Bambi

From the opening scene where the multiplane camera glides through a quiet forest until the stirring forest fire climax, a viewer has to be aware he is watching one of the all-time great films. So much of the cycle of life is covered that it's hard to realize the film is a mere 69 minutes. In a book called 'The Making of Bambi', Ollie Johnston reveals that originally there was much more footage that Disney eventually trimmed, cutting out whole sequences before the film previewed. Obviously, he made a wide decision.

There is no extraneous scene here, it moves seamlessly through its cycle of life story with the charming animal creatures carrying the story to its logical conclusion. The background music complements all of the drama and comedy. The storm sequence is the most beautiful blend of music and drawings ever achieved by the Disney artists. The naturally drawn deer are the result of months of careful preparation and study, giving the entire film the feel of a nature study as well as giving the audience great entertainment.

The choral work is extremely effective, particularly on songs like 'Love Is A Song' (Oscar nominated), 'I Bring You A Song' and 'Little April Shower'. The impressionistic forest glows with a life of its own and is the real star of the film, thanks to the influence of Japanese artist Tyrus Wong. No wonder this was Disney's favorite film. It will stay fresh and young forever. An awesome achievement!

In conclusion, having done some choral work myself as a glee club singer, I especially appreciated the great contribution made by the mixed chorus (male/female) that does such a wonderful job on all of the choruses that blend so seamlessly with the rich background score. Truly exceptional choral vocals conducted by Charles Henderson.

People frequently say that the death of Bambi's mother is the scene most people cry in. You would have to be to be incredibly shallow and insensitive not to cry. Its a pretty good test of a person and I am so pleased that all these years later I still blubbered like a baby. Bambi looks wonderful and time has treated Walt's favourite film very well.Visually the movie is stunning. All the more remarkable in that it was made in 1942. The scenes of the animals in the meadow enjoying the airy freedom away from the safety of the forest lifts your spirits; it is just beauitiful. The music is brilliant and that rain drop song with the beautiful visuals is a glorious moment in film making. Indeed all the music is wondrous; the score for the fire is rich and exciting. The characters are wonderful. I love the much malinged American skunk, a truly remarkable little creature.I love Flower but Thumper is worthy of the recognition he has got over the years as one of Walt's greatest creations. There are so many wonderful scenes in the film. I love the raindrop scene, the parade and introduction of the stags. Bambi's father is a great creation, almost spiritual. The movie never speaks down to children and the final scene as Bambi's dad disappears is so gracious and beautiful. I love the images in the courting of Bambi and his girl friend. Bambi is a love story and its impossible not to be touched by this magical story. It has always struck me as odd how any one could kill or shoot wild animals and call it sport. Such people are obviously mentally unstable and certainly uncivilised. I dream of a day that recreational hunters get what they deserve. They are the most unworthy people on the planet.Bambi is a lesson in life and its a film that will live for ever as a masterful example of great animation. I really prefer it to the Pixar of today.

Enduring , overwhelming Disney's true vintage film about the moving adventures of a charming fawn , being a colorful and brilliant description of the changing seasons , Woods life and weather conditions notably leading to the attractive snowy , winter season. It is a heart-rending as well as heart-warming story of a young fawn growing up in the forest , concerning his adventures , fríenships , pursuits , fights and distresses . And , describing the often harsh education of a newborn , especially dealing with his friendship with an equally young rabbit called Thumper, a ground-drumming hare that unexpectedly proving to be the star of the show, and both of whom accompanied by a sympathetic skunk .

Superbly made action scenes with spectacular scenarios and breathtaking chases along with a witty dialog , all of them combine to provide an excellent movie and impressive appeal . Beind based very loosely on the book by Felix Salten , taking parts here and there . While the likeable animals are all given attractive human traits , as Bambi, Thumper the rabbit that still steals the show and Flower the Skunk , all of them are like members of rogue gangs of teens usual in the forties . Babycham shots occupy only a fraction of the running time in this flick , the remaining results to be a strikingly impressionistic renditíon of life in the meadows and Woods, and other rest containing some extremely sentimental set-pieces . Silhoutte , bizarre scenes , panorama , glmmer shades , some dark images and the cod use of classy soundtrack recall the best moments of another vintage Disney : "Fantasía" .

It contains wonderful and delightful songs composed by Frank Chuchill and Edward Plumb , including the following titles: Let sing a gay little spring song , Love is a song , Little April Shower , Twitter, The Thumper song .This enchanting motion picture , only released in video in 1994 , was very well realised with great sensibility and dignity , and from Disney's richest period , when produced such great hits as Snowwhite , Pinocho , Dumbo , Fantasía , Cinderella and subsequently Peter Pan , Sleeping Beauty , Jungle book , Aristocats , 101 Dalmats and many others. This Bambi displays splendid and colorful frames , interleaving magnificent animation with vulgar Americana style.

Rating 8/10 . It stands as one of the greatest kiddies' movies all of time , a genuine perennial tale from generation to generation. It proves that Disney animation is still the best to be found , here including some unforgettable and immortal images. As the movie turns out to be still an altogether a gorgeous and overwhelming experience to watch. This top-notch , irresistible tale is recommended for both , children and adults , but tinies should have an adult standing for their reactions to the fate of Bambi's mummy .

Walt Disney didn't make another full-length animated film until 1950, by which time his golden age had well and truly passed. Was `Bambi' a quiet, gentle farewell, then? If you haven't seen it you could be forgiven for thinking so; and the slightly over-sugared opening scenes might confirm this view. But prepare to be jolted out of your seat. The forest contains darkness as well as light. The gunshots that ring out across the silences are truly alarming (and there are many ways Disney and Hand make them more alarming: consider the scene where a flock of birds are cowering in the grass, until one decides to fly into the air and risk death rather than put up with the suspense). Also worth noting about `Bambi' is its use of psychological colour. In at least three key scenes, the colour scheme shifts wildly, not because the sun has set or anything of that kind, but in order to illustrate Bambi's psychological state. Particularly fine is the scene where he is running away from the clearing in fear and the world turns into just a few pale and dirty shades of yellow.

The greatest thing is the way Disney manages to convince us that there is nothing else in the world, outside the forest. Not once do we see a horizon. Nor do we sense one. By some standards not much happens in the forest - a few deaths, a few births, what else is new? But when the forest is the whole world they matter a good deal.

Bambi (1942) is often sneered at by contemporary film goers my age. In their minds, outside of the death of Bambi's mother, the film is a cutesy little joy ride about a happy little deer and his happy little forest friends frolicking about grassy meadows. They also find it much too slow and lacking in plot for their interests, instead switching on the film's spiritual successor The Lion King (1994), which most of my generation holds up as the greatest animated film of all time.

No offense to The Lion King, but it doesn't even come close to touching the greatness of Bambi. Outside of a few whimsical moments, this is a dark film about the cycle of death and life. It's more of a meditative piece than a traditional narrative, which will not appeal to those who absolutely require a detailed plot. The animation and backgrounds are breathtaking. Like the other early Disney features, there's strong traces of German expressionism in there (ex. the fight between Bambi and a rival deer is mostly shown in silhouette and violent colors, Bambi and Faline's dreamlike run through the meadow, etc.).

The atmosphere is not as cutesy as people recall. There is an undercurrent of dread to the whole thing, a sense of danger. As beautiful and enchanting as the forest can be, it is also dangerous. The way man is handled in the film is surprisingly mature: instead of putting the main characters against a laughable caricature, mankind's presence is unseen and feels more like a natural disaster than a living entity. In fact, Bambi might be one of the most adult films in the Disney animated canon. Ignore its saccharine reputation and give it another look.