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Miracle à Milan

Titre original : Miracolo a Milano
  • 1951
  • Tous publics
  • 1h 32min
NOTE IMDb
7,6/10
9,1 k
MA NOTE
Miracle à Milan (1951)
Regarder Trailer [OV]
Lire trailer1:52
1 Video
99+ photos
SatireComedyDramaFantasy

Un orphelin généreux et énergique essaye tant bien que mal de profiter de sa vie dans les rues de Milan.Un orphelin généreux et énergique essaye tant bien que mal de profiter de sa vie dans les rues de Milan.Un orphelin généreux et énergique essaye tant bien que mal de profiter de sa vie dans les rues de Milan.

  • Réalisation
    • Vittorio De Sica
  • Scénario
    • Cesare Zavattini
    • Vittorio De Sica
    • Suso Cecchi D'Amico
  • Casting principal
    • Emma Gramatica
    • Francesco Golisano
    • Paolo Stoppa
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,6/10
    9,1 k
    MA NOTE
    • Réalisation
      • Vittorio De Sica
    • Scénario
      • Cesare Zavattini
      • Vittorio De Sica
      • Suso Cecchi D'Amico
    • Casting principal
      • Emma Gramatica
      • Francesco Golisano
      • Paolo Stoppa
    • 29avis d'utilisateurs
    • 60avis des critiques
    • 78Métascore
  • Voir les informations de production sur IMDbPro
    • Nomination aux 2 BAFTA Awards
      • 4 victoires et 3 nominations au total

    Vidéos1

    Trailer [OV]
    Trailer 1:52
    Trailer [OV]

    Photos103

    Voir l'affiche
    Voir l'affiche
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    + 97
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    Rôles principaux25

    Modifier
    Emma Gramatica
    Emma Gramatica
    • La vecchia Lolotta
    Francesco Golisano
    Francesco Golisano
    • Totò
    Paolo Stoppa
    Paolo Stoppa
    • Rappi
    Guglielmo Barnabò
    Guglielmo Barnabò
    • Mobbi
    Brunella Bovo
    Brunella Bovo
    • Edvige
    Anna Carena
    Anna Carena
    • Marta, la signora altezzosa
    Alba Arnova
    Alba Arnova
    • La statua che prende vita
    Flora Cambi
    • L'innamorata infelice
    Virgilio Riento
    • Il sergente delle guardie
    Arturo Bragaglia
    Arturo Bragaglia
    • Alfredo
    Erminio Spalla
    Erminio Spalla
    • Gaetano
    Riccardo Bertazzolo
    Riccardo Bertazzolo
    • L'atleta
    Checco Rissone
    Checco Rissone
    • Il comandante in secondo
    • (as Francesco Rissone)
    Angelo Prioli
    • Il comandante in primo
    Giuseppe Berardi
    • Un povero
    • (non crédité)
    Gianni Branduani
    Gianni Branduani
    • Totò a 11 anni
    • (non crédité)
    Enzo Furlai
    • Un povero
    • (non crédité)
    Jerome Johnson
    Jerome Johnson
    • Il negro
    • (non crédité)
    • Réalisation
      • Vittorio De Sica
    • Scénario
      • Cesare Zavattini
      • Vittorio De Sica
      • Suso Cecchi D'Amico
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs29

    7,69K
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    10

    Avis à la une

    6blott2319-1

    Charming movie with a weird third act turn that doesn't work so well

    Miracle in Milan is a movie that has one of those heart-warming characters with an indomitable spirit who brightens the lives of everyone around him. I quite liked how Francesco Golisano played this character because he never acts as though this is a struggle for him, he simply is kind and optimistic as a part of his nature. The film starts off somewhat comical, but otherwise perfectly normal as the people living homeless in Milan seek a way to survive. I was charmed by this whole section of the film, and seeing the way that the human spirit fought to live a normal life despite not having all the modern conveniences that money provides. There is also a fun contrast when we see these poor people interacting with the rich and privileged people who want to take possession of the land. A meeting in the big city was one of the most humorous scenes in the film, as we see these homeless people in the most over-the-top opulence.

    The turn for the film comes later when a magical element is added to the story. This is where things got weird. I liked the idea of empowering our hero in a unique way, but his new-found ability kind of shifted the tone and even the plot of the film. Suddenly, it was looking at how greed could entrap even those who once knew how to live with nothing. But it never felt the script fully addressed how damaging this behavior was to the people as they received everything that they thought would make life better. Also, the original plot is still happening, but it seems the importance of it is diminished. I wouldn't mind a kind of Monkey's Paw story, where someone is given magical powers that end up ruining life when it was supposed to help, but it is not the plot I was invested in from the outset. Then the ending is extremely odd and leaves me with more questions than answers. I definitely liked elements of Miracle in Milan, but if it remained focused in one direction or the other I would have enjoyed it more.
    10raskimono

