L'assassin sans visage

Interesting B movie starring William Lundigan and Dorothy Patrick about a police detective's search for a serial killer called "The Judge."

Gritty city scenes (although as one poster points out, it was probably an RKO set) enhance the atmosphere, and it's one of the things that makes "Follow Me Quietly" unusual.

Two more items of interest: A very exciting finale and the twist of having the police make a dummy model from everything they know about the perpetrator. In one scene, Lundigan is talking to the dummy's back, and it turns out to actually be the killer.

Lundigan was a good looking, poor man's Joel McCrea, perfect to be a detective in real life but not much of an actor. He doesn't exude much energy. Patrick, an attractive blonde, neither wildly glamorous or beautiful, gives a spirited performance as a tabloid reporter.

Normally lightweight William Lundigan is quite good as the hero cop of this quickie programmer. The rest of the cast is also quite good and the suspense remains high throughout. The plot is deceptively simple which is what makes the whole thing work in this atmospheric thriller. The only disappointment you'll have is that it's over so quickly.

I finally found this movie on video and enjoyed it immensely. I think the other reviewers are missing the point of this movie. They criticize the scene where the killer replaces a dummy of himself in the detective's office and no one notices the difference. This scene to me displays the imagination of the director, who went on to do "The Armored Car Robbery" and the original "Narrow Margin". These B movies are designed for entertainment, not for realism and beat the pants off of most of the junk put out today. So sit back and enjoy the ride!

Superb, little-known noir - from a story by Anthony Mann (reportedly, he even directed some of it)! - which is certainly Fleischer's best from the genre after THE NARROW MARGIN (1952). Although it took me a while to warm up to the two leads (especially William Lundigan, given his crucial role of an obsessive police detective who is virtually a mirror-image of the vicious killer, a concept done to death in subsequent thrillers), their relationship is nicely developed and the rest of the cast - particularly Jeff Corey as the hero's wise-cracking sidekick and Edwin Max as "The Judge", when finally unmasked (actually a meek little man, not unlike the Peter Lorre of M [1931]!) - also performs admirably.

However, where the film - a brisk, taut 60 minutes! - truly scores is in its brilliant direction of the suspense sequences: the startling revelatory zoom of the villain's blank-faced dummy is particularly striking, whereas the scene in which we realize that "The Judge" has effectively replaced the dummy in Lundigan's office is genuinely creepy; these two sequences, not to mention the 'look' of the dummy itself, uncannily predate the Italian giallo genre by about 15 years - and I just have to wonder whether Mario Bava had actually watched this film somewhere down the line, and was perhaps reminded of it, when making his own seminal thriller BLOOD AND BLACK LACE (1964)!! Besides, the climax by the huge water tanks is quite splendid, and rarely has the rain been so ominously used as in this film!

A classic of its kind and, in hindsight, an influential one which, hopefully, Warners will consider releasing on DVD soon - as it's actually better than some of the noirs which are out already or have been announced by them...

"Follow Me Quietly" is an atmospheric noir about a police detective on the hunt for a serial strangler.

The film's most memorable plot device is a dummy that the police department has made based on the limited information they've been able to capture about the killer. They know roughly his height, weight, hair color, the color of his suit, etc., and they construct a mannequin that approximates his appearance. They then wrangle up crooks and bring them into police lineups with the dummy to see if any of them look alike. It's actually pretty humorous and doesn't seem like the makings of crack detective work, but it does allow for some rather creepy scenes, and one in particular, when the police detective has an entire conversation with what he thinks is the mannequin, and which the audience finds out is the actual killer after the detective has left the room.

If you're a fan of rain-soaked streets and movies whose titles have nothing to do with what they're actually about, you'll like this one.

Grade: B+