Vite fait, mal fait

The first of the Roadrunner cartoons sets things up nicely. We get to see some of the precious moments that will appear throughout their "careers." There are refrigerators, rockets, painted tunnels, and on and on. We also get to see the coyote stunned by the speed of the roadrunner when he sees him run for the first time.

Fast and Furry-ous is Chuck Jones' first cartoon starring the Road Runner and While E. Coyote. It was originally supposed to be a one-shot but there was so much demand that a sequel was made four years later which then became a series. Since this was the first one, I noticed a few differences. One, the backgrounds were more detailed than in subsequent ones. Also, when the bird sticks out his tongue a few times, you don't hear the sound effects that Treg Brown provided on later entries. And only once as the Coyote falls do you then see the ground from a sky-view before some smoke appears. Otherwise, there's the spot gags that are similar to other series entries like the scenery While E. paints over a rock formation that the Road Runner runs right through but the Coyote bumps into hard! And there's some Acme products, of course! Very funny first entry to a classic, if formulaic, series. By the way, Road Runner is described as Accellleratii Incredibus while the Coyote is Carnivorous Vulgaris.

Fast and Furry-ous (1949)

*** 1/2 (out of 4)

The first ever Coyote and Road Runner film turns out to be a very enjoyable one. As would become the norm, the Coyote is hungry and wanting to eat the Road Runner but he's simply not fast (or smart) enough to catch him. This first short has plenty of wonderful laughs as the violent action is constantly finding hilarious ways to injure the Coyote. One of my favorite gags in the film is when the Coyote pants the side of a mountain to appear like a road so that the Road Runner will kill himself by running into it but things don't work out as planned. Another funny jokes includes the Coyote making a ski machine to build up speed but of course this doesn't go as planned either. Director Jones was a fan of silent movies and that's easy to see with these shorts.

This is the very first Road Runner cartoon. Fresh and funny it was at the time, but after a while many of these toons began to resemble each other and it was impossible to tell them apart especially when they started recycling footage in the non Looney Tunes Rudy Larriva shorts of the 60s and 70s. It lessens the quality of the real Roadrunner cartoons of the time and it's a real shame considering how intelligent they were.

The formula (before it got tired) is the same as ever. Wile E. Coyote, is a starving desert dog, there doesn't seem to be much food around other than a cheeky Roadrunner so he uses everything at his disposal (and endless shoddy products from the Acme corporation) to catch the bird only for his plans to backfire.

Roadrunner is kind of met with a lot of criticism now with many moans of 'They are all the same'. While this is true now, the characters were only good as long as Chuck Jones and Co were in control. This being the first of many great Roadrunner shorts before it went downhill.

And I just love the sticking out tongue thing Roadrunner does.

Most of the Roadrunner and Wile E. Coyote cartoons are great fun to watch, although the series generally ran out of gas in the 60s. Fast and Furry-ous is their debut and to this day is still one of their best and funniest cartoons.

The animation is great, some of the best of the series in fact. The colours are beautiful and vibrant, the backgrounds are simple but still very detailed and attractive, the physical comedy is all tightly edited and the character designs, while more elaborate for Coyote here than with his later and more famous look, are very nicely done and smooth. Music is courtesy of the consistently brilliant Carl Stalling, it doesn't disappoint here and I prefer his livelier and more richly orchestrated scoring to that of Bill Lava's in the later cartoons.

Fast and Furry-ous is also incredibly funny, one of the funniest of the entire Roadrunner and Coyote cartoons and this is all with no dialogue at all. The physical comedy is impressively animated and is never less than amusing, at its best hilarious, while the sight gags are equally terrific, the highlight being the refrigerator gag, one of the most original, elaborate and ingenious gags of any of the Roadrunner and Coyote series. The painting-the-tunnel-on-the-stone-wall gag works well too, even if it was repeated numerous other times throughout the series, and the razor sharp pacing helps. Who can't help love the Oliver Hardy-esque looks into the camera too? The story avoids being too repetitive or formulaic and the fresh material, as well as that it's their first cartoon, helps give a sense of originality.

Both characters work great together. Roadrunner is one-dimensional, but amusing and never annoying, but it is Coyote who is the funnier and more interesting character. Cunning yet very easy to sympathise for and with priceless facial expressions, he's one of Chuck Jones' best creations. Overall, a wonderful cartoon in all regards, and one of the best of the Roadrunner and Wile E. Coyote cartoons. 10/10 Bethany Cox