Un dimanche à New-York

When it came to sex comedies involving mistaken identities, Norman Krasna was the master. This breezy comedy is based on one of his more modestly successful plays but it's been transferred to the screen with a generous glimpse of New York City backgrounds and de luxe apartment interiors, all in gorgeous Technicolor.

Furthermore, it has 22 year-old JANE FONDA in one of her early charming roles (before she took up politics), and two attractive male co-stars in CLIFF ROBERTSON (as her brother, an airline pilot) and ROD TAYLOR, as the man she happens to meet on a Fifth Avenue bus.

Jane's problem is that she lost her chance for marriage because she turned down sex beforehand and comes to New York from Albany to ask her brother for his advice on the subject. She isn't in the big city long before she meets ROD TAYLOR and that's when the plot goes into full swing. When her real boyfriend shows up unexpectedly at her apartment, she passes off Taylor as her brother. Naturally, this is Krasna's set-up for the rest of the story.

It's all completely innocuous but offers passable entertainment for a rainy day. Fonda is cheerfully ditzy most of the time and Taylor plays his role with his usual masculine charm. Robertson makes the most of his role as her playboy brother.

Enjoyable fluff, a bit dated, but fun.

One of the best romantic comedies I've ever seen. Jane Fonda has just been dumped because she wouldn't have sex before marriage and decides to spend a week in New York to forget her problems. She meets a guy on a bus and before long they're having coffee together. One thing leads to another and they're in her brother's apartment in bathrobes and her ex walks in! He assumes the guy is Jane Fonda's brother, and that's when the movie starts getting incredibly funny. It's like a screwball comedy with Cary Grant, and played very well by all the actors. Her real brother ends up playing someone else. Rod Taylor is really charming and cute and the brother is hilarious with a whole other subplot concerning his girlfriend and how all of their dates fall through. I'd never heard of this movie until it was on TCM and I'm surprised it's not more well-known. A real hidden gem, highly recommended!

Yes, it's dated. In the early 60's New York apparently was inhabited entirely by good-looking middle-class white people, smoking was sexy (yuck), and the double standard between men and women was still in full unchallenged swing. But there's something strangely engaging and sweet about this movie, partly because New York is shown in such an innocent light, partly because the chemistry between the actors, particularly the young Jane Fonda and not-so-young Rod Taylor, is playful and endearing. At times it bumps along as it switches from the Fonda/Taylor plot line to Cliff Robertson's lovelife difficulties, but the music and the setting alone are almost enough to keep you interested. (Loved that multi-level apartment!) And the farce that ensues as Eileen's (Fonda's) brother, potential fiance and potential paramour tangle with each other is sometimes genuinely funny. I was surprised - though it has its flaws, I found the film to be a pleasant sigh from a more innocent time.

I saw this when it appeared in 1963 and loved it. Bought the LP as soon as I could find it because of the wonderful Peter Nero score. Bought the VHS as soon as it appeared. Watched it with my grown children last night (in their thirties) and they enjoyed it, and laughed at all the right places. With excellent dialog and a classic story and one of the best movie soundtracks ever, to us this holds up very well. Am trying to start a campaign to have the movie issued as a DVD and the soundtrack on CD. Whoever owns the rights is missing out. This is absolutely comparable to 'You've Got Mail', 'Sleepless in Seattle', and 'When Harry Met Sally'.

After growing up with Peter Nero's soundtrack (sparkling piano playing), I FINALLY got to see this movie on TCM, and it was worth the wait. The leads, male and female, are a feast for the eyes (oh, to be a young swinger back then...) in a simple story that takes place during one day. The lead theme, of Fonda and Taylor meeting and spending part of the day together, and the consequences, is well-matched with a funny subplot that has Robertson (as Fonda's brother) and his lady-love trying to schedule some quality time together. Culp's Pepsodent smile has to be seen to be believed. Entertaining, lighthearted film.