Mera Naam Joker

Raj Kapoor presents an hypothetical autobiography of scathing power that might be his most uncompromising movie and true legacy. Rishi Kapoor plays the young Raj very convincingly and I found the first part to be the most refreshing and touching. The Joker's philosophy is true but does not have may buyers but use this movie as a grand scale memento mori. Check out Raj Kapoor's 'Jagte Raho' for a more devastating social critique. The film is unique for a true Indo-Russian love story and dialogue in Russian. Love and let live.

I will not repeat the same thing which is already covered by others. Mera Naam Joker I would say Raj Kapoor's one of the finest work in his career. A series followed after Awara, Sree 420, and Jagte Raho. Infect in true senses he expressed his real tribute to himself, his career. Whatever he learned he put everything into this. The philosophy says "the show must go on" who knows more than an actor. So whether he is happy or sad or crying he should always look happy and never show traces of his personal anguish. Personally Raj Kapoor was inspired by Charley Chaplin's work and we get the glimpse in his early movies. His philosophy behind this movie is true and very natural. Lets discuss different stages one by one.

Episode I

Adolescent infatuation, his thoughts, his dreams are true and I must say everyone must have faced the same situation with his teacher when in school. His point here only depicts how a young developing mind fantasies. His gesture to present his idol joker to his teacher is a very philosophical thought that only a director like Raj Kapoor can think. He repeats the same with other two women and gets it back all the time.

Episode II

This version depicts the young and passionate love of joker Raju. He tried to show a person in this age group does not think anything other than love, he thinks for romance and fantasies. Here too joker loves, dreams and shows his innocent heart. Raj Kapoor gave his life's best performance as a young joker.

Episode III

I would say this part was the only reason for the movie's failure. People at that time were not used to see mature love story. It was the time when they were used to see Shammi Kapoor's kind of love stories with young and sweet actresses. Padmini's appearance in the last episode makes the movie relatively dull as she was not a very talented actress rather a great dancer. She was never successful in her career in Hindi movies. However Raj Kapoor acted very well in as mature joker. His philosophy extends in this one. As he shows every one is a joker in his life. Life is a stage and everyone needs to perform his part and continue with his journey.

The symbol joker was returned to him thrice as if his heart was given back. His last duologue touches the most when his says his play will not stop here this is just an interval , which may be for 15 min,15 hours or 15 months so please don't go away . He said whatever he wanted to convey from this movie . He tried to prove that from this movie joker's next phase starts and surely after that he never acted in his movies as a hero. He chose his next episode where joker was directing other jokers for his show. Certainly it is his autobiographical work. At last I must say no one can replace a director like Raj Kapoor.

This supposedly autobiographical epic tale from Raj Kapoor broke all film-making conventions of '70s India. It was too long, there was no constant heroine and the hero never won.

Yet, the story unfolds beautifully, taking the viewer through the life of a simple man and his women. The protagonist is unreal in his simplicity and is more of a metaphor for the ideal lover. And like an ideal lover, he fails again and again. No film has better romanticised the self-defeatist trend of being a "good human being".

It is an understanding of romance in many stages seen through an unbiased almost transparent male perspective. It is more a study of "love" than a love story in itself.

The protagonist, pitched as a clown, brings to light the forever defeated lover, who the world laughs at. Good guys really do finish last. This is no Devdas. This is a man who goes through extreme emotional anguish only to stand back up again and expose himself and his pain to the world so that others may have a good laugh.

The downward spiral of the protagonist's resilient self-defeatist selfless romance bring no conclusive climax. And perhaps, that's how it really is. For people like these, there really is no conclusion. Life just goes on and on and chapters of their defeat just pile on one after the other.

A sublime movie.

I consider Mera Naam Joker to be one of Raj Kapoor's finest movie followed by Sangam. As a child I disliked Mera Naam Joker,I thought it was dull then years later I watched it again and realised how wrong I was. Mera Naam Joker was Raj Kapoor's personal project,he invested millions and millions into MNJ only for it to fail miserably at the box office. Since it's release MNJ is regarded as a cult classic. Looking at the movie you can see where that money went,MNJ has cameos from Bollywood's leading actors:Dharmendra, Simi Garewal, Manoj Kumar,Rajendra Kumar,Dhara Singh and many more. Mera Naam Joker tells the story of a man who is lonely and unhappy and yet he spreads his happiness around the world dressed up as a clown. The music as per usual for a RK production is extraordinary, my favourite is Jeena Yahan Marna Yahn which has a haunting feel to it. It is a real shame that on it's release MNJ didn't get the recognition it rightfully deserves. MNJ is a unique movie experience that will touch people's heart and will remain fixed in their memory forever

Mera Naam Joker is certainly one of the most insightful, heart-warming commercial films made in India. This film shows Raj Kapoor's orientation towards world classics. The cinematography is Tarkovskyish, Raj Kapoor's performance draws heavily from Charlin Chaplin, while the ending reminds of Fellini's Otto e Mezzo. This is possibly the greatest semi auto-biographical film- portrays major part of a person's life. It is the Indian Citizen Kane! Where it stands different from Citizen Kane or Otto e mezzo is its inherent optimism, and its commercial value. Raj Kapoor is not hesitant to show small dances and partial melodrama, and the message is loud and clear- 'Life goes on'! The last story (meena) seems out of place initially in this long film, but starts making sense when it depicts Raju's loneliness correctly.

The scene that steals the show is where Raju's mother dies and yet Raju enters the ring dressed as a clown yelling for his mother, squirts water from his eyes, and starts playing his violin- a wonderful depiction of his showman spirit. This film has everything in place, and I can't help but call it- my favourite Raj Kapoor classic!