Vite fait, mal fait

This short marks the first appearance by either Wile E. Coyote or The Road Runner on-screen. Wile E. is really the star here and a more interesting character, to be sure, but their relationship is really a symbiotic one. Without each other, neither would have had success in films. This short more or less sets the tone for the series: lots of sight gags and a probable increase in Wile E. insurance premiums, while his insurance agent lives on antacids and his agent checks on his remaining hit points with each accident. Most certainly a gem and worth watching. Recommended.

The first of the Roadrunner cartoons sets things up nicely. We get to see some of the precious moments that will appear throughout their "careers." There are refrigerators, rockets, painted tunnels, and on and on. We also get to see the coyote stunned by the speed of the roadrunner when he sees him run for the first time.

The Road Runner films form one of the most famous theatrical cartoon series ever. They are also some of the most hilarious in terms of visual comedy, and never get old. Though there is just a simple formula that is exploited throughout, and it is repetitive, it never goes bland. This also means no cartoon stands out, nothing particularly memorable. But this cartoon does shine brighter, not only because of its greatness as entertainment but because it was the debut of both stars, and the makers were not short of ideas. The usual facial expressions and high-quality - though slightly outlandish due to the early date - animation is combined with fresh and new gags, which were at the time not dated and only the cream of the crop of ideas were used. Highly recommended.

Fast and Furry-ous is Chuck Jones' first cartoon starring the Road Runner and While E. Coyote. It was originally supposed to be a one-shot but there was so much demand that a sequel was made four years later which then became a series. Since this was the first one, I noticed a few differences. One, the backgrounds were more detailed than in subsequent ones. Also, when the bird sticks out his tongue a few times, you don't hear the sound effects that Treg Brown provided on later entries. And only once as the Coyote falls do you then see the ground from a sky-view before some smoke appears. Otherwise, there's the spot gags that are similar to other series entries like the scenery While E. paints over a rock formation that the Road Runner runs right through but the Coyote bumps into hard! And there's some Acme products, of course! Very funny first entry to a classic, if formulaic, series. By the way, Road Runner is described as Accellleratii Incredibus while the Coyote is Carnivorous Vulgaris.

Most of the Roadrunner and Wile E. Coyote cartoons are great fun to watch, although the series generally ran out of gas in the 60s. Fast and Furry-ous is their debut and to this day is still one of their best and funniest cartoons.

The animation is great, some of the best of the series in fact. The colours are beautiful and vibrant, the backgrounds are simple but still very detailed and attractive, the physical comedy is all tightly edited and the character designs, while more elaborate for Coyote here than with his later and more famous look, are very nicely done and smooth. Music is courtesy of the consistently brilliant Carl Stalling, it doesn't disappoint here and I prefer his livelier and more richly orchestrated scoring to that of Bill Lava's in the later cartoons.

Fast and Furry-ous is also incredibly funny, one of the funniest of the entire Roadrunner and Coyote cartoons and this is all with no dialogue at all. The physical comedy is impressively animated and is never less than amusing, at its best hilarious, while the sight gags are equally terrific, the highlight being the refrigerator gag, one of the most original, elaborate and ingenious gags of any of the Roadrunner and Coyote series. The painting-the-tunnel-on-the-stone-wall gag works well too, even if it was repeated numerous other times throughout the series, and the razor sharp pacing helps. Who can't help love the Oliver Hardy-esque looks into the camera too? The story avoids being too repetitive or formulaic and the fresh material, as well as that it's their first cartoon, helps give a sense of originality.

Both characters work great together. Roadrunner is one-dimensional, but amusing and never annoying, but it is Coyote who is the funnier and more interesting character. Cunning yet very easy to sympathise for and with priceless facial expressions, he's one of Chuck Jones' best creations. Overall, a wonderful cartoon in all regards, and one of the best of the Roadrunner and Wile E. Coyote cartoons. 10/10 Bethany Cox