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This is a solid Gable movie with superb supporting actors. You've got a star cast with many cameos, and some strong performances.

There are rich storylines: Gambling and the psychology of it How to keep a successful long-term marriage Father-son issues Stealing and the principles against it - moral lesson An attempted robbery and more!

Many of the star cast - Wendell Corey, Mary Astor, Barry Sullivan - you wanted to understand more and to know more. But then the movie might have been too long. Perhaps the writing could have explored one side line/side story a little more.

We wanted more backstory from all these stars. Wendell is a timid man who is conned and cheats Gable - where does he come from? Why does Gable employ/trust him? Is it just family loyalty? Alexis' sister is jealous and we want to know why she and her husband and living with her.

Barry Sullivan is an excellent actor and we want to know more about his partnership with Gable. He's exciting and compelling to watch. You have the guy from the Wizard of Oz try to take Gable for all he's worth. What's his backstory.

It's amazing to have all these stars, but not have for them more writing/depth on their characters.

Still, Gable, and Alexis are compelling, and it's a compelling story about family development, life choices, high stakes life. These are many issues we face in our day-to-day lives, and we get to see how they navigate them.

I enjoyed this movie and recommend it for viewing once.

Not a great film but a very entertaining one with some wonderful performances from a cast of pros.

Gable holds the spotlight effortlessly as the gambling house owner at a crossroads ably assisted by some of the best character actors working at MGM at the time. Used as both a launching pad for some actors just starting out, Wendell Corey and Barry Sullivan, and a chance to see many wonderful character actors with years of experience, Lewis Stone, Frank Morgan etc. all get their moment in the spotlight.

It's hard to pick best in show with so many marvelous players but some that stand out are: Mary Astor is a nice cameo as a lonely woman with a longstanding yen for Clark who through the years has settled for friendship. Both Stone and Morgan add pathos to their individual roles as does Audrey Totter as Alexis Smith's worn down sister. Marjorie Rambeau is an absolute joy as a rambunctious dowager who swoops right in and steals her scenes without breaking a sweat. Lastly Alexis Smith who often was wasted in decorative roles bites into her role as Gable's tough wife. She initially seems a complacent and docile homebody but when the chips are down she emerges as somewhat of a tigress in a terrific performance.

As might be apparent from the long list of excellent work turned in, the film has many plot lines; really too many and that's its main weakness. Director Mervyn LeRoy juggles all the various happenings effectively but a bit of trimming would have sharpened the film's focus.

This postwar movie was one of Clark Gable's last for the studio that made him a star--MGM. Gable is older, perhaps wiser, but here fully capable of playing this role with all of the insight into life that his 49 years have earned him. One has the feeling that after the great '30s roles such as Rhett Butler, after the death of Carole Lombard, and after the war, Gable was perfect for the world-weary professional gambler that he plays here--the part fits him like a glove. And he's surrounded by great character actors such as Frank Morgan, Lewis Stone, and Mary Astor, to name a few.

I don't agree with the other review that said this was a totally unrealistic, if watchable film: I grew up in a small city that had a gambling house similar to the one depicted here. It was well run, had many regulars, and was quite well known to the authorities. In any case, this movie is well worth a view, if you're not a Gable fan, you might be after viewing this one.

One of the great opening scenes of any Hollywood movie projects a kind of cinematic/theatrical authority in a league with O'Neill or Odets, first we see the black man, filled with jolly self denial, buffing the crap tables, his tragedy is implicit from the first moment, believing in his heart that he is on a social par with the other white employees... and with quick, methodical grace the other supporting characters are sharply introduced - they're waiting for lefty, or godot,or the Iceman, or their savior,who happens to be Gable in one of his greatest roles...this is the refined essence of that great personality on screen...the man could simply manufacture chemistry not only with his leading ladies but with other men as well...too bad the crisp, exciting climax at the crap table does not quite live up to this glorious existential opening but it's still an eminently enjoyable Hollywood wrap up..one of the most underrated MGM movies.

Clark Gable stars as owner of a legal, small-town gambling house but his heart condition is about to make him quit. It's then he realizes that he's alienated his wife (Alexis Smith), who has retreated to a "memory room," and his son (Darryl Hickman) who is ashamed of how he has become rich.

He's also got a sneaky brother-in-law (Wendell Corey) who is married to his wife's sister (Audrey Totter). But he also has loyal employees (Barry Sullivan, Edgar Buchanan, Caleb Peterson), and some women who are quite fond of him (Mary Astor, Marjorie Rambeau).

Stealing the film are two longtime MGM players. Franks Morgan plays the gambler who may break the bank, and Lewis Stone plays the has-been who's about to play his last hand. Each is excellent.

Others include his doctor (Leon Ames), a couple of thugs (William Conrad, Richard Rober), and dejected woman gambler (Dorothy Comingore), and Art Baker as the nightclub owner.

Scotty Beckett was originally signed to play the son and his picture is on Gable's desk, but he was replaced by Hickman.

Frank Morgan and Lewis Stone turn in terrific performances, and this ranks as one of Clark Gable's best post-war performances.