La mousson

This film shows that if means is love, the end is life. If means is flirt, the end is death. If you face natural tragedy in love, you will finally unite. If you create a tragedy by yourselves, you will separate forever. The film's title 'Barsaat' is very appropriate as all main characters in the film cry in a specific time period. Also, Reshma is lost in river water which is filled by rain. The song 'Mujhe Kisi Se Pyaar Ho Gayaa' and 'Jiya Beqarar' are the most attractive songs. Shankar-Jaikishan have created their first best soundtrack in this movie. Nimmi had a huge role in the beginning of the film but Nargis overtook in the later part of the film. Both Raj Kapoor and PremNath have also done very well.

Barsaat (Rain) is an Indian Hindi-language film directed by Raj Kapoor and written by Ramanand Sagar. This movie stars Raj Kapoor as Pran, Nargis as Reshmna, Premnath as Gopal, and Nimmi as Neela. Gopal and Pran are best friends with diverse perspectives of love; this movie revolves around two love stories, Gopal and Neela, which could be considered one-sided, and Pran and Reshma, which is regarded as more natural and genuine. Honestly, this movie is so good, with great dialogues and superb acting, and includes all types of emotions that the audience can try to feel. The soundtrack is outstanding, along with addicting songs and addictive lyrics.

ONLY THE AGE OF 24 THIS RAJ KAPOOR WORK COMPLETE MOVIE LIKE OWN MOVIE DIRECTED , LEADING ACTOR , PRODUCER AND WRITTER THIS IS SPECTACULAR BLOCKBUSTERS IN INDIAN CINEMA INDUSTRY AT THAT TIME OF SINCE 1955-1965 THIS ONLY RAJ KAPOOR EARN HIGHEST GROWTH FROM RUSSIA AND INDIA ALSO , Raj kapoor outstanding superstar in Hindi cinema , called Showman , he Was done many blockbuster movies and collection across world 20lakh budget and 4cr collection 1.50cr from india , 2.5cr from Russia , this movie awara was superhit in russia many times till now , world level bollywood indian industry progress based on Raj kapoors idiology and thinking of growth he was done many many sucessfull blockbusters and superhits from since 1955-1980 like awara , shri 420 , Sangam , Barsat , anari, andaz , mera naam joker , jis desh me ganga behti he , ram teri ganga maili , satya shivam sundaram , bobby , chori chori.

Story: Senseless & Predictable The film tells two love stories: Pran and Reshma's true love, and Gopal and Neela's tumultuous relationship.

The story was predictable right from the interval. The story was unnecessary made emotional. In many parts the story didn't made any sense, just unnecessary overdramatic scenes. Story had a message of love over lust.

Screenplay: Overdramatic & Slow The screenplay was too sluggish, some scenes could be trimmed. The major drawback was too much amplification of senseless story. Some scenes had songs going together with story.

Characters: Average Reshma: She was a simple mountain girl who fell for Pran. She was shown very innocent who loved pran unconditionally.

Pran: He was a rich person who loved Reshma unconditionally.

Gopal: He was rich man who just wanted lust from women. As the film progressed his character changed.

Neelam: She was a mountain girl who was madly in love with Gopal. Her character was totally senseless & illogical.

Rest all characters were irrelevant.

Dialogues: Good

Performances: Good Raj kapoor: He did a fabulous performance especially dialogue delivery & expressions were superb.

Nargis: She did a impressive performance especially in emotional scenes aced in expressions.

Prem nath: He did a good performance.

Nimmi: She did her part well.

Rest all actors had a small role.

Direction: Good The direction was superb. Some scenes were shot beautifully.

Editing: Satisfactory

Music and BGM: Good All. Songs were melodious & BGM was superb.

Production value: To the point

Ideology: The writer aimed to convey the message that love triumphs over lust, but in doing so, some scenes were exaggerated and overly sentimental, while others lacked logical coherence. The narrative's emotional resonance was amplified at the expense of realism, resulting in an inconsistent viewing experience.

Final verdict: The film had a senseless story & sluggish overdramatic screenplay with good performances & dialogues to balance. Director had shot some beautiful locations along with melodious songs.

0.25- Story 0.25- Screenplay 1- Performances 0.25- Characters 0.25- Editing 0.5- Direction 1- Music and BGM 0.5- Production value.

