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Ajouter une intrigue dans votre langueFleeing a murder charge, a busboy and a nightclub singer wind up on a spooky Caribbean island inherited by a young woman.Fleeing a murder charge, a busboy and a nightclub singer wind up on a spooky Caribbean island inherited by a young woman.Fleeing a murder charge, a busboy and a nightclub singer wind up on a spooky Caribbean island inherited by a young woman.
- Réalisation
- Scénario
- Casting principal
Fred Aldrich
- Dockworker
- (non crédité)
Danny Arnold
- Gangster
- (non crédité)
Gertrude Astor
- Wife of Man with Spaghetti on Head
- (non crédité)
Frank Branda
- Gangster
- (non crédité)
Chester Clute
- Man with Spaghetti on Head
- (non crédité)
Avis à la une
Scared Stiff (1953)
** (out of 4)
Nightclub singer Larry Todd (Dean Martin) and busboy Myron Mertz (Jerry Lewis) find themselves being hunted down by a gangster after they witnessed a murder. With the help of Mary (Lizaebth Scott) the two are able to get on board a cruise ship where they land in Cuba and before long they're in a haunted house.
Every comedy duo, at some point in their career, had to face horror elements. Laurel and Hardy. Abbott and Costello. Dean and Martin got their chance here in this remake of the 1940 Bob Hope film THE GHOST BREAKERS. For my money this isn't a very good movie and I thought it fell well short of that 1940 movie on a variety of levels but the biggest is the fact that there's really no story here.
We're basically introduced to the two men, we see them get in trouble with the gangsters, there's a romance between Martin and Scott and then we get to the horror elements. The problem is that the lack of story means that the 107-minute running time really drags to the point where I was bored out of my mind. Even worse is the fact that the story was so weak that it wouldn't have supported a sixty-minute movie from Monogram let alone something this long. For the life of me I couldn't understand why we were a hour into the picture and there still wasn't really anything going on.
As far as Martin and Lewis go, both are in fine shape playing the type of characters they were well familiar with. Lewis is that obnoxious clown who can't get out of trouble and often finds himself turning one bad situation into something worst. Martin gets to sing a couple numbers and do his romance thing and for the most part he's one of the highlights of the film. As for Scott, I personally found her to be a bit too bland in the part and there just wasn't any spark between her and Martin. There's a great cameo at the end but I won't spoil it for people.
SCARED STIFF is a pretty bland movie that has a few funny moments but certainly not enough to keep the running time from dragging on and on.
** (out of 4)
Nightclub singer Larry Todd (Dean Martin) and busboy Myron Mertz (Jerry Lewis) find themselves being hunted down by a gangster after they witnessed a murder. With the help of Mary (Lizaebth Scott) the two are able to get on board a cruise ship where they land in Cuba and before long they're in a haunted house.
Every comedy duo, at some point in their career, had to face horror elements. Laurel and Hardy. Abbott and Costello. Dean and Martin got their chance here in this remake of the 1940 Bob Hope film THE GHOST BREAKERS. For my money this isn't a very good movie and I thought it fell well short of that 1940 movie on a variety of levels but the biggest is the fact that there's really no story here.
We're basically introduced to the two men, we see them get in trouble with the gangsters, there's a romance between Martin and Scott and then we get to the horror elements. The problem is that the lack of story means that the 107-minute running time really drags to the point where I was bored out of my mind. Even worse is the fact that the story was so weak that it wouldn't have supported a sixty-minute movie from Monogram let alone something this long. For the life of me I couldn't understand why we were a hour into the picture and there still wasn't really anything going on.
As far as Martin and Lewis go, both are in fine shape playing the type of characters they were well familiar with. Lewis is that obnoxious clown who can't get out of trouble and often finds himself turning one bad situation into something worst. Martin gets to sing a couple numbers and do his romance thing and for the most part he's one of the highlights of the film. As for Scott, I personally found her to be a bit too bland in the part and there just wasn't any spark between her and Martin. There's a great cameo at the end but I won't spoil it for people.
SCARED STIFF is a pretty bland movie that has a few funny moments but certainly not enough to keep the running time from dragging on and on.
A decade and a half earlier, Bob Hope made "Ghostbreakers"--an amiable little comedy. Now with "Scared Stiff" Martin & Lewis take their stab at remaking the film. As usual, Dean plays a lounge singer, Larry, though his character isn't the usual selfish guy he often played in their films. Jerry plays Myron, a clumsy (what else?) waiter. The pair end up running away from the nightclub where they work for two big reasons--Rosie (Dorothy Malone) keeps making eyes at Larry and her boyfriend is the VERY jealous and dangerous sort AND Larry thinks that he's killed a man! While on the run, they meet up with nice girl Mary (Lizabeth Scott) and they accompany her to an island she just inherited--Lost Island which is off the Cuban coast. Naturally, the place is supposedly haunted and zombies muck about the place.
