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6,1/10
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Ajouter une intrigue dans votre langueIn Tulsa, after a rancher dies during a feud with a major oil company, his daughter, driven by revenge, starts digging for oil herself.In Tulsa, after a rancher dies during a feud with a major oil company, his daughter, driven by revenge, starts digging for oil herself.In Tulsa, after a rancher dies during a feud with a major oil company, his daughter, driven by revenge, starts digging for oil herself.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 3 victoires et 1 nomination au total
Pedro Armendáriz
- Jim Redbird
- (as Pedro Armendariz)
Ed Begley
- John J. 'Johnny' Brady
- (as Edward Begley)
Lola Albright
- Candy Williams
- (non crédité)
Leon Alton
- Gambling Casino Patron
- (non crédité)
William Bailey
- Party Guest
- (non crédité)
George Barrows
- Barfly
- (non crédité)
Paul Bradley
- Party Guest
- (non crédité)
Chet Brandenburg
- Waiter
- (non crédité)
Charles D. Brown
- Judge McKay
- (non crédité)
Paul E. Burns
- Tooley
- (non crédité)
Lane Chandler
- Mr. Kelly
- (non crédité)
Iron Eyes Cody
- Osage Indian
- (non crédité)
Avis à la une
In the early 1920's there was the inevitable clash between the cattle ranchers and the burgeoning oil drillers in Oklahoma. This account of that clash, filmed in color, is fast moving and interesting. It revolves around Susan Hayward's character, and Hayward is marvelous as always, and how she has to learn to adapt to the inevitable changes being wrought by the explosion of oil money. The climactic oil field fire is well done indeed. Recommended.
Susan Hayward is perfectly cast as Cherokee "Cherry" Lansing, a cattle rancher's daughter in 1920s Oklahoma with a need to succeed. She lucks into land leases which are ripe for wildcat oil-drilling, quickly taking on her benefactor's professor son as a partner to combat her main competitor, a wealthy oil baron who owns the land neighboring hers. Brawling, robust tale filmed in rich Technicolor, skillfully written by Curtis Kenyon and Frank Nugent and tightly directed by Stuart Heisler. Hayward is backed solidly by a fine supporting cast, including Robert Preston in a Rhett Butler mustache and Pedro Armendáriz as an Indian kindred spirit whose friendship comes to mean everything in the end. Some of the comedic overtures are corny, and the noisy climax goes on too long; otherwise, an engrossing, entertaining, well-oiled mix of history, romance, ambition, and pride. **1/2 from ****
Susan Hayward doesn't back down when it comes to protecting what is hers. Her character is embroiled in the early wars between wildcat oil drillers and cattle ranchers in Oklahoma. A pretty fast paced movie that stays busy. The oil field fire is a tremendous sight. Chill Wills, Robert Preston and Ed Begley round out the super cast.
Tulsa, Oklahoma is an oil boom town. Cherokee Lansing (Susan Hayward) is a wild daughter to her loving rancher father. His cattle are getting killed by the oil. He goes to a Tanner Petroleum Corp well about the pollution. He is killed by an explosive gusher. Cherokee vows revenge on Bruce Tanner (Lloyd Gough) who refuses to pay for the cattle, let along for her father's death. She starts her own wells with the help of geologist book expert Brad Brady (Robert Preston) and childhood native friend Jim Redbird (Pedro Armendáriz). They want to drill environmentally with fewer wells but they face opposition from Tanner. Cherokee refuse to drill less than Tanner but Jim doesn't go along. Her ambition soon takes over and she wants to build more wells on Jim's property. Jim revolts and sets the wells on fire.
It's mostly a weak movie with the exception of Susan Hayward. She really shows her star persona. The oil well work is interesting. It's a big oil romantic melodrama. The movie is passable and then the place blows up. The fire is quite impressive. The special effects are a solid mix of miniatures, rear projections, real stunts and explosions.
It's mostly a weak movie with the exception of Susan Hayward. She really shows her star persona. The oil well work is interesting. It's a big oil romantic melodrama. The movie is passable and then the place blows up. The fire is quite impressive. The special effects are a solid mix of miniatures, rear projections, real stunts and explosions.
I had no preconceived notion of this film, but it was on a 4 movie DVD set I bought for another movie in the set. Popped it on, and was I surprised. This movie is VERY good. Nicely photographed in color, NEVER boring, well written with a doozy of a disaster at the end that is quite impressive using 1949 special effects. Film concerns the boom town of Tulsa in 1920's and the greed of people and overproduction of oil wells, infringing on the farmers land and poisoning the waterways killing the cattle herds. Nicest bit of the film was the conservation angle about too much oil in boom times ruins the land for the future when they dry up. Good movie.
Le saviez-vous
- AnecdotesAside from a few quick shots of downtown landmarks, none of this movie was actually filmed in Tulsa. Most of the location work took place on the 10,000-acre ranch of Oklahoma Gov. Roy J. Turner in the town of Sulphur, 145 miles from Tulsa.
- GaffesAlthough the bulk of the story takes place in the early to mid-1920's, all of Susan Hayward's and Lola Albright's hairstyles and clothing, as well as those of the other female members of the cast, are strictly 1948.
- Citations
Jim Redbird: [to Cherry Lansing] I don't think your father would like to see you smeared with oil!
- Crédits fousOpening Card: To the governor and the people of Oklahoma our grateful appreciation for their splendid cooperation in the production of this motion picture.
- ConnexionsEdited into Le choc des mondes (1951)
Meilleurs choix
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- How long is Tulsa?Alimenté par Alexa
Détails
Box-office
- Budget
- 1 158 035 $US (estimé)
- Durée1 heure 30 minutes
- Rapport de forme
- 1.37 : 1
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