Bollywood's greatest showman and legendary filmmaker Raj Kapoor started his own production house and his journey as a film director with Aag (1948). However he wanted to make a complete team of himself which could continue for years like a strong and well-coordinated unit and moreover like a family. He wanted it especially in terms of music because he put a heavy premium on the musical score of his movies. This team he could make with his second production as well as directorial venture - Barsaat (1949). With Barsaat, an aura of melodious music started in Bollywood whose nucleus was Raj Kapoor and his production house - R.K. Banner. Raj Kapoor's musical team included lyricists - Hasrat Jaipuri and Shailendra, music composers - Shankar Jaikishan and singers - Lata Mangeshkar and Mukesh. Starting from Barsaat, this music making team presented many great albums to the music lovers containing several immortal songs.

Barsaat (rain) tells the story of two friends - Pran (Raj Kapoor) who believes in true love and Gopal (Premnaath) who believes in 'enjoy and forget' philosophy. These two friends are roaming about countryside when they happen to meet two different girls. Pran falls for the charms of Reshma (Nargis) whereas Gopal comes across Neela (Nimmi). Pran decides to unite with Reshma against all odds but Gopal ignores Neela after returning to the city these two friends belong to. Neela keeps the flame of Gopal's love as burning in her heart while waiting for him in her small, old house situated on a hill. After a lot of sentimental drama, Pran is able to make Reshma his life partner whereas Gopal realizes the importance of true love in a man's life but he is able to come back to Neela only when it's too late.

The movie is very touching and a beautifully made one. Director Raj Kapoor had started demonstrating his skill in making heart-conquering love stories right from his debut venture - Aag. In this second venture of himself, he has gone a few steps farther and presented a mesmerizing love-soaked narrative which contains two different love stories - one with a happy ending and the other one being a tragedy. Different people have different perceptions of male-female love. The thinking patterns of different ones are bound to be different according to their upbringing and life-experiences. It was as true in that era of the forties as it is true today. Gopal of Barsaat does not believe in true love and feels that philandering with different females is the correct way of life until the eye-opening moment comes for him. It may happen with anybody. My knowledge about romantic love was also academic only until I got someone's true love for real.

This very well made movie written by Ramanand Saagar (who later on became a very famous movie and TV serial director in his own right) is very interesting and the narrative flows very well. The songs are too many but they do not irritate or bore. Instead they enhance the enjoyment of the viewer like anything just like the icing on a cake. The story meanders through many turns and reaches its heart-piercing climax impressively, leaving a throbbing in the heart of the viewer with the ending scene. I feel, Raj Kapoor could have avoided the tragic ending of the movie and substituted it with a happy ending. However it's to be admitted that despite appearing somewhat out of place, the tragic ending has made a greater impact than what would have been made by a happy ending for the love story of Gopal and Neela.

As said earlier, the biggest plus point of Barsaat is its music only. Music maestros joined hands for the first time under the stewardship of Raj Kapoor and created an aura which is everlasting. The movie opens with a beautiful song - Hawa Mein Udta Jaaye Mera Laal Dupatta Malmal Ka which has been picturized on a long forgotten actress - Vimla. Thereafter the whole movie is a treat for the music lovers from the side of the composers, the lyricists, the singers and above all, the legendary filmmaker Raj Kapoor. Jiya Beqaraar Hai Chhai Bahaar Hai, Barsaat Mein Humse Mile Tum Sajan Tumse Mile Hum, Mujhe Kisi Se Pyar Ho Gaya, Mera Aankhon Mein Bas Gaya Koi Re, Chhod Gaye Baalam Mujhe Haay Akela Chhod Gaye etc. etc. etc., there's a long musical river for the listeners to float on the waves of melodies. Barsaat's music is immortal and will continue to enchant the melody lovers for ages. The movie contains a foot-tapper also - Patli Kamar Hai Tirchhi Nazar Hai on which famous dancer Cuckoo has delivered a mesmerizing performance.

This black and white movie is technically superior. Almost everything is perfect or near perfect. The picturization of certain songs in the rain (being true to the title of the movie) is simply wonderful. Raj Kapoor believed in presenting the songs of his movies on the screen in the most beautiful manner possible, thus making the audience love to watch them again and again. Barsaat is a standing example of this belief and ability of himself.

Performances are also brilliant. Raj Kapoor himself was a great actor. And under his own direction, he was truly extra-ordinary. Alongwith himself he has extracted admirable performances from Nargis, Premnaath and debutante Nimmi (who went ahead to play a long and successful innings in Bollywood after this movie). Supporting cast has also done well.

In the presently running rainy season, it won't be in appropriate to watch this classic from the black and white era of Hindi cinema whose rain is an inseparable part of. I recommend this blockbuster movie to all the cine-lovers in general and melody lovers in particular. Allow yourself to be drenched in this rain of music, love and emotion.