Le champion

This is a great movie. I rented it from the video store and expected an average boxing film, but instead I got a masterpiece. This movie is better than any boxing movie I've ever seen. The character is also very well constructed. Kirk Douglas really looks like he knows what he's doing in the training and boxing scenes. His acting in this is great and he doesn't overact. He is one of my all time favorite actors. Arthur Kennedy, another favorite of mine, is very good in this movie. Like in the part were he's yelling at Kirk Douglas telling him how his blood's gone cold. He tells Douglas he's worse than a murderer, he's a grave robber.

Midge Kelly does do a lot of wrong in this picture. He starts out as an o.k. guy and when he becomes a famous prizefighter and then champ he really changes. The money and fame goes to his head. He gets mixed up with a blonde too and steps on people to get to the top. He even gets rid of his manager Tommy, wonderfully played by Paul Stewart. He is always good in his supporting roles. The ones that come to mind are; The Bad and the Beautiful, King Creole and The Joe Louis Story. The actresses are good in this movie too and I think all three of them go good with Kirk Douglas. John Day is good as Johnny Dunne. He's always playing some tough guy or boxer. In Abbott and Costello Meet The Invisible Man he played fighter Rocky Hanlon. In Jailhouse Rock he played a tough guy that gets in to a brawl with Elvis Presley. In the Captain America serial he fist fights with Captain America.

My favorite parts in the movie are the opening scene when the fight announcer is introducing us to the champion. The announcer is played by Sam Balter. Balter seems to always be playing an announcer or commentator. In Abbott and Costello Meet the Invisible Man he plays the commentator for the fight. Sam Balter was a great choice for Champion. As you see Kirk Douglas walking into view you can tell just by looking at him that he's a champion. My second favorite part is the thrilling climax. I love every boxing scene in the movie too. If you want to see one of the greatest movies ever made see this movie.

Hollywood loves prize fighting stories. The films about this subject are too numerous to mention, but encompass nearly all decades and include "The Crowd Roars," "The Prizefighter and the Lady," "Golden Boy," "Humoresque," "Body and Soul," "The Harder They Fall," "Million Dollar Baby," "Raging Bull," "Cinderella Man" - I could go on and on.

"Champion" is the story of a prize fighter who makes it to the big time by stepping on those who care about him - also not a new topic for Hollywood. This film was the one that made Kirk Douglas a star, winning him an Oscar nomination. Like the character he plays here, Midge Kelly, Douglas was on his way to the top.

The story begins at the fight for the championship as Midge reflects on his life. The story is then told in flashback. At the last minute, with the promise of $50, Midge (real name Michael) steps into a prize fight. A manager thinks he has talent and gives Midge his card.

Midge and his lame brother Connie (Arthur Kennedy) make their way to Los Angeles, believing they have purchased an interest in a coffee shop there. When they arrive, they learn that their cousin has bilked them and someone else owns the place.

The owner gives them both a job and they both fall for the waitress there, Emma (Ruth Roman), the daughter of the owner. When dad catches Emma with Midge, he forces them to marry, after which Connie and Midge take off. They seek out the fight manager but by now, he is retired. However, Midge convinces him to take him as a client.

Along the way, Midge gets involved with a tough blond, Grace (Marilyn Maxwell), fires his manager and goes with someone else, dumps Grace for another woman (Lola Albright), spends money like water, and basically gets everyone to hate him.

Connie talks Emma into moving to Chicago and staying with Connie and Midge's mother who is ill; Midge of course never shows up until he learns she's dying. He then has his final confrontation with Emma, which gets ugly.

This is a dark, absorbing film - two brothers who deal with life very differently, one with anger and the other with gentleness. The focus is on Midge who as he rises higher and higher becomes colder and colder. Strangely, because we understand the genesis of his need for applause and power, we can't hate him, only feel pity.

Kirk Douglas, with his fantastic build, the tight jaw, the dimples and the cleft chin made an ideal movie star. Watching him at this age (32) you can see Michael's resemblance to him. Douglas' intense way of speaking and tense jaw have made him easily imitated for years.

Though his acting is sometimes dismissed today, he is very good, even if now he seems at times a little over the top. The style of acting has changed, that's all. He gives a very complete performance as Midge - passionate, tough, angry, and needy.

Arthur Kennedy, a more subtle actor and one much more appreciated even now, is wonderful as Connie. Young Ruth Roman does a good job as Emma but perhaps is too classy for the role.

Be advised one of the fights is particularly gruesome, and the director, Mark Robson, sought to give a realistic picture of the fight game using real announcers and referees.

Recommended as good drama, good early Kirk Douglas, and if you like boxing.

