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The Man in Black

  • 1950
  • 1h 20min
NOTE IMDb
5,9/10
354
MA NOTE
The Man in Black (1950)
Thriller

Ajouter une intrigue dans votre langueA yogi seemingly dies while simulating death and his evil second wife, and her daughter, try to force his daughter into insanity for control of his estate.A yogi seemingly dies while simulating death and his evil second wife, and her daughter, try to force his daughter into insanity for control of his estate.A yogi seemingly dies while simulating death and his evil second wife, and her daughter, try to force his daughter into insanity for control of his estate.

  • Réalisation
    • Francis Searle
  • Scénario
    • John Dickson Carr
    • John Gilling
    • Francis Searle
  • Casting principal
    • Betty Ann Davies
    • Sheila Burrell
    • Sidney James
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,9/10
    354
    MA NOTE
    • Réalisation
      • Francis Searle
    • Scénario
      • John Dickson Carr
      • John Gilling
      • Francis Searle
    • Casting principal
      • Betty Ann Davies
      • Sheila Burrell
      • Sidney James
    • 15avis d'utilisateurs
    • 4avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos30

    Voir l'affiche
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    + 24
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    Rôles principaux11

    Modifier
    Betty Ann Davies
    Betty Ann Davies
    • Bertha Clavering
    Sheila Burrell
    Sheila Burrell
    • Janice
    Sidney James
    Sidney James
    • Henry Clavering…
    Anthony Forwood
    Anthony Forwood
    • Victor Harrington
    Hazel Penwarden
    • Joan Clavering
    Valentine Dyall
    Valentine Dyall
    • The Man in Black - Story-Teller
    Courtney Hope
    • Mrs. Carter
    Mollie Palmer
    • Elsie
    Laurence Baskcomb
    • Sandford
    Gerald Case
    • Doctor
    David Keir
    • Removal Man
    • (non crédité)
    • Réalisation
      • Francis Searle
    • Scénario
      • John Dickson Carr
      • John Gilling
      • Francis Searle
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs15

    5,9354
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    9
    10

    Avis à la une

    7clanciai

    A poor heiress exposed at the mercy of a beautiful stepmother and her vicious daughter

    This is a chamber drama of a family, as a rich dying father leaves everything to his only daughter, who is beset by her stepmother and her daughter (who then isn't even her half-sister), who of course are interested in the inheritance, as the father only leaves them morsels. The intrigue is how they will go about it, and their method is very similar to that of "Gaslight". There is an old servant of the manor, usuallly drunk, however, whom they don't bother to count with, which is their mistake. They don't get any help either from the opportunist wooer, who thinks it will be easy to marry the heiress for her money, even though he accidentally succeeds in killing the old drunk. The whole thing gets increasingly messed up, and the greedy ladies gradually lose control of what is happening. But it is a very intelligent intrigue, all the absurd turnings of the tale are quite logical when you analyse them, but it could have been made a so much better film. As it is, it is too much condensed, which makes it superficial. A man like Hitchcock would have been needed to film a drama like this, he wouldn't have missed the opportunity for suspense and surprise, but taken better care of the vital crucial moments.
    7LeonLouisRicci

    ABOVE AVERAGE FOR TYPE...EARLY HAMMER BORROWING FROM POPULAR BBC RADIO

    Stealing From Radio was a Common Occurrence in the Movies and Television.

    This Early Hammer Studios Rendition of a Popular BBC Radio Series is Very Well Done with Excellent Costumes, Make-Up, Acting, and Sets.

    The Studio seems to be Firing on All Cylinders with this Effort.

    It is a Harbinger of the Style and Success that Hammer would be come Known for After its Break-Through in the Mid 50's.

    The Acting is Above Average for this Type of Thing.

    And the Snappy Script Keeps Things Hopping and the Two Females that "Gaslight" are Creepy and Loathsome.

    Sidney James has a Dual Role.

    The Ending is a one of Surprise.

    But some may Find it was Telegraphed in the First-Act.

    One of the Better of its Type. Worth a Watch to See Early Hammer at Work and for the Overall Production that is Above Average.
    6henry8-3

    The Man in Black

    Based on the extremely popular BBC radio series from the thirties and forties, The Man in Black played by famously spooky voiced Valentine Dyall introduces the story. Yogi follower Sid James dies in his country pile leaving his fortune to his daughter. His wife looks for ways of disinheriting her through having her committed or worse.

    Whilst you can quite easily see roughly what is going on here right from the start and it is all a bit twin set and pearls, there is much to enjoy here and a number of twists and turns to keep you guessing. It's an early Hammer film and its radio origins do rather betray it, but it makes for a pleasant hour and a half and nice to Sid James in a straight role for once.
    7adaptor

    Surprisingly engaging

    Great old-school psychological thriller. The story has some nice twists and turns, as well as some plot elements that are familiar, even for the time. It's a fun watch and the three leading ladies carry the show.
    5southdavid

    Load of Cobblers Pose.

    Another movie watched ahead of the "House of Hammer" podcast related to it. Another adaptation of a BBC radio series into a film. Another one where I come away a bit disappointed by the end product, despite it seeming like a decent premise.

    With his health failing, Henry Clavering (Sid James) has turned to Yoga to ease his stresses. During a demonstration one night, a falling painting startles him, causing him seemingly to die. With Henry's inheritance falling to his daughter Joan (Hazel Penwarden), his scheming second wife Bertha (Betty Ann Davies) arrives at a plan to convince the fragile Joan that her mind his failing and that Bertha would be better placed to look after their affairs. Bertha's plan is complicated by the arrival of Victor (Anthony Forwood) fiancé of Bertha's daughter Janice (Sheila Burrell) who starts to wonder if the newly minted Joan might make a better bet.

    I liked the performances in this one, particularly from what turns out to be the central double act of Bertha and Janice. They bicker back and forth, and the films funniest moment comes from them. The film is not meant to be funny though, despite Sid James presence. Smoking and murder are the order of the day here. This is probably the best-looking film we've seen from Hammer so far and, despite some incongruous music choices the audio recording is solid too.

    But the story is too busy for me. I just want to see Bertha try and gaslight Joan and for "Hodson" to try and rescue her. Victor ends up coming in and setting up a side plot that just complicates matters and the film moves away from the focus it should have. Bertha's scheme seems to involve opening a door and moving a photograph, good early steps but more time should have been spent there trying to convince her of her failing faculties. Speaking of Hodson, there is a reveal involving him that I wonder if might have caught more people unaware in 1950, whereas to 2022 eyes it's apparent from the first moment you see him. I also don't really see what the "Man in Black" aspect added to it, other than presumably to capitalise on the popular radio series, as the film doesn't need a narrator and the way he's tied into this doesn't really make sense.

    It's not the worst film I've watched for the podcast, but not the best either and the slow plot and obvious twist mean I don't think there's much for a 21st century audience.

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    Thriller

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    • Anecdotes
      Hazel Penwarden receives an "introducing" credit.

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    Détails

    Modifier
    • Date de sortie
      • janvier 1950 (Royaume-Uni)
    • Pays d’origine
      • Royaume-Uni
    • Langue
      • Anglais
    • Lieux de tournage
      • Oakley Court, Windsor Road, Oakley Green, Windsor, Berkshire, Angleterre, Royaume-Uni(Studio)
    • Société de production
      • Hammer Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 20min(80 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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