Le Chari-vari du chat viré

Sylvester, minus Tweety Bird, is on vacation with Porky Pig. Porky is oblivious to danger as Sylvester saves him time after time from attacks by adversaries in a haunted hotel. Every time something bad happens, the cat gets the blame. It's a really good romp, full of funny "ghost" scenes.

Porky Pig and his loyal cat Sylvester move into a big scary looking house and Sylvester (who doesn't have any dialogue in this 'un) is instantly panicky and afraid. He's sure the house is over-run with homicidal mice, booby traps and ominous shadows. However Porky doesn't appear to be listening and insists Sylvester sleep in the kitchen and not beside him, where he feels more safe.

Sure enough, it's not long before the mice are poking at and prodding Sylvester with sharp objects or launching the poor kitty through windows. Despite repeated attempts, Porky will just not pay attention until he himself is kidnapped.

Now it's up to Sylvester to rescue him in an unusual role as the victim turned hero. You gotta love him, he's just so adorable.

It's easy to confuse this short with "Claws for Alarm" like I did.

Although not the more terrifying of the too this one really does not pull punches on its dark humor and the sequence of one life threatening trick after another narrowly avoided is very sinister.

It's a tremendously satisfying narrative of misunderstanding and redemption which is touching and funny.

In most cartoons starring Sylvester the Cat that are directed by Friz Freling or Robert McKimson, the pussycat is usually the aggressor who's after either Tweety or Hippity Hopper, the baby kangaroo mistaken for a giant mouse either by the red-nosed feline or his son, Sylvester, Jr. In Chuck Jones' Scaredy Cat, he's Porky Pig's mute pet who, despite many attempts of signaling his master of danger, gets admonished as being delusional since Porky always sees something different. This change of characterization is quite convincing in Jones' hands and he stages many scenes of mice about to carry another cat for execution quite atmospheric. The rodents look like Hubie and Bertie, by the way. Quite funny scenes of Porky just being nonchalant almost the whole way when weird things happen behind his back. The ending may be lost to modern audiences but Scaredy Cat is mostly successful in being spooky and highly amusing at the same time.

Chuck Jones's 'Scaredy Cat' is the best of the few pairings of Porky Pig and Sylvester. Casting Porky as Sylvester's owner (Sylvester is more cat-like than usual, remaining silent for the whole cartoon), 'Scaredy Cat' finds the pair moving into a spooky mansion which terrifies Sylvester from the outset. Rather than ghosts, however, the mansion is populated by murderous mice who ritually execute their victims. Somehow this makes 'Scaredy Cat' all the more frightening. And it is frightening! There are several morbid sequences including a scene of a cat being carted off to his death by a mousey executioner and a moment in which Sylvester attempts suicide rather than being sent out to face the vicious vermin alone. Most terrifying of all though, is an infamous sequence in which the mice take Sylvester to the basement. We never see what they do to him but he emerges nearly three hours later, a pale white zombie scared rigid by what he has experienced. It's a classic example of the human mind conjuring up far worse scenarios when the details are left to the imagination. All in all, 'Scaredy Cat' is an indelibly creepy and extremely well staged cartoon which relies on horror as much as laughs to achieve its impact.