This one works better than most Martin & Lewis films because horror is a very good theme for comedians of the day. In addition to Hope's "Ghostbreakers", Abbott & Costello had their best film with "Abbott & Costello Meet Frankenstein"....and their other horror outings were better than average. An amiable film worth your time and a decent match to the team's talents.
This one works better than most Martin & Lewis films because horror is a very good theme for comedians of the day. In addition to Hope's "Ghostbreakers", Abbott & Costello had their best film with "Abbott & Costello Meet Frankenstein"....and their other horror outings were better than average. An amiable film worth your time and a decent match to the team's talents.
I'm a Jerry Lewis fan and I think Bob Hope's «The Ghost Breakers» (1940) was technically way ahead of its time as a funny/scary Old Dark House comedy. This thirteen-years-later remake feels like it was hatched together as a quickie Martin-Lewis vehicle in the «scary» mode (they made four films that year). It reuses the same director (George Marshall), most of the dialogue, most of the situations, most of the special effects, all the stock footage and even one song from the original. The sets have also been recreated and the jokes «updated». If the remake works at all, it is due to the extreme quality and originality of the first film. Comedy writer Norman Lear (of TV fame) did his best in adapting the Bob Hope/Willie Best routine to the particular talents of Dean Martin and Jerry Lewis.
Where the story starts to creak though is in the scary scenes. They have lost their suspense and mystery and that undefinable mix of editing, timing, lighting, photography, acting, pacing and music called «atmosphere», which «The Ghost Breakers» had in spades.
The casting is also lacking: Lizabeth Scott is no Paulette Goddard. She may look good in a bathing suit but her comedy is stilted, her romantic moods are too entranced and her dramatics don't convince. William Ching is no Richard Carlson, Paul Marion is no Anthony Quinn and George Dolenz is no Paul Lukas either. The zombie character is also a special disappointment all its own. Out of a misguided sense of political correctness, the original Black zombie (Noble Johnson) has been replaced by a nondescript White (!) cowboy villain (!!) (Jack Lambert) who actually looks like an ordinary Joe (!!!) without makeup (!!!!) from a distance. His entrance actually causes crickets to start chirping.
All in all, I appreciate this film as a kind of homage to the original, for its numerous Jerry Lewis set pieces, in which he exhibits a supreme self-confidence, and for the Dean Martin songs - despite the near-obscenity of the «Enchilada Man» number (you can imagine but don't ask!)... The less said about the Carmen Miranda numbers the better (this was her last film).
Where the story starts to creak though is in the scary scenes. They have lost their suspense and mystery and that undefinable mix of editing, timing, lighting, photography, acting, pacing and music called «atmosphere», which «The Ghost Breakers» had in spades.
The casting is also lacking: Lizabeth Scott is no Paulette Goddard. She may look good in a bathing suit but her comedy is stilted, her romantic moods are too entranced and her dramatics don't convince. William Ching is no Richard Carlson, Paul Marion is no Anthony Quinn and George Dolenz is no Paul Lukas either. The zombie character is also a special disappointment all its own. Out of a misguided sense of political correctness, the original Black zombie (Noble Johnson) has been replaced by a nondescript White (!) cowboy villain (!!) (Jack Lambert) who actually looks like an ordinary Joe (!!!) without makeup (!!!!) from a distance. His entrance actually causes crickets to start chirping.
All in all, I appreciate this film as a kind of homage to the original, for its numerous Jerry Lewis set pieces, in which he exhibits a supreme self-confidence, and for the Dean Martin songs - despite the near-obscenity of the «Enchilada Man» number (you can imagine but don't ask!)... The less said about the Carmen Miranda numbers the better (this was her last film).
10gerry-88
I know its now the 22nd of May 2006, but this film sticks in my memory. I first saw the great Comedy team Dean & Jerry way back in 1953 and this was the film I watched one rainy afternoon in a town called Walsall in Staffordshire, England. I was playing truant from school actually. But I remember laughing so much at Jerry Lewis that I was almost weeping. The film is a re-make of the Bob Hope vehicle The Ghost Breakers (1940) and even uses the same sets. The antics of the two are brilliant, and the business they work together is truly UNIQUE. I think that Jerry and Dean were the funniest of the teams of that era. I suppose that's why they were the highest paid duo in the world! Jerry wrote a lot of the visual gags, the scene where he is stuck in the trunk, and comes out doubled over, and the scenes in the Haunted castle with Jack Lambert as THE ZOMBIE likewise brilliant. Dean was a great foil for Jerry and Jerry was a great stooge for Dean. As I write Dean has gone, but Jerry is still with us at 80 years of age. Superb Film, superb and clean comedy. I recommend SCARED STIFF to you all.
