- Joel Sullivan
- (non crédité)
Sam Balter
- Game Announcer
- (non crédité)
Dixie Barry
- Cheerleader
- (non crédité)
Mary Benoit
- Guest
- (non crédité)
Shirley Blackwell
- Spectator
- (non crédité)
- …
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I love this film. Jane Fonda is darling and irresistible and Tony Perkins is adorable. It is so blatantly 50's style sexist but great fun. Great supporting cast including "My Favorite Martian" guy and "Billy Jack". I just love Jane Fonda in this as well as in "Cat Ballou". She is sexy and oh so American girl cute. Unfortunately, it is not out on DVD yet, just VHS so I can't get it from netflix. I'm a sucker for Doris Day/ Rock Hudson movies and this is in that genre. In this movie, living in a trailer is celebrated and marriage is the goal for every girl, just like in a Jane Austen story. Warning: extremely sexy shower scene :), a far cry from the one in Psycho!
...and Jane Fonda starring in her film debut. This was directed by Josh Logan and very well I may add-the entire production is top notch. Perkins is lanky, adorable and comes across as a typical but naive young adult. Fonda is just gorgeous due to both youth and flattering photography, and we get to see her wearing more conservative 60's fashion as a college co-ed.
Where this movie fails horribly is the silly plot line (get ready) Fonda's character majors in Home Economics and is only attending college to "find a husband" - cue my surprised Pikachu face. She sets her sights on Perkins, the star basketball player who is bribed to "throw" the big game. Of course, everything ties up neatly in the end and if you just roll with the silly plot line, it's a fairly enjoyable little romp, not unlike some of the silly Doris Day/Rock Hudson type of films of the era.
This movie featured several familiar talented supporting actors such as Elizabeth Patterson, Jaws Mayor Murray Hamilton as the coach, and an unrecognizable Tom Laughlin as a fellow student.
But the standout for me was Ray Walston, whom I never cared for on MY FAVORITE MARTIAN. It was great to see him in a "normal" role and as a first year prof with goatee and glasses, just stood out as the best supporting actor in the film. The character's wife was played by Anne Jackson who, along with Ralston, was an Actor Studio member. She was beautiful and did the most she could with a small part.
Where this movie fails horribly is the silly plot line (get ready) Fonda's character majors in Home Economics and is only attending college to "find a husband" - cue my surprised Pikachu face. She sets her sights on Perkins, the star basketball player who is bribed to "throw" the big game. Of course, everything ties up neatly in the end and if you just roll with the silly plot line, it's a fairly enjoyable little romp, not unlike some of the silly Doris Day/Rock Hudson type of films of the era.
This movie featured several familiar talented supporting actors such as Elizabeth Patterson, Jaws Mayor Murray Hamilton as the coach, and an unrecognizable Tom Laughlin as a fellow student.
But the standout for me was Ray Walston, whom I never cared for on MY FAVORITE MARTIAN. It was great to see him in a "normal" role and as a first year prof with goatee and glasses, just stood out as the best supporting actor in the film. The character's wife was played by Anne Jackson who, along with Ralston, was an Actor Studio member. She was beautiful and did the most she could with a small part.
Shot in B&W and released in 1960, "Tall Story" was directed by Joshua Logan and starred Jane Fonda (in her screen debut) and Antony Perkins. The story is set at a the small campus of Custer College, a liberal arts school where the basketball team rules. Jane Fonda plays June Ryder, a student who transfers to Custer just to meet the star of the basketball team, Ray Blent (Perkins). Purpose: matrimony. The film is a comedy and while "Tall Story" laughs at the premise, it does so with a wink, knowing that the primary reason many coeds went to college was to find a husband.
The story is infused with an innocent air. Later in the film, we find that the big dilemma of the film is Ray flunking an exam, prohibiting him from playing in the big game. In 1960, there were Beach Blanket films and fluffy Rock Hudson/Doris Day films. In a few years, America's male students would still play basketball, but college attendance would mean an educational deferment from the military draft. In the early 60s, things would change quickly.
"Tall Story" is beautifully filmed. And the background music is excellent. The story is, of course, somewhat silly. But the cast makes it well worth watching.
Jane Fonda is fresh-faced, enthusiastic, and undeniably sexy. It would be five more years before what I consider her big break, "Cat Ballou", but the screen loves her from the first seconds she appears on film, when her character brashly advises two professors that they must compete for her enrollment in their classes. Fonda is about age 22 and working with the director (Logan) who convinced her to enter acting. She is wonderful in this role.
