Le soldat récalcitrant

When one views a Martin and Lewis film, one wasn't expect much I guess. You have Lewis's patented clowning around, and Martin's singing straight man. At War with the Army is the first movie I've seen of theirs as a team (I've seen other films with them as stars separately). It's somewhat interesting to watch them as a team. They play off each other quite well, even though the material here is quite treacly and quite hammy. You can probably predict that they're Army soldiers going into one hi-jinx after another in the barracks. This is taken from a stage play, not too sure if Martin and Lewis starred in the actual play, ( my guess is that they did). Not exactly Tony material.

One thing that did surprise me though, is what a showman Jerry Lewis is. His singing and dancing along with his comic timing is quite impeccable here, a sure sign of things to come.

This is a fun WWII-era B&W movie, full of Jerry Lewis and his ridiculous goofiness! Featuring Dean Martin and Jerry Lewis in their first collaboration, this film gave our family some wonderful laugh relief from our January, cabin-fever suffering.

Jerry is a hapless private and Dean is the bossy First Sergeant of a slipshod platoon at a stateside training base. Jerry and Dean were friends who grew up in the same neighborhood before Uncle Sam made GIs out of them. All of the stereotypical military comedy characters are present, including the loudmouth drill instructor, the conniving supply sergeant, the doting corporal and the bumbling, hen-pecked company commander.

Most of the action takes place in the orderly room, but our favorite scene involved Jerry singing a love song...I don't want to reveal any more details, but I think Jim Carrey may have studied acting by watching Jerry Lewis movies.

My kids liked this film more than (the original) "The Nutty Professor", because of its lighter tone. I rate this comedy "8" on a scale of 1 to 10, and highly recommend it!

A decade earlier, Abbott and Costello became movie stars with a pair of World War II military films, "Buck Privates" and "In the Navy." Here Martin and Lewis march in their bootsteps during the Korean War. The plotted and scripted comedy framework for this film may not be anything special, but the Martin and Lewis set pieces remain great. With hindsight, you can see the grounds for the pair's breakup this early in their career. Martin is charming when he's allowed to sing or do a solo bit, but his character is an unsympathetic bully to Lewis' hapless fumbler -- Bud Abbott at his most brutal to poor Costello.

The glimpses of bits of their stage and radio act, however, are funny -- their byplay before a band; their imitation of Bing Crosby (Martin, of course) and Barry Fitzgerald (Lewis)in "Going My Way"; Lewis in blonde drag (with a hairy chest showing over the v-neck of his dress) singing a husky-voiced torch song to Mike Kellin, and Martin's underplayed double-take and mumbled, "No, couldn't be," as he passes by them.

One special highlight is Polly Bergen in an early brief part as Martin's girlfriend. (The movie's credits read "introducing Polly Bergen," but IMDb lists two previous roles for her, one just a voice part.) This is Bergen before she had an absolutely perfect face with an absolutely perfect nose, but still, as Martin sings "You and Your Beautiful Eyes" to her, she is given a lengthy, star-making closeup in which she smiles and becomes luminous, and her future career is assured.

At War with the Army is set during the World War II.Alvin Corwin and Vic Puccinelli used to be good buddies but after joining the army Vic becomes a bossy sergeant.At War with the Army is an average Jerry Lewis comedy from 1950.The movie offers many funny scenes, that make you laugh.There are also some music scenes, like Jerry and Dean movies usually had.If you are a fan of Jerry Lewis and Dean Martin comedies, like I am, then this is a movie for you to watch.

A bunch of comedic misadventures surround an army training camp office.

One of the best of M & L. One reason is a clever script adapted from a stage play. That means better than usual comedic lines, and also that Lewis's mugging isn't the only funny element. Unlike his later films, Lewis complements the laughs here instead of monopolizing them. Also, Martin gets to warble a few tunes in his smooth baritone. I especially like the record-booth duet with Polly Bergen that's really quite charming. And I wonder what happened to the quite talented Jean Ruth as the befuddled Millie who can't seem to decide where she works or whom she's dating. Ruth shows a lot of comedic spark in the role, but appears to have left the industry soon after. Too bad.

Not everything is roses. Being an ex-stage play means the story is pretty much confined to a single set with characters rushing in and out. Keeping up with the diverse lot may require a scorecard. Of course, there's nothing new about the comedic potential of misfits in the military, and this one was followed by several more M&L entries in a similar vein. Anyway, the act here in their first film is still, fresh, energetic and funny.