    A Chaplinesque masterpiece

    This obscure de Sica delivers the goods. And it is said "the meek shall inherit the earth." This tale of classes on the surface but really an allegory for all the homeless people that populated Europe after the great war. They are homeless but cheerful, in a societies too impoverished and selfish to care for or acknowledge them, footmats for the Italian carpetbaggers. de Sica chooses to tell it as a fairy tale, a Cinderella story. I have not read the book it is based on so I cannot foresay if the deus ex machina is the construct of the writer or Vittorio. It begins with the words, "Once upon a time..." to exemplify the timelessness of its tale, for the story could be set anywhere and everywhere. Caricature sketches of the aristocracy that cut to the bone, whimsical nature of the homeless especially when they begin to grant their wishes and an ending right out of a Spielberg picture makes this boulange a delight for all. De Sica's most accessible picture is also one of his best. Abandoning neo-realism, he always dallied between that and pure good old film-making, he creates a movie that breaks the heart and at the same time fills it with the yearning of hope that one needs to continue leaving in this world. Gracias Vittorio! Gracias! Gracias!!! Gracias!!!!!!!!!!!!
    Vincentiu

    picture of a state of soul

    lovely. it is first word about this film. fantastic, tender, gentle, dream, it is a sentimental gem. and this is important for a gray , cold world. parable, social manifesto in sweet colors, fairy tale, it is a piece of clay for its viewer. because it is difficult to define it. so, essential is the warm emotion. the performance of Emma Gramatica. and extraordinary Toto in which the young Francesco Golisano gives all pure nuances of life joy. after many years from first meeting, it is not exactly one of my favorites but ideal drug for gloomy days. a different de Sica, it is shining and naive. or, only, isle for the short escape after stressful moments. a kind of Life is wonderful but with little substantial dose of miracle flavor.maybe, a form of Charlot universe slice. like return in childhood womb.
    9planktonrules

    a wonderful film--one of De Sica's best

    This is a really strange film--and that is NOT a bad thing. It is a combination of a neo-realistic film about the homeless AND a fairy tale. I'm sure that some may find this movie a bit too strange, but I loved it. Once again, this director brings together a wonderful cast of everyday people (not actors) and gets a great ensemble-type performance. Although not nearly as sad as Umberto D, both movies have a very similar point to make--this one just does it in a very absurdist way. Ignore the cheesy special effects--after all, it was made in the early 1950s and special effects aren't terribly important anyway (or at least they shouldn't be in films). Instead, just sit back and enjoy the very strange and silly ride. Unless you are a total curmudgeon, you'll have a ball.

    By the way, since I first reviewed this film, I have seen another DeSica directed film that is an absolute must-see and that is THE CHILDREN ARE WATCHING US. While not a fantasy or light in spirit like MIRACLE IN MILAN, a great film nevertheless.
    9zetes

    Weird and wonderful step away from Neorealism by Vittorio de Sica and Cesare Zavattini

    Perhaps the last film you would expect to come from Vittorio de Sica and Cesare Zavattini (who wrote the novel on which this film is based). It's a neorealist fantasy, kind of an oxymoron, really. An old woman finds a baby in her cabbage patch and raises him as her own son. After a few years, the baby is a young boy (named Toto) and the adoptive mother is dying. He goes to an orphanage and, when he finally turns 18, he leaves. Immediately, he finds that he has no home. Toto is optimistic, though, and won't let anything get him down. A man steals his valise, and instead of getting angry over it, Toto becomes his friend and goes and stays with him in a small shantytown. Toto takes some initiative and organizes the many homeless living in the area and they build a better shantytown. Soon, the landowner is trying to sell this plot of land, and the citizens of the shantytown have to protect themselves. After many attempts, the owner mounts a force of police to get rid of the homeless. At this point, the film becomes full-fledged fantasy (before this it was more comedic/fantastic melodrama in the style of Charlie Chaplin). This stuff is so weird and shocking that it's probably best for others to see it for themselves. It's quite amazing, and very funny. There are objections you could raise about the plot of Miracle in Milan, most certainly. Fellini and Visconti were greatly criticized when they started to stray from Neorealism. I think I read this was widely criticized at the time of its release. At this point, though, it's so enjoyable - I loved it very much. It might be my favorite of Vittorio de Sica's films, although Umberto D and The Bicycle Thieves come very, very close. 10/10.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      To create the special effects for this Italian production, producer/director Vittorio De Sica imported American special effects specialist Ned Mann. This would be Mann's final project.
    • Citations

      Totò: Would you like the sun?

      [Edvige nods, so Totó looks toward the horizon, where the sun comes up in a few seconds]

    • Connexions
      Edited into Histoire(s) du cinéma: Une vague nouvelle (1999)

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    FAQ17

    • How long is Miracle in Milan?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 21 novembre 1951 (France)
    • Pays d’origine
      • Italie
    • Langues
      • Italien
      • Anglais
    • Aussi connu sous le nom de
      • Miracle in Milan
    • Lieux de tournage
      • Piazza del Duomo, Milan, Lombardie, Italie
    • Sociétés de production
      • Produzioni De Sica
      • Ente Nazionale Industrie Cinematografiche (ENIC)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Montant brut mondial
      • 435 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 32 minutes
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.37 : 1

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