L'histoire de Ruth

Anyone expecting an elephantine spectacle with a cast of thousands for this Old Testament story will be sadly disappointed. The Story of Ruth simply does not lend itself to that kind of treatment. In fact for the screen quite a bit of liberties were taken with the story in terms of adding plot that the Old Testament Book of Ruth simply doesn't have.

Ruth is an unusual character in the Bible. First she's a female protagonist, one of a select few there. Secondly her story gets its own book in the Old Testament, a short item of only four chapters. Lastly she's the first non-Hebrew protagonist in the Bible since Abraham sired the Hebrew people.

It's a simple story in the Old Testament. Ruth is one of two Moabite women who marry the sons of Elimelech and Naomi. When Elimelech and sons Mahlon and Chillion die, leaving Naomi a widow with two widowed daughters-in-law, Naomi decides to return to Israel. One daughter-in-law, Orpah, bids her goodbye. Daughter-in-law Ruth however says she will not desert her. She's going to give up the life and culture of Moab and her people will be Naomi's people in the most famous line from the Book of Ruth.

That's all there is to explain Ruth the Moabite coming to live in Israel with her mother-in-law. Director Henry Koster directed a film with a whole involved plot which goes into Ruth being a Moabite priestess and the reason for the death of all the men in that family. It's a nice story, but not the Old Testament.

The second half of the film involves Ruth and Naomi and a blood relative's named Boaz and Boaz's courtship of Ruth. Boaz has a rival in another relative who is closer to Naomi who's name isn't mentioned, but the film names as Tob. We get a few more details from the Bible for the screenwriters to work with in this part.

Henry Koster directed many a film with a religious theme and had success with The Robe and A Man Called Peter among others. This film is not as good as the other two, but still is both reverent and entertaining.

The cast performs well. Israeli actress Elana Eden is in the title role and like her fellow Israeli thespian Haya Harrareet from Ben-Hur saw her career dissipate in the Sixties. The two men in her life are Tom Tryon as Mahlon and Stuart Whitman as Boaz. Broadway veteran Peggy Wood is Naomi and the best in the film is Jeff Morrow as the overbearing and drunken Tob who with a little bit of trickery Eden gets to renounce his claim on her. It was the law back in the day.

The real story of Ruth is in that title phrase. Before there was a New Testament and a group of men were told to spread the faith, this story shows that God is taking converts. His wisdom and mercy are not the exclusive property of one race, but are universal. And in fact the children of Boaz and Ruth start the royal line of Israel beginning with their great grandson David.

But it all begins with how Boaz and Ruth get together.

I remember seeing this on its first run and its color was marvelous. The human sacrifice scene to the god Moloch was chilling.

Of particular interest is the dialogue between Mahlon (Tom Tryon) and Ruth (Elana Eden) about religion. Mahlon, the Hebrew, tries to explain to Ruth, a pagan virgin votary, how his people could worship an invisible God. This deep theological discussion came about because Ruth asked the question. Mahlon gave a wonderful illustrative example.

He said: "Imagine that you are soldier in the battlefield and you wish to pray to save your army and for victory. How would you do that?"

Ruth answered that she would think of the image of her god and pray.

Mahlon then explained that in that case, the god she would be praying to would be invisible.

I have always liked biblical epics and thought that I'd seen them all, but while watching a feature on them I saw listed "The Story of Ruth." I knew nothing of this story of the Old Testament, so I purchased the DVD. The film, made in 1960, shortly after the release of "Ben Hur" was not an epic in the sense of 'a cast of thousands' with big name stars, but rather a simply told story, both moving and charmingly portrayed by a cast who excelled in their respective roles and brilliantly directed by Henry Coaster, with a literate script by Norman Corwin. Stuart Whitman was never better than in his role as Boaz and newcomer Elana Eden was stunningly beautiful and very impressive as Ruth. In fact, it surprises me that her career waned after "Story of Ruth." The always great Peggy Wood was Oscar worthy as Naomi and the rest of the players were also well cast. Franz Waxman's score was moving and added a reverence to the entire film. It seemed pretty accurate for the most part. I wondered if there was any truth to the fact that Ruth was sold to the Moabites by her father, as my sources (Biblical dictionaries) are pretty concise. To summarize, I must say that I really enjoyed this film!

At the age of 14, I idly turned on the TV in the afternoon and saw this movie just beginning. I felt drawn to see it as I was brought up on Bible stories and knew the story of Ruth pretty well. I was intrigued to see how it would be dramatised.

I was fascinated at the movie's expansion of the Book of Ruth's simple account of Ruth's Moabite beginnings, the evil of this pagan civilization which sacrificed its own children to Moloch. This part of the movie is in fact well authenticated by other parts of Scripture.

I was impressed by the beauty of the actress playing Ruth, and by her portrayal of the beauty of Ruth's character.

I was immediately aware that some license was taken with the beginnings of the relationship between Ruth and Boaz. In the Biblical version he was certainly never hostile to her! However as the love story progressed it had exactly the character of the loving kindness of the kinsman redeemer exemplified in the Biblical Boaz.

So much did this quality of deep love based on respect and loving kindness which cares for and wants to look after the beloved impress me that it actually became a standard against all future love stories, both fictional and real, were to be measured by me. For quite a number of years it was almost an unconscious influence, but in my mid 20's when I started seriously considering marriage,it surfaced and became a requirement for me in the man I would marry, and in the love we would have for each other. Somehow this love of Ruth and Boaz seemed much more REAL than almost all the romances I would see in movies or read about.

In fact the whole story of Ruth became a pattern for my life, after I returned to faith and sought a life in which God would be my Guide.

So much so that I now live in Israel, not far from where Ruth came to live with Naomi . I did find my "Boaz", who had been in some ways so clearly exemplified for me in "The Story of Ruth".

I still vividly remember the movie and am grateful that , even though it took some small "liberties" with the Biblical story, it was true to the spirit of the Book of Ruth!

After having missed out on it several times on Italian TV, I've managed to catch up with this - as it turned out - underrated Biblical epic via Fox's pleasing DVD edition. It's a typically lavish production with a nice Franz Waxman score and a decent cast: unknown Elana Eden makes for a convincing heroine; Tom Tryon is the leading man during the first half (until he is killed off), with Stuart Whitman taking over in the second part of the narrative; Peggy Wood is a dignified Noemi; and Jeff Morrow delivers an amusing performance as a perennially drunk Jewish merchant and Eden's suitor.

Not knowing much about the Biblical story, the lengthy expository events - akin to the similarly irrelevant ones (of the young Moses in Egypt) depicted in THE TEN COMMANDMENTS (1956) - were a welcome addition; as a matter of fact, Viveca Lindfors - a strong presence during these early stages - disappears altogether once the scene shifts to Judea! Typical of most epics of the time, the film feels overlong and could do with some trimming - especially in its more reverent second half - but it's one I wouldn't mind owning on DVD, especially if Fox would consider releasing a collection of their Biblical epics (comprising as well David AND BATSHEBA [1951], THE ROBE [1953], DEMETRIUS AND THE GLADIATORS [1954] and THE BIBLE...IN THE BEGINNING [1966]).