Tony Perkins is about age 27 during the filming, but he easily portrays the star collegiate athlete who the fans hoist on their shoulders. Is he convincing as an athlete? Probably not. But June is not interested in him for his athletic abilities; she thinks he's a dreamboat. 1960 is also the year that Hitchcock's "Psycho" would hit the big screen, transforming Tony Perkins' career.
In this film, professors are oddball academics, but lovable. The two professors are played by Ray Walston and Marc Connelly. As usual, Walston is delightful. Connelly stays right with him in this film, as does Anne Jackson who plays Walston's wife. Three years after this film, Walston would make an impact in the TV comedy "My Favorite Martian". Much later in his career, he would again play a teacher, the iconic Mr. Hand in "Fast Times at Ridgemont High".
"Tall Story" is dated, but deliciously so. The big game is going to be against the "Sputniks", the touring Soviet national team. Can Custer's men of the hardcourt withstand the Soviet machine? Of course, because Ray has a secret weapon--his "scientific" theory for shooting a basketball. The discerning viewer will note that his theory is nonsense and actually rooted in mysticism, evidenced by the way June, like a disturbance in the force, disrupts his abilities by standing too close to him.
The longest scene in the film is a flirting scene between Ray and June. Ray is no smooth Casanova. Perkins plays him as a gulping, romantic incompetent. But June manages to turn his head and redirect some of his ambitions.
In one scene they visit a trailer court for married couples. It is a picture of marital bliss (and young passions). June's friends live in a trailer dubbed "Lovesville, USA"--cozy (cramped) quarters decorated with hearts. The couple is played by Tom Laughlin (who would become Billy Jack in 1971) and Barbara Darrow, an actress I am unfamiliar with, but who I think dominates the screen when she is in it.
This film is adapted from the stage, something Joshua Logan had done successfully many times. Here he directs an extremely enjoyable cast, resulting in a comedy that is entertaining and fun to watch as a period piece.
The story is infused with an innocent air. Later in the film, we find that the big dilemma of the film is Ray flunking an exam, prohibiting him from playing in the big game. In 1960, there were Beach Blanket films and fluffy Rock Hudson/Doris Day films. In a few years, America's male students would still play basketball, but college attendance would mean an educational deferment from the military draft. In the early 60s, things would change quickly.
"Tall Story" is beautifully filmed. And the background music is excellent. The story is, of course, somewhat silly. But the cast makes it well worth watching.
Jane Fonda is fresh-faced, enthusiastic, and undeniably sexy. It would be five more years before what I consider her big break, "Cat Ballou", but the screen loves her from the first seconds she appears on film, when her character brashly advises two professors that they must compete for her enrollment in their classes. Fonda is about age 22 and working with the director (Logan) who convinced her to enter acting. She is wonderful in this role.
Tony Perkins is about age 27 during the filming, but he easily portrays the star collegiate athlete who the fans hoist on their shoulders. Is he convincing as an athlete? Probably not. But June is not interested in him for his athletic abilities; she thinks he's a dreamboat. 1960 is also the year that Hitchcock's "Psycho" would hit the big screen, transforming Tony Perkins' career.
In this film, professors are oddball academics, but lovable. The two professors are played by Ray Walston and Marc Connelly. As usual, Walston is delightful. Connelly stays right with him in this film, as does Anne Jackson who plays Walston's wife. Three years after this film, Walston would make an impact in the TV comedy "My Favorite Martian". Much later in his career, he would again play a teacher, the iconic Mr. Hand in "Fast Times at Ridgemont High".
"Tall Story" is dated, but deliciously so. The big game is going to be against the "Sputniks", the touring Soviet national team. Can Custer's men of the hardcourt withstand the Soviet machine? Of course, because Ray has a secret weapon--his "scientific" theory for shooting a basketball. The discerning viewer will note that his theory is nonsense and actually rooted in mysticism, evidenced by the way June, like a disturbance in the force, disrupts his abilities by standing too close to him.
The longest scene in the film is a flirting scene between Ray and June. Ray is no smooth Casanova. Perkins plays him as a gulping, romantic incompetent. But June manages to turn his head and redirect some of his ambitions.
In one scene they visit a trailer court for married couples. It is a picture of marital bliss (and young passions). June's friends live in a trailer dubbed "Lovesville, USA"--cozy (cramped) quarters decorated with hearts. The couple is played by Tom Laughlin (who would become Billy Jack in 1971) and Barbara Darrow, an actress I am unfamiliar with, but who I think dominates the screen when she is in it.
