Lady in the Fog

In the thick fog of a London night a man is deliberately run over by a car driven by a woman: he was Denny McMara. The police classify it as an hit-and-run accident, but the young Heather, Danny's sister - basing on her own "intuition", but lacking of evidence -, is convinced it was a murder. An American magazine writer, Philip O'Dell, mainly motivated by the sex appeal of Heather, wants to help her prove her point, though Scotland Yard's inspector Rigby warns him not to mix, as an amateur private eye, with the sound investigation routine of the police.

But O'Dell, little by little, manages to uncover a ring of 4/5 people that would have had interest in killing Danny, their motive, and even the actual murderer. The problem is that every evidence he finds happen to be destroyed before he can show it to the Yard's inspector. At the end Rigby himself congratulates with O'Dell for solving the mystery: and we don't know why, because all the members of the gang are dead, by now, so the eventual evidence in the end is as feeble as it was in the beginning.

Quite cumbersome and totally predictable film, in whose plot nothing new happens; to make it worse, the comic traits are just laughable (ironically), not amusing.

O'Dell and Heather, at the end, of course, marry, which doesn't make the film any better, on the contrary...

Lady in the Fog also known as Scotland Yard Inspector is a low budget British quota quickie. An early effort from Hammer as it adapted a BBC radio serial

American actor Cesar Romero plays Phil O'Dell. A writer stuck in London.

He comes to the aid of Heather McMara, whose brother Danny was run over on a nightime road in the fog.

It seems Danny might have been involved in a blackmail plot involving an actress and a film producer.

It all harked back to a garage fire several years earlier that led to the the death of a man.

There is a little bit of everything here. Mystery, comedy, a love interest, a strange man locked in an asylum.

The plot is plodding and not always coherent. Romero makes it all so watchable.

Who is Margaret? What happened to her? She just vanished. That's the mystery here, and for all accounts, of all who knew her, she is irrevocably lost and can't be found ever again. She vanished in some fire before the war (13 years ago) with several casualties in some work shop for exclusive technical instruments outside London somewhere, when beautiful Bernadette O'Farrell happens to meet Cesar Romero (as a journalist on a brief visit from America) at a bar where he is mixing an explosive cocktail, whch actually explodes like a bomb. That's just one of a number of comic curiosities in this film, which turn up every now and then. There is a film studio also with a great famous film producer with a sense of humour constantly laughing, but eventually he stops that when he needs a few more drinks (Geoffrey Keen, for once not a police inspector). The grand finale is in that film studio, somewhat reminding of other similar finales in great thrillers, like for instance "The Intimate Stranger" with Richard Baseheart and "Charade" with Cary Grant and Audrey Hepburn, but this was ten years before that. The problem with Bernadette O'Farrell is that her brother has just been killed in a car accident (as someone drove him over in the fog), and she knows it was not an accident, while she has no evidence. Cesar Romero gets as interested in this as in her, and they start examing and digging up graveyards, figuratively speaking, and eventually locate a murder committed 13 years ago. There are some scenes in an asylum where an ingenious inventor is kept locked up, the asylum telling all who ask for him that he is dead, which Cesar Romero eventually finds out he isn't. There are some intriguing reminiscences here of James Hilton and his "Random Harvest", to some degree probably inspired by that ace of a story, and so the intrigues go rolling on. It's a great thriller on a small scale and quite exciting and captivating enough to keep your interest up all the way. Finally the mystery of Margaret is resolved, as she proves to be the lady in the fog.

(Some Spoilers) Suave and handsome Cesar Romaro as American journalist Phil O'Dell has his hands full in "Lady in the Fog" in both charming the ladies and jumping out of windows as he solves a murder case that's 13 years old. In fact nobody knew it was a murder until Phil got wise to it.

All this started when Danny McMara,Richard Johnson, was purposely run down in the fog one evening by a mysterious lady friend of his. Danny's sister Heather, Bernadette O'Farrell, just happened to be Phil's girlfriend who took it upon himself to solve her brother death in what everyone at the time, including Scotland Yard, thought was just a tragic accident. Getting worked over by this shadowy thug Connors, Reed De Rover,a number of times and almost being arrested by the London Police for interfering in their investigation of Danny McMara's death Phil eventually gets to the bottom to why Danny was murdered and who was behind it.

It turns out that Danny had uncovered the murder of this inventor that took place in 1939 that was made to look, by his killers, to be an accident. The inventor died when his laboratory caught fire in a freak accident. Danny getting too close to the truth and at the same time blackmailing the killers ended up himself being murdered, that was made to look like an accident, by one of those whom he unknowingly, his girlfriend, was blackmailing!

Phil, on a tip he got, getting inside the Glenhaven Sanitarium finds the only person-the nutty as a fruitcake-Martain Sorrowby, Llyod Lamble, who knows the truth about that 1939 covered-up arson murder. Sorrowby, who's mind is completely lost in Ga-Ga land, can lead Phil to not only the truth behind the unidentified inventors murder but at the same time the murder of Danny McMara. Just as Phil was about to get Scotland Yard inspector Rigby, Campbell Singer, to come over to Gleanhaven to interview Sorrowby he, like Danny, died in a suspicious car accident just outside the sanitarium.

Realizing just what he got himself into Phil together with Heather track down Danny's killers but not before Heather, who had no idea whom she was dealing with, almost ended up getting murdered herself by someone, a friend of her's and Danny's, that she thought that she knew, and trusted, but really didn't!

Worth watching in that fact that that we see legendary Hollywood Latin Lover Cesar Romaro playing a Humphrey Bogart type private investigator. Getting belted by the bad guys all over the place Caser, or Phil O'Dell, still didn't lose his both good looks and sense of humor, he also has the best as well as last line in the movie, despite all the hits he took to the head and body, as well as his inflated ego, in the film.

Cesar Romero ("O'Dell") is a visiting American sitting in a bar in London making a drink that wouldn't have looked out of place in Merlin's laboratory. He and the barman are trying to encourage the sceptical "Peggy" (Lois Maxwell) to partake when a police man enters the bar to use the phone to report an hit and run accident outside. She is expecting her brother - could he be the victim? Well it turns out he was, and now she and "O'Dell" determine to find out whether or not it was an accident and to get to the bottom of things. The mystery element of this is all a little procedural, but there is a bit of chemistry between Romero and Maxwell; there is quite a fun sub-plot between the American and his travel agent "Boswell" (Frank Birch) who is trying to repatriate him despite a pea-soup fog at the airport, and Geoffrey Keen finds himself with a more substantial part to deliver as the suspicious "Hampden". The aforementioned fog and the creepy Ivor Slaney score also contribute well to this by-the-numbers, but quite passable crime-noir.