Cinq heures de terreur

I found this movie fairly enjoyable -- A good escape. It does not have a sophisticated plot, but it is nonetheless captivating. I particularly liked the imagery and the feel of the movie, the "cold, damp England at night" look. As a railroad enthusiast, I really liked the early sequences involving the steam-powered freight.

Glenn Ford is a favorite and did well. Despite his lack of lines, I thoroughly enjoyed "Old Charlie" (Herbert C. Walton). I suspect that is what I will be like at his age...

Enjoyed this 1953 film starring Glenn Ford, (Major Peter Lyncort) and his wife Janine Lyncort, (Ann Vernon). This film starts off with the production of many Sea Mines being manufactured in a factory during war time in England and placed on a great number of flat bed freight cars and covered up with canvas coverings. As these mines are in the freight yard a man is discovered leaving under one of these mines and hits a railroad policemen and escapes. The railroad police notify the local police and state officials and they try to stop this train before it explodes and destroys an entire town. The authorities discover there is a man named Major Peter Lyncort who is a U.S. Army bomb expert and they contact him to see if he can dismantle any bomb that might be placed on the Sea Mine train. There is a family problem developing between Major Lyncort and his wife Janine Lyncort, (Ann Vernon) who wants to leave her husband because she finds him very boring and is unhappy with her marriage. There is some very tense moments in this film and there is also some very funny humor with a very old English gentlemen named Old Charlie, (Herbert Walton) who loves trains and just so happens to want to ride on the train load of mines, which makes for some great English humor. Great film and very entertaining.

When the story begins, a Constable finds a man up to no good a the rail yard. At first, he just assumes it's some hobo riding the rails, but after a scuffle they find detorators where he guy dropped them. Obviously, he was saboaging the munitions train. The problem is that it's a big train and there just isn't a lot of time to find the bomb before it explodes....if there is a bomb.

If happens that Peter (Glenn Ford) is a bomb disposal expert and he's nearby. So the police rush to get him to the train and evacuate the area why he does his work. What's next? See the film.

If you want a film with a lot of tension, this movie is a very good choice. While the plot is pretty simple and you have no idea why the bomber did what he did, the payoff at the end is there...and the film very well made.

"Terror on a Train" starts with a bomber (Victor Maddern) fighting it out with the british railway police, after planting a bomb and trying to escape the rail yard. Maurice Denham is "Warrilow", railway supervisor, who calls in Lyncort (Glenn Ford) to check it out. Ford had made a whole bunch of films since his crowning achievement GILDA in 1946. Good suspense thriller. Directed by Ted Tetzlaff, son of race-car driver slash stuntman Teddy Tetzlaff. had also directed Notorious and Talk of the Town, both awesome films, with Cary Grant. and Tetzlaff was oscar nominated for Talk of the Town.

I first saw this movie on July 2, 2019, and I was riveted to my seat from the opening sequence. Director Ted Tetzlaff, working in the UK with Glenn Ford (whose presence was the raison d'etre for the movie as an MGM British production), never lets up the tension from the opening confrontation between a uniformed police constable (John Horsley) and a seeming vagrant (Victor Maddern) in a railway yard. The script and story, by Kem Bennett, interweave several stories that end up interlocking, and watching it the other morning, I had to wonder if Arthur Hailey didn't see this movie on original release, because the interaction of human elements and suspense seem to point the way very much to books such as Airport (and yes, I know that Hailey had lots of inspirations along the way). Glenn Ford's marital difficulties with unhappy wife Anne Vernon are given just the right amount of play, when one takes into account her role in the subsequent plot, and his low-key acting is perfectly balanced by the presence of Maurice Denham as the coolly efficient (but quietly scared-to-death) police official in charge on the ground. And then there are the wonderful little uniquely British touches, such as Herbert C. Walton's performance as Charlie, a man who likes trains. There is only one plot flaw and a slight structural flaw in the run-up to the double-barreled finale, but I won't go into those here, as they're not that serious and talking about them would spoil the movie. This is one that I heartily wish were available as a mechanically manufactured DVD, rather than a Warner Archives DVD-R, because it rates the better treatment.