This film is adapted from the stage, something Joshua Logan had done successfully many times. Here he directs an extremely enjoyable cast, resulting in a comedy that is entertaining and fun to watch as a period piece.
Basketball players flock to "Custer College" and its team. Located somewhere in sunny California, the university is known for scholastics and athletics. After drooling over a portrait of popular All-American player Anthony Perkins (as Ray Blent), pretty young Jane Fonda (as June Ryder) enrolls as a home economics major. Looking to make Mr. Perkins her husband, Ms. Fonda decides to join activities which show off her comely legs. Of course, this puts her on the court in a short skirt. Fonda also takes the same classes as Perkins – modern ethics with Ray Walston (as Leo Sullivan) and chemistry with Marc Connelly (as Charles Osman). Cupid's arrow lands safely and Perkins proposes. Their future happiness is threatened due to lack of money – then Perkins is offered $4,000 to throw a game...
This was an odd assignment for director Joshua Logan at the time, but he makes it an enjoyable collegiate comedy about ethics – with sexual overtures. Chiefly responsible for the passing grade are costars Perkins and Fonda. This was his last role as a "teen idol" as the next released "Psycho" (1960) changed Perkins' image forever. Here, he is innocent and genuine. In her very first performance, Fonda is obviously beginning her "sex kitten" phase. She is lovely and arousing. The supporting cast is full of interesting names and faces. "Tall Story" is best when making itself fun – Fonda on her bicycle, seeing Van Williams naked, colliding with Perkins on the basketball court – Highlights are the love scenes, Fonda' sexy babysitting seduction and the couple trying out Tom Laughlin's shower for size.
****** Tall Story (4/6/60) Joshua Logan ~ Anthony Perkins, Jane Fonda, Ray Walston, Marc Connelly
This was an odd assignment for director Joshua Logan at the time, but he makes it an enjoyable collegiate comedy about ethics – with sexual overtures. Chiefly responsible for the passing grade are costars Perkins and Fonda. This was his last role as a "teen idol" as the next released "Psycho" (1960) changed Perkins' image forever. Here, he is innocent and genuine. In her very first performance, Fonda is obviously beginning her "sex kitten" phase. She is lovely and arousing. The supporting cast is full of interesting names and faces. "Tall Story" is best when making itself fun – Fonda on her bicycle, seeing Van Williams naked, colliding with Perkins on the basketball court – Highlights are the love scenes, Fonda' sexy babysitting seduction and the couple trying out Tom Laughlin's shower for size.
****** Tall Story (4/6/60) Joshua Logan ~ Anthony Perkins, Jane Fonda, Ray Walston, Marc Connelly
Tony Perkins wasn't type-cast after "Psycho." Not at first. For the next six years, he went on to act in seven or eight other movies, most of which were shot in Europe by some of the world's best directors including Orson Welles, Claude Chabrol, Jules Dassin and Anatol Litvak and none of the roles were similar to Norman Bates. In fact, Perkins went on to be a bigger star in Europe than he ever had been in America after starring in "Goodbye Again" in 1961, for which he won he Best Actor Award at the Cannes Film Festival. "Pretty Poison," released in 1968, was the first movie in which he played a similar character to Norman Bates, and only after that film did the "type-casting" begin. But it was really all of the "Pyscho" sequels that did him in, so to speak. Perkins had a wider range as an actor than producers, directors (and casting directors) had given him credit. Too bad he did not have a more "creative" agent for the second half of his career. (Ironically, he was represented by CMA also known as "Creative Management Associates.")
Le saviez-vous
- AnecdotesUncredited feature film debuts of Van Williams and Robert Redford.
- GaffesRight before question #6 of the oral make-up exam, there is a brief shot of the basketball game, and the score shows 32-32 with 50 seconds on the clock. Yet, prior to that, the half ended with the score 41-33.
- ConnexionsFeatured in From the Journals of Jean Seberg (1995)
- Bandes originalesTall Story
Music by André Previn and Shelly Manne
Lyrics by Dory Previn (as Dory Langdon)
Performed by Bobby Darin
[Title song played over the opening titles and credits]
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- How long is Tall Story?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Tall Story
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 12 000 000 $US
- Durée1 heure 31 minutes
- Couleur
- Rapport de forme
- 1.66 : 1
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By what name was La tête à l'envers (1960) officially released in India in English?
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