During the three years just following World War II, Kirk Douglas had completed seven feature films. He already had caught the attention of key motion picture executives, such as producer Hal Wallis. Success was gradually coming Douglas' way. But, with "Champion", like a sudden knockout punch, Douglas instantly achieved his lofty aim. In this low-budget film gem, populated by outstanding character portrayals, Kirk Douglas' performance as boxer Midge Kelly is the bravura centerpiece. Though the multi-textured character of Kelly, as created by Ring Lardner in his short story, lends itself to a strong performance, it is Douglas who lifts the character into the stratosphere. At age 33, and having been a wrestler while attending New York's St. Lawrence University a decade earlier, Douglas still possessed the phyical tools for this role. His work in the fight and training scenes are accurate and strongly believeable. But it is his performance as Midge Kelly the individual that is stunningly riveting. During "Champion", Douglas becomes the character until it is virtually impossible to separate actor and role. He eagerly assimilates Kelly's various nuances and attitudes. Passion has always been a Kirk Douglas hallmark. Never has he been so powerfully passionate as in this performance. Contemporary audiences may like to compare the screen work of son, Michael, with that of his father. But after seeing Kirk Douglas' unforgettable performance in "Champion", comparisons fade.

In his biography, "Ragman's Son," Douglas tells of watching a screening of "Champion" in the home of a studio mogul who had invited numerous people unknown to the actor...who himself was unknown to the guests. After the screening, Douglas relates, the guests---as one---turned back toward him with overwhelmed expressions. They now had a startled new knowledge of the young actor whose presence at the back of the room they only vaguely had acknowledged.

Joining Douglas, with excellent performances of their own, were Paul Stewart, Marilyn Maxwell, Luis Van Ruten, Ruth Roman, John Day, Arthur Kennedy and Lola Albright. Each was highly believeable.

Even if Carl Foreman's adaptation of Lardner's story was sometimes predictable, the combination of Douglas' volatile performance, and the high-calibre work of the supporting actors make "Champion" a mini-masterpiece.

Champion is a gritty boxing movie that is ahead of its time. A combination of Rocky and Raging Bull.

It features a bravura performance from Kirk Douglas as a drifter who graduated from the school of hard knocks.

Douglas plays Midge Kelly, a man who has had to fight all his life for a bit of respect. He has a permanent chip on his shoulder.

Midge and his brother Connie (Arthur Kennedy) who has a gammy leg go out west where they think they have a share in a diner. Along the way Midge fills in at a boxing match when one of the undercard is declared unfit to box.

When the ownership of the diner turns out to be a mirage, they work as waiters. Midge romances the boss's girl Emma (Ruth Roman) and is forced to marry her. Midge abandons her soon after and hooks up with manager Tommy Haley (Paul Stewart) who teaches Midge how to box.

Midge has a natural toughness and shows promise as a boxer. However his refusal to throw a fight causes consternation with a gambling syndicate.

In order to progress Midge abandons Tommy Haley and he soon becomes a world champion.

Douglas plays Midge as pig headed, amoral and uncompromising. He learns quickly from Tommy as to how to box. His brother Connie acts as his conscience.

Women like Grace Diamond and Palmer Harris are there for a good time and help him progress in the boxing game.

Kirk Douglas was Oscar nominated for his performance. He can certainly do the physical side, there is a training montage that would have inspired Rocky. Douglas also shows just how driven Midge is, it eventually becomes a win at all cost mentality. Yet more often than not, Midge remains charming albeit selfish.

Champion also displays the seedy underbelly of boxing. The gamblers who fix matches. Managers like Tommy who know they will be eventually discarded. Even some of the boxers hate it and want to be out of it.

Mark Robson's (`Bridges at Toko-Ri' `Von Ryan's Express' `Earthquake') 1949 fight film `Champion' is one of the best depictions ever filmed of the fight game. This film is more than just a movie about a boxer, or just another rags to riches/American dream story, but rather a deep character study of man driven to succeed at any cost.

The man is Midge Kelly played brilliantly by Kirk Douglas. Midge's trek from train hopping hobo to dishwasher to prize fighting champion is realistically portrayed in a style that is not unlike Kirk's son Michael's portrayal of Wall Street businessman Gordon Gekko in `Wall Street.' Family, friends, lovers all better steer clear of Midge as nothing is going to intimidate or stop him.

Two other actors are very worthy of mention here; Arthur Kennedy and Paul Stewart. The able Kennedy (`Cheyenne Autumn' `Lawrence of Arabia' `Nevada Smith') plays Midge's honest and idealistic brother, Connie. His role in `Champion' earned him one of his five Oscar nominations. Paul Stewart (`12 O'clock High' `Kiss Me Deadly' `The Joe Louis Story') does a great job of depicting Midge's first manager, Tommy Haley. Besides these two and Douglas I found most of the acting to be typical of the era, overdone.

Lastly, it should be noted that this film one won Oscar; the 1949 award for editing went to editor Harry Gerstad (who also won for `High Noon.') The brilliantly filmed fight scenes are cut in a manner that adds a lot of impact to what is going on in the ring and in the arena. It is safe to say that Martin Scorsese and his editor, Thelma Schoonmaker had seen this film a number of times and borrowed from Gerstad's fight scene editing techniques in `Raging Bull,' which is the one boxing film I would rate higher than `Champion.' Forget Rocky Balboa…remember Midge Kelly and Jake LaMotta.