An authentic recital of these two great showmen in the Fifties. A nightclub showman : Dean Martin , and his colleague , a former botcher waiter : Jerry Lewis freeing a murder charge , going from New York to Cuba accompanying a rich heiress . This beautiful woman is named Mary Carter : Lizabeth Scott who has inherited her family's ancestral mansion on a small island of Cuba and decides to take possession .The three enter at the haunted house to find a lot of surprises as gangsters , ghosts and eventually hunting for a hidden treasure . They are making a spook-tacle of themselves ! They are funnier than ever on the Giant Panoramic Screen with Stereophonic Sound ! .
Fun and attractive comedy with humor , tongue-in-cheek, musical numbers and loads of entertainment and amusement, incliuing final cameos from Bing Crosby , Bob Hope . Close remake of Ghost Breakers 1940 with Paulette Goddard , Bob Hope and Scared stiff 1945 with Jack Haley , Anne Savage, taking parts here of there of these films . It you love Jerry Lewis this is a real vehicle as the extremely funny impersonation of Carmen Miranda , his game with a doppleganger at a mirror , his confrontation with menacing ghosts , zombies , armor, and anything else . This is one of the first and best appearances by the great Jerry Lewis , following a long career full of successes, such as : "3 Ring Circus , Artists and models, Hollywood or bust , Pardners , The Delicate Delinquent , The Geisha Boy , Cinderella , The Bellboy , The Ladies Man, The Nutty Professor , The Disorderly Orderly , The Parsy , The Family Jewels , The Big Mouth , Which Way to the Front ? , The King of Comedy" , and several others .
The motion picture was well directed by George Marshall , providing an amusing and entertaining film. Marshall was a prolific Hollywood professional who had a notable career including a large number of films such as : "Destry rides again , Off limits , Perils of Paulina , Goldwyn Follies , Texas , Pot O'Gold , Pack Up your Troubles , Papa's condition delicate , How the West was won , and some Laurel and Hardy vehicles" , among others . Rating 7/10 . Better than average . The movie will appeal to Jerry Lewis and Dean Martin fans .
Fun and attractive comedy with humor , tongue-in-cheek, musical numbers and loads of entertainment and amusement, incliuing final cameos from Bing Crosby , Bob Hope . Close remake of Ghost Breakers 1940 with Paulette Goddard , Bob Hope and Scared stiff 1945 with Jack Haley , Anne Savage, taking parts here of there of these films . It you love Jerry Lewis this is a real vehicle as the extremely funny impersonation of Carmen Miranda , his game with a doppleganger at a mirror , his confrontation with menacing ghosts , zombies , armor, and anything else . This is one of the first and best appearances by the great Jerry Lewis , following a long career full of successes, such as : "3 Ring Circus , Artists and models, Hollywood or bust , Pardners , The Delicate Delinquent , The Geisha Boy , Cinderella , The Bellboy , The Ladies Man, The Nutty Professor , The Disorderly Orderly , The Parsy , The Family Jewels , The Big Mouth , Which Way to the Front ? , The King of Comedy" , and several others .
The motion picture was well directed by George Marshall , providing an amusing and entertaining film. Marshall was a prolific Hollywood professional who had a notable career including a large number of films such as : "Destry rides again , Off limits , Perils of Paulina , Goldwyn Follies , Texas , Pot O'Gold , Pack Up your Troubles , Papa's condition delicate , How the West was won , and some Laurel and Hardy vehicles" , among others . Rating 7/10 . Better than average . The movie will appeal to Jerry Lewis and Dean Martin fans .
Le saviez-vous
- AnecdotesFinal film of Carmen Miranda.
- GaffesAt the club Mary receives a note from Larry that he can't make the date, she writes on (what looks like a show bill) three words (two on top line one on bottom) quickly scrawled but when we see a close up its written very clearly it reads: "Forgive me for running away-"
- Citations
Larry Todd: Look, I'll save you a lot of time: I'm a ghostbuster.
Mr. Cortega: A what?
Larry Todd: Why you've heard of trustbusters, and bronco busters, and gangbusters? Well I'm a ghostbuster. So watch it, Buster.
- ConnexionsEdited into Gay, Gay Hollywood (1980)
- Bandes originalesI Don't Care If the Sun Don't Shine
(uncredited)
Words and music by Mack David
Sung by Dean Martin with chorus girls
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- How long is Scared Stiff?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Tu trembles carcasse
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 